{"id":38088,"date":"2004-09-09T00:00:00","date_gmt":"2004-09-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-number-of-the-beast\/"},"modified":"2004-09-09T00:00:00","modified_gmt":"2004-09-09T00:00:00","slug":"the-number-of-the-beast","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-number-of-the-beast\/","title":{"rendered":"The Number Of The Beast"},"content":{"rendered":"<p>Another year, another line-up change for Iron Maiden. That&#8217;s<br \/>\nwhat people had to be thinking by the time their third effort,<br \/>\n<i>The Number Of The Beast<\/i>, came out in 1982. In this case, out<br \/>\nwas vocalist Paul Di&#8217;Anno, in was former Samson lead throat Bruce<br \/>\nDickinson.<\/p>\n<p>And, as this disc still proves today, in were the years of Iron<br \/>\nMaiden&#8217;s greatest successes. Dickinson proved to be a perfect match<br \/>\nfor the band, and this disc was the quintet&#8217;s most solid release to<br \/>\nthat point.<\/p>\n<p>These days, this disc is revered for such songs as &#8220;Run To The<br \/>\nHills&#8221; and &#8220;The Number Of The Beast,&#8221; easily two of Maiden&#8217;s<br \/>\ngreatest songs. But some of the real gems were the ones not getting<br \/>\nregular attention. &#8220;22 Acacia Avenue,&#8221; the only song in Maiden&#8217;s<br \/>\ncatalogue (to the best of my knowledge) that was a sequel to an<br \/>\nearlier song of theirs (in this case, &#8220;Charlotte The Harlot&#8221;) and<br \/>\n&#8220;The Prisoner&#8221; are songs which are burned into my memory, having<br \/>\nheard them on the only heavy metal radio program we had in Chicago<br \/>\nwhen I was a teenager.<\/p>\n<p>But these songs all do share a common bond &#8211; namely, they<br \/>\nillustrate how much Iron Maiden had grown in two short years, and<br \/>\nhow well the band was gelling together. With all respect meant<br \/>\ntowards Di&#8217;Anno and his contributions to the band, Dickinson seemed<br \/>\nto be the perfect frontman for the group, exuding energy and<br \/>\ncharisma that seemed to know no boundaries. His vocals also seemed<br \/>\nto be a shade more powerful, even if the ranges of both men&#8217;s<br \/>\nvocals was comparable. (Listen to Di&#8217;Anno on the early song &#8220;Women<br \/>\nIn Uniform&#8221; if you have any doubts.)<\/p>\n<p>There have been so many re-issues of this disc that you almost<br \/>\nneed a program to keep track. (I happen to be working from the 1998<br \/>\nre-issue on Raw Power.) Recent re-issues include the song &#8220;Total<br \/>\nEclipse,&#8221; originally supposed to be on the album but dropped at the<br \/>\nlast minute. Its inclusion is indeed welcome, and is further proof<br \/>\nof how well Iron Maiden was playing as a unit.<\/p>\n<p>Qualms? I have but one. Maybe it&#8217;s because I first was<br \/>\nexperienced to the funereal live version on<br \/>\n<i>Live After Death<\/i>, but the introduction on &#8220;Children Of The<br \/>\nDamned&#8221; just feels like it&#8217;s being rushed. But, that&#8217;s a personal<br \/>\nquibble, and doesn&#8217;t take away from the overall power of the<br \/>\nsong.<\/p>\n<p>\n<i>The Number Of The Beast<\/i> didn&#8217;t stop Iron Maiden&#8217;s revolving<br \/>\npersonnel door; drummer Clive Burr makes his final appearance with<br \/>\nthe group on this disc. But this disc does launch the band into<br \/>\nrealms of success they could only have dreamed of up to this point<br \/>\n&#8211; and the engines were just about to kick into overdrive.<\/p>\n<p>There&#8217;s a reason this album has remained popular for over 20<br \/>\nyears. All it takes is one listen to understand why.<\/p>\n","protected":false},"author":2,"featured_media":26812,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5725],"rating":[5617],"class_list":["post-38088","review","type-review","status-publish","has-post-thumbnail","artist-iron-maiden","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38088"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38088\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26812"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38088"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38088"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}