{"id":38075,"date":"2004-08-27T00:00:00","date_gmt":"2004-08-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-bottle-of-wine-ep\/"},"modified":"2004-08-27T00:00:00","modified_gmt":"2004-08-27T00:00:00","slug":"the-bottle-of-wine-ep","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-bottle-of-wine-ep\/","title":{"rendered":"The Bottle Of Wine EP"},"content":{"rendered":"<p>Young blond surfer-ish dude strums his acoustic down by the<br \/>\noceanside. The girls sway around the firepit as the waves crash, a<br \/>\nbottle of wine is passed and the spirit of every beachfront,<br \/>\nhippiefied artiste from Jack Kerouac to Jack Johnson is<br \/>\ninvoked.<\/p>\n<p>Based on the cover art to<br \/>\n<i>The Bottle Of Wine EP<\/i>, it would be easy to dismiss Thomas<br \/>\nCunningham as a caricature. Easy, and wrong.<\/p>\n<p>Yes, Cunningham&#8217;s instrument of choice is the acoustic guitar,<br \/>\nand his vocals in places assume a laconic fireside manner. But the<br \/>\ninstrumentation here ranges from Cunningham&#8217;s own intricate playing<br \/>\n(&#8220;The Bottle Of Wine&#8221;) to tasteful slide (&#8220;Sunset On The<br \/>\nBoulevard&#8221;) to some fairly tasty electric work (&#8220;Senseless&#8221;).<br \/>\nCunningham goes with full-band arrangements on half these songs and<br \/>\na rhythm section on all of them, giving him a fuller, slightly<br \/>\nheavier sound than you might anticipate.<\/p>\n<p>The main thing to be learned from this disc, though, is that<br \/>\nthis kid (he&#8217;s 19) can write. His songs have almost a rap feel in<br \/>\nplaces as TC catches the flow and breezes through a dense lyric<br \/>\nlike the title track, rhyming up a storm and constantly pushing the<br \/>\nmusic ahead. (You can feel the Ben Harper influence there &#8211; oh<br \/>\nyeah, definitely.)<\/p>\n<p>To his credit, Cunningham also hits some strong emotional notes<br \/>\nwith lyrics, especially on the rather Shawn Mullins-y &#8220;Senseless,&#8221;<br \/>\nwhose emotionally co-dependent narrator struggles to rescue a lover<br \/>\nwho doesn&#8217;t want to be rescued. &#8220;She&#8217;s such a mess \/ Thought &#8216;all<br \/>\nshe needs is a little bit of me,&#8221; sings Cunningham, and it rings as<br \/>\ntrue as his coda, in which the object of his affection goes from<br \/>\nscreaming &#8220;I can&#8217;t go on!&#8221; to &#8220;You can&#8217;t move on!&#8221; at him.<\/p>\n<p>&#8220;Chemical Monday&#8221; is another nice acoustic-and-rhythm piece<br \/>\nabout addictions and illusions, with nice little lyrical nuggets<br \/>\nlike &#8220;False hopes never die&#8221; and &#8220;What a day to die \/ The day I<br \/>\nfeel most alive,&#8221; and some nice organ accents toward the end. The<br \/>\ncloser to this six-track EP, &#8220;Sayonara,&#8221; is a quirky kiss-off to a<br \/>\nlong-time relationship whose free-association chorus goes &#8220;The days<br \/>\nhave changed \/ Now everything, there&#8217;s no flame&#8221;\u2026 and<br \/>\nactually makes sense, in the context of the verses.<\/p>\n<p>I&#8217;ll confess I also have to root for Cunningham because he&#8217;s a<br \/>\nlocal No Cal boy, calling Davis his hometown and publishing this<br \/>\ndisc on Santa Cruz-based Emerald City. I will definitely be<br \/>\ncatching a show sometime, preferably without a surfboard in sight.<br \/>\nFor now, you can catch this EP at<br \/>\n<a href=\"http:\/\/www.thomas-cunningham.com\" target=\"_blank\">www.thomas-cunningham.com<\/a>.<\/p>\n","protected":false},"author":12,"featured_media":26802,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7062],"rating":[5617],"class_list":["post-38075","review","type-review","status-publish","has-post-thumbnail","artist-thomas-cunningham","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38075"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38075\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26802"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38075"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38075"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}