{"id":38132,"date":"2004-10-14T00:00:00","date_gmt":"2004-10-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-system-has-failed\/"},"modified":"2004-10-14T00:00:00","modified_gmt":"2004-10-14T00:00:00","slug":"the-system-has-failed","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-system-has-failed\/","title":{"rendered":"The System Has Failed"},"content":{"rendered":"<p>Dave Mustaine has healed himself.<\/p>\n<p>The often controversial guitarist\/lead singer of Megadeth<br \/>\n&#8220;retired&#8221; from the music industry because he slept on his hand<br \/>\nwrong and sustained nerve damage. For a long time, it was<br \/>\nquestionable whether Mustaine, as a part of Megadeth, would ever<br \/>\nshare his unique vision of the world again. Thankfully, his hand<br \/>\nhealed and one of the greatest thrash guitarists has assembled a<br \/>\n&#8220;band&#8221; that is going by the name Megadeth.<\/p>\n<p>But this is not a band. This is drummer Vinnie Colaiuta, an<br \/>\namazing sticksman known more for his contributions in the jazz and<br \/>\nfusion genre than metal, bassist Jimmie Lea Sloas, and a guest<br \/>\nguitarist, former Megadeth lead guitarist Chris Poland, playing<br \/>\nsongs that Mustaine wrote. 100%. No outside contributions. The<br \/>\npress kit outlines that he is proud of this achievement. This is<br \/>\nthe Megadeth CD that was conceived 100% in Mustaine&#8217;s mnd. Formed<br \/>\nin the depths of Mustaine&#8217;s soul, this CD reveals a man who has<br \/>\nseen it all, been through it all and come through to the other side<br \/>\nalive. With a learned wisdom, Mustaine is unapologetic in many of<br \/>\nhis songs.<\/p>\n<p>&#8220;Something That I&#8217;m Not&#8221; is a bullet aimed at the ever-elusive<br \/>\n&#8220;you,&#8221; a person that no singer ever seems to like. &#8220;You&#8221; hurt the<br \/>\nsinger, &#8220;you&#8221; are evil, etc. or &#8220;you&#8221; are gone from the singer&#8217;s<br \/>\nworld. Mustaine sings &#8220;You said that nothing [would] come<br \/>\nin-between us \/ the way of getting things we wanted down \/ Then<br \/>\nenissophobia [according to<br \/>\nhttp:\/\/psychology.about.com\/cs\/glossaries\/g\/Enosiophobia.htm,<br \/>\nrefers to an abnormal and persistent fear of having committed an<br \/>\nunpardonable sin or of criticism] held you under its influence \/<br \/>\nuntil you compromised your style.&#8221; So not only is Mustaine<br \/>\nviciously peeved at &#8220;you,&#8221; he is using $10 words to make his point.<br \/>\n&#8220;Truth Be Told&#8221; brings us Mustaine&#8217;s perspective on the world when<br \/>\nhe sings, &#8220;Before al Qaeda and Bin Laden \/ Long before Hitler and<br \/>\nHussein \/ Ever since the first murder was committed \/ The verdict&#8217;s<br \/>\nalways been the same \/ Been the same, wrong! \/ The cursed future<br \/>\njust repeats the past \/ There&#8217;s hell to pay and stones to cast \/<br \/>\nSo, there will be no peace, never be peace \/ Till the last truth be<br \/>\ntold by you and me.&#8221;<\/p>\n<p>When Mustaine isn&#8217;t tackling global terrorism villains, he&#8217;s<br \/>\nsinging about how the glory days of metal. Let&#8217;s face it, depending<br \/>\nupon your definition of the first modern thrash metal release,<br \/>\nMustaine&#8217;s genre of thrash metal is at least 20 years old. Anthrax,<br \/>\nMetallica, Slayer . . . all around for 20+ years. We grant Mustaine<br \/>\nhis reflective nature in &#8220;Back in the Day&#8221; when he sings, &#8220;Live to<br \/>\ndie and die to play \/ Every day and place \/ leave a path of meta l\/<br \/>\nacross the world from stage to stage&#8221; and, later, &#8220;In demin and<br \/>\nleather \/ we were all part of one force \/ knocked rock and roll on<br \/>\nits ass \/ and put metal on the course.&#8221; Sure, Mustaine was in the<br \/>\nfirst crop of heavy metal bands that came out in the early<br \/>\n&#8217;80s.<\/p>\n<p>Mustaine dwells on his past in &#8220;Of Mice and Men&#8221; when he sings,<br \/>\n&#8220;Back when I was just seventeen \/ I thought that I knew everything<br \/>\n\/ I could make it in this scene.&#8221; He traces his journey through the<br \/>\nage of 21 and then picks up his story at 25, and offers his opinion<br \/>\non the future &#8220;So live your life and live it well \/ There&#8217;s not<br \/>\nmuch left of me to tell \/ I just got back up each time I fell.&#8221;<br \/>\nFinally, Mustaine confronts his future. In the last verse of the<br \/>\nlast song on this CD, Mustaine sings, &#8220;I have lived through others<br \/>\nfor far too long \/ And carried my guilt, my causes, my sins \/ I<br \/>\nhope in the hereafter when I owe no more to the future\/ That I can<br \/>\nbe just a man.&#8221;<\/p>\n<p>Musically, this is a true return-to-form for Mustaine.<br \/>\n<i>The World Needs a Hero<\/i> never got any airplay except for the<br \/>\nawful &#8220;Moto Psycho&#8221; and even though &#8220;1000 Times Goodbye&#8221; kicked<br \/>\nbutt and should have been a follow-up single, that never<br \/>\nmaterialized. I don&#8217;t know if the radio stations got tired of<br \/>\nplaying their songs after<br \/>\n<i>Cryptic Writings<\/i> (&#8220;Please! Mr. DJ, can you play &#8220;Trust&#8221; one<br \/>\nmore time today!&#8221;), but the band&#8217;s airplay success went<br \/>\ndownhill.<\/p>\n<p>In that respect,<br \/>\n<i>The System Has Failed<\/i> will be unlikely to be a bona-fide<br \/>\nradio success. &#8220;Die Dead Enough&#8221; has been played on my local rock<br \/>\nstations, but I don&#8217;t really hear the commercial success of<br \/>\n<i>Cryptic Writings<\/i> on this CD. And that makes sense. This is a<br \/>\ndifferent Megadeth than the<br \/>\n<i>Cryptic Writings<\/i> era. And I think it is for the better. This<br \/>\nmaterial is more aggressive, Mustaine&#8217;s lyrics are more personal<br \/>\nand more pointed, yielding his &#8220;go to hell&#8221; attitude with a fiery<br \/>\nsword.<\/p>\n","protected":false},"author":10,"featured_media":26843,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5796],"rating":[5646],"class_list":["post-38132","review","type-review","status-publish","has-post-thumbnail","artist-megadeth","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38132"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38132\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26843"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38132"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38132"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38132"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}