{"id":38140,"date":"2004-10-20T00:00:00","date_gmt":"2004-10-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/album-of-the-year\/"},"modified":"2004-10-20T00:00:00","modified_gmt":"2004-10-20T00:00:00","slug":"album-of-the-year","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/album-of-the-year\/","title":{"rendered":"Album Of The Year"},"content":{"rendered":"<p>Album of the year? Definitely not.<\/p>\n<p>Faith No More (FNM) has always been a band with a sense of<br \/>\nhumor. These days it is cool and hip for heavy metal bands to be<br \/>\nall gruff, serious and pondering, but FNM has never cared about<br \/>\nputting on a fake attitude. As a matter of fact, since rock\/heavy<br \/>\nmetal music is a lot about attitude &#8212; sometimes more than the<br \/>\nmusic &#8212; these guys have defied this trend by being casual and<br \/>\nenjoying their lunatic music, rather than working to give their<br \/>\nimage any serious meaning.<\/p>\n<p>As if making a grand exit, FNM named its last album<br \/>\n<i>Album Of The Year<\/i> when they themselves know very well that<br \/>\nthey have lost all the spunk since the days of<br \/>\n<i>Angel Dust<\/i>. It is probably their way of laughing at<br \/>\nthemselves. With the album cover giving a message of farewell,<br \/>\nprobably the band knew that this would be their last album. This<br \/>\nalbum shows signs of a waning band. The band seems fatigued, and it<br \/>\nis only surprising that FNM could carry on for this final album<br \/>\nafter<br \/>\n<i>King For A Day, Fool For A Lifetime<\/i>, its predecessor.<\/p>\n<p>Though FNM seems wearied in this album, it has come up with some<br \/>\nreally exceptional songs, probably as a parting gift, though these<br \/>\nwould definitely not compensate for the permanent absence of the<br \/>\nband. Of the twelve songs on<br \/>\n<i>Album Of The Year<\/i>, &#8220;Stripsearch,&#8221; &#8220;Last Cup Of Sorrow,&#8221;<br \/>\n&#8220;Helpless,&#8221; &#8220;Ashes To Ashes,&#8221; &#8220;Paths Of Glory&#8221; and &#8220;Pristina&#8221; are<br \/>\nwhat save the day for this album, and what a job the band has done<br \/>\non these songs! Amongst the other forgettable stuff on<br \/>\n<i>Album Of The Year<\/i>, it is these few numbers that make it<br \/>\nworth listening to. Drastically different from FNM&#8217;s older stuff,<br \/>\nthis album&#8217;s great numbers are much less aggressive than those<br \/>\nduring the band&#8217;s heydays. Melancholic and poignant, these songs<br \/>\nshow a much more subdued facet of this band.<\/p>\n<p>Sadly, most of<br \/>\n<i>Album Of The Year<\/i> is filled with FNM&#8217;s failed attempts of<br \/>\ncreating songs, if this explains how inane they sound, even by the<br \/>\nband&#8217;s crazy standards. Most of the lot on<br \/>\n<i>Album Of The Year<\/i> could be bluntly labeled as the band&#8217;s<br \/>\nworst ever. Here is where it shows that the band is in a state of<br \/>\ncreative turbulence, and seriously needs to quit.<\/p>\n<p>\n<i>Album Of The Year<\/i> may not be a perfect parting gift, but it<br \/>\nhas moments that show off the genius of this underrated band, even<br \/>\nif they clearly knew their days were numbered.<\/p>\n","protected":false},"author":40,"featured_media":26849,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5784],"rating":[11204],"class_list":["post-38140","review","type-review","status-publish","has-post-thumbnail","artist-faith-no-more","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38140"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38140\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26849"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38140"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38140"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}