{"id":38067,"date":"2004-08-24T00:00:00","date_gmt":"2004-08-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-valid-path\/"},"modified":"2004-08-24T00:00:00","modified_gmt":"2004-08-24T00:00:00","slug":"a-valid-path","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-valid-path\/","title":{"rendered":"A Valid Path"},"content":{"rendered":"<p>There&#8217;s a lot of pithy comparisons I could make about the new CD<br \/>\nfrom Alan Parsons,<br \/>\n<i>A Valid Path<\/i>. Comparisons to Yes&#8217;<br \/>\n<i>90215<\/i> come to mind; both times an artist with a loyal,<br \/>\nopinionated fanbase radically changed their sound, and I suspect<br \/>\nmuch like Yes, Parsons is going to be raked over some metaphorical<br \/>\ncoals. This is not, in any way, shape, or form, the Alan Parsons<br \/>\nProject. This is something else &#8212; something that longtime fans<br \/>\nwill either find cool or execrable.<\/p>\n<p>I&#8217;m not going to keep you in suspense any longer; I&#8217;m going to<br \/>\ncome down on the side of cool. Different, but very very cool.<\/p>\n<p>First change; this is not progressive rock. This is electronica;<\/p>\n<p><i>A Valid Path<\/i> is mostly instrumentals, with only three vocal<br \/>\ntracks. Second change: there are parts of this album that are<br \/>\ndownright danceable. Funky, even. If<br \/>\n<i>Vulture Culture<\/i> is what Alan produced under pressure to be a<br \/>\nchart-topping artist,<br \/>\n<i>A Valid Path<\/i> is what Alan produced when he wanted to just go<br \/>\nhave some fun. And it works. I think it works really well.<\/p>\n<p>The album&#8217;s guest appearance list reads like a who&#8217;s who of<br \/>\nmodern electronica. At various times, The Crystal Method, Shpongle,<br \/>\nNortec Collective, and many others make appearances. David Gilmour<br \/>\nshows up on the opening track, &#8220;Return To Tunguska,&#8221; to link back<br \/>\nto the days when Parsons produced Pink Floyd. Parsons&#8217; son, Jeremy,<br \/>\nhelped write a track. John Cleese and Orson Welles even show up for<br \/>\na bit of vocal work. The production and engineering is without<br \/>\npeer, as always.<\/p>\n<p>The meat of the matter, though, are the songs. Out of nine<br \/>\ntracks on the CD, I can without reservation recommend eight, and<br \/>\nthat&#8217;s quite an average. &#8220;More Lost Without You&#8221; &#8212; which I already<br \/>\nknow is a somewhat controversial track among Parsons cognoscenti &#8212;<br \/>\nis a straight-ahead pop song with an electronica sheen on it. Two<br \/>\ntracks (&#8220;Mammagamma &#8217;04&#8221; and &#8220;A Recurring Dream Within A Dream&#8221;)<br \/>\nare retakes on Project classics, and they both work very very well.<br \/>\nThe drum groove and haunting vocals on &#8220;We Play The Game&#8221; are some<br \/>\nof my favorite moments on the CD. My favorite, however, is the<br \/>\ntriumphant and tribal &#8220;Chomolungma,&#8221; the CD&#8217;s close, a powerful,<br \/>\npercussion-laden work of art. Only &#8220;Tijuaniac&#8221; does very little for<br \/>\nme, and that stems from a personal dislike of works that venture<br \/>\ntowards atonal or twelve-tone. (I do wonder if it will grow on me.<br \/>\nIt may.)<\/p>\n<p>\n<i>A Valid Path<\/i> is, indeed, a different path for Parsons. But<br \/>\nit&#8217;s a path where his peers seem to respect him, he seems to be<br \/>\nhaving fun, and he produces some intriguing, groovy work. More<br \/>\npower to him; I hope there&#8217;s more forthcoming.<\/p>\n","protected":false},"author":18,"featured_media":26794,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5965],"rating":[5646],"class_list":["post-38067","review","type-review","status-publish","has-post-thumbnail","artist-alan-parsons","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38067"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38067\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26794"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38067"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38067"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}