{"id":38096,"date":"2004-09-15T00:00:00","date_gmt":"2004-09-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thunderbirds\/"},"modified":"2004-09-15T00:00:00","modified_gmt":"2004-09-15T00:00:00","slug":"thunderbirds","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thunderbirds\/","title":{"rendered":"Thunderbirds"},"content":{"rendered":"<p>Is it too much to expect a soundtrack to an action film to have<br \/>\na score which has a little more of a rock beat to it?<\/p>\n<p>That is precisely what I found myself thinking as I listened to<br \/>\nthe soundtrack to<br \/>\n<i>Thunderbirds<\/i>, yet another film this year scored by Hans<br \/>\nZimmer (who must be earning some serious overtime pay). With an<br \/>\naction-packed theme and kicking off the soundtrack with a<br \/>\nbeat-oriented version of &#8220;Thunderbirds Are Go! Original TV Series<br \/>\nTheme,&#8221; you can&#8217;t help but think that this is going to be an<br \/>\nexciting listen.<\/p>\n<p>Alas, we&#8217;re wrong. The score quickly dissolves back into<br \/>\ntraditional film scoring with no real excitement to the listener.<br \/>\nWhile there are passages which suggest serious action on the<br \/>\nscreen, it doesn&#8217;t have the same kind of snap that one would have<br \/>\nexpected, and ends up disappointing on several levels.<\/p>\n<p>Okay, I can understand utilizing the traditional school of film<br \/>\nscoring for portions of the soundtrack. Tracks like &#8220;Can&#8217;t Wait To<br \/>\nBe A Thunderbird&#8221; and &#8220;International Rescue&#8221; do set the proper tone<br \/>\nfor the action I can imagine to be occurring on the screen. And, in<br \/>\nthese instances, Zimmer does utilize his craft well, keeping the<br \/>\nlistener interested in what is happening, both in the speakers and<br \/>\nin their minds.<\/p>\n<p>Yet<br \/>\n<i>Thunderbirds<\/i> is an action movie, and the score sadly is<br \/>\nlacking in that kind of energy one would think the music called<br \/>\nfor. Tracks like &#8220;The Hood,&#8221; &#8220;You Need To Grow Up,&#8221; &#8220;Thunderize!&#8221;<br \/>\nand &#8220;Buggy Chase&#8221; don&#8217;t have much snap &#8211; or much of anything, for<br \/>\nthat matter. The soundtrack quickly becomes background material &#8211;<br \/>\nand while I am no film expert, I would like to think the music<br \/>\nshould be as much a part of the mood as the action on-screen.<\/p>\n<p>Closing the disc with a take on &#8220;Thunderbirds Are GO!&#8221; done by<br \/>\nBusted is a nice idea, but it does make me wonder who the film<br \/>\n(and, in part, the soundtrack) was marketed toward. People my age<br \/>\nand a little older remember<br \/>\n<i>Thunderbirds<\/i> as those freaky marionettes on the television<br \/>\nshow; while the film is definitely marketed towards re-generating<br \/>\nthe brand name for today&#8217;s youth, it almost feels like Zimmer aimed<br \/>\nfor the teeny-boppers with this selection. I don&#8217;t quite know if it<br \/>\nwas an appropriate move.<\/p>\n<p>\n<i>Thunderbirds<\/i> is a typical soundtrack which could have been a<br \/>\nspectacular one, had Zimmer thought outside of the box in terms of<br \/>\nthe music and its structure. A little less orchestra, a little more<br \/>\ndrums and electronic noises a la keyboards, and you would have had<br \/>\na disc that could have gone from zero to MACH-3 in ten seconds.<\/p>\n","protected":false},"author":2,"featured_media":26816,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5729],"rating":[5614],"class_list":["post-38096","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38096"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38096\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26816"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38096"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38096"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}