{"id":38082,"date":"2004-09-06T00:00:00","date_gmt":"2004-09-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/my-architect\/"},"modified":"2004-09-06T00:00:00","modified_gmt":"2004-09-06T00:00:00","slug":"my-architect","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/my-architect\/","title":{"rendered":"My Architect"},"content":{"rendered":"<p>It is rare that I get to see films these days. This is the<br \/>\nreality of being a father of three kids working two jobs. If I want<br \/>\nto see any film, it usually has to be rented from Blockbuster and<br \/>\nviewed in a few sittings over crying, screaming and frequent<br \/>\ninterruptions.<\/p>\n<p>Needless to say, I have not been able to get to the theatres to<br \/>\nsee<br \/>\n<i>My Architect<\/i>, a film which was an Academy Award nominee for<br \/>\n&#8220;Best Documentary&#8221;. (Despite playing in only a handful of theatres,<br \/>\nthis film has done respectably; Box Office Mojo lists it in the top<br \/>\n20 highest grossing documentaries of all time.) Telling the story<br \/>\nof architect Louis Kahn, the mystery and secrets of his life and<br \/>\nhis illegitimate son&#8217;s coming to terms with his father&#8217;s life and<br \/>\nlegacy, the story has to be powerful on film. I know the music is<br \/>\nquite haunting, even if it does begin to lose some of its power<br \/>\npast the halfway mark of this relatively short disc (20 tracks<br \/>\nclock in at just under 41 minutes).<\/p>\n<p>Joseph Vitarelli&#8217;s score is indeed sparse, mostly driven by<br \/>\npiano and little orchestral input with hints of Judaism thrown in<br \/>\nto reflect Kahn&#8217;s background. All together, the soundtrack does a<br \/>\nbetter job at painting the struggle the movie is documenting than<br \/>\nmany other soundtracks written for major-market films. Mark<br \/>\nVitarelli&#8217;s name now &#8211; chances are good we will be hearing a lot<br \/>\nmore from him in the years to come.<\/p>\n<p>While the soundtrack&#8217;s mood tells a little about Kahn&#8217;s early<br \/>\nlife (&#8220;Beginnings\u2026&#8221;) and his religious upbringing (&#8220;Hayom<br \/>\nT&#8217;amtzeinu&#8221;), for the most part the music creates a picture of<br \/>\nuncertainty and struggle (&#8220;The Mystery Of Louis Kahn,&#8221; &#8220;American<br \/>\nHymn I&#8221;), almost acting as an audio version of filmmaker Nathaniel<br \/>\nKahn&#8217;s quest to discover just who his father was beyond the world<br \/>\nof architecture. The inclusion of outside selections like &#8220;Fanfare<br \/>\nFor The Common Man&#8221; and &#8220;Happy Returns&#8221; does suggest rays of hope<br \/>\nin the search, and maybe even suggests there is a happy ending in<br \/>\nus all.<\/p>\n<p>If there is one drawback to<br \/>\n<i>My Architect<\/i>, it is that the soundtrack tends to lag in the<br \/>\nsecond half. Tracks like &#8220;Chez Louis,&#8221; &#8220;The Nomad&#8221; and &#8220;Dhaka&#8221; &#8211;<br \/>\neven &#8220;Suite For Louis Kahn (End Credits)&#8221; &#8211; don&#8217;t quite have the<br \/>\nemotional punch the first half of the disc carries. The inclusion<br \/>\nof &#8220;Call To Prayer,&#8221; though, is wisely chosen, as it is hauntingly<br \/>\nbeautiful.<\/p>\n<p>\n<i>My Architect<\/i> isn&#8217;t the kind of film that will end up topping<br \/>\nthe box office charts, but it does have a soundtrack that is worthy<br \/>\nof your attention, even if it doesn&#8217;t end as strongly as one would<br \/>\nhave hoped.<\/p>\n","protected":false},"author":2,"featured_media":26808,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5729],"rating":[5615],"class_list":["post-38082","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38082"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38082\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26808"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38082"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38082"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38082"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}