{"id":38063,"date":"2004-08-19T00:00:00","date_gmt":"2004-08-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/alientar\/"},"modified":"2004-08-19T00:00:00","modified_gmt":"2004-08-19T00:00:00","slug":"alientar","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/alientar\/","title":{"rendered":"Alientar"},"content":{"rendered":"<p>For every Pink Floyd or Led Zeppelin, there have been countless<br \/>\nnumbers of bands that didn&#8217;t make it for various reasons. There is<br \/>\nan incredible amount of pressure on bands cutting their first<br \/>\nalbums to hit a home run. Most of the time, instead of a home run,<br \/>\na band strikes out. Fortunately, with their self-titled debut<br \/>\nalbum, Alientar has hit a double.<\/p>\n<p>I cannot peg Alientar into a specific genre, seeing as how there<br \/>\nare so many represented on this album. There&#8217;s a heavy dose of<br \/>\nprog-rock, but one can find bits of metal, blues, arena rock and<br \/>\nspace rock scattered throughout<br \/>\n<i>Alientar<\/i>. While that eclectic mix may suffice for now,<br \/>\nfuture releases will hopefully be more focused. Pink Floyd and Yes<br \/>\nwere able to create extended songs that managed to hold the<br \/>\nlisteners attention. Alientar is not at that point yet, but they<br \/>\nhave the potential. However, one thing is certain, this band has<br \/>\nchops.<\/p>\n<p>Kudos to the rhythm section of Alientar. They are the glue that<br \/>\nholds the album together. Forest Croe, lead guitarist, displays his<br \/>\nversatility quite well. He can shift from an over-the-top Pink<br \/>\nFloydian-solo to a catchy R&#038;B riff or to a quiet acoustic solo.<br \/>\nJoseph Lemmer has a good grasp of how keyboards should be used in<br \/>\nrock. His work on &#8220;Good Luck&#8221; is particularly excellent.<\/p>\n<p>So what about the songs themselves? As with most prog-rock<br \/>\nalbums, the songs serve as a vehicle for the band to display their<br \/>\ntalents. Each track contains various shifts in tempo and style,<br \/>\nmuch like the work of Yes. In fact, Yes and Pink Floyd are the two<br \/>\nbands I would compare Alientar to the most. There are some moments<br \/>\nin which Alientar really captures some major elements of prog-rock.<br \/>\nTake for example the opening of &#8220;Kraz-E NayBR,&#8221; which reminded me a<br \/>\ngreat deal of the screaming, distorted guitar sound of &#8220;In The<br \/>\nFlesh&#8221; off The Wall. &#8220;Sonic Wave&#8221; features a keyboard solo that<br \/>\nwould make Rick Wakeman proud. The best track on<br \/>\n<i>Alientar<\/i>, &#8221; Good Luck,&#8221; is in the same mold as &#8220;Roundabout&#8221;<br \/>\noff the Yes album<br \/>\n<i>Fragile<\/i>. This is a further testament to the skills of the<br \/>\nband members.<\/p>\n<p>Vocally is where I find a minor fault with the album. This kind<br \/>\nof music usually requires a different sort of voice. Roger Waters,<br \/>\nIan Anderson and Jon Anderson, among others, brought a little<br \/>\nsomething extra to the table. They added another dimension to their<br \/>\nsongs. While the vocals on Alientar are suitable for straight-up<br \/>\nrock, the direction the band seems to be taking calls for something<br \/>\na little different.<\/p>\n<p>Alientar has produced a well-crafted album. The group can go in<br \/>\na lot of different directions at this point, and it will be<br \/>\ninteresting to see where they do end up. They have the talent and<br \/>\nthe ability &#8212; now it&#8217;s up to Fate.<\/p>\n","protected":false},"author":44,"featured_media":26790,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7057],"rating":[5615],"class_list":["post-38063","review","type-review","status-publish","has-post-thumbnail","artist-alientar","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38063"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38063\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26790"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38063"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38063"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38063"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}