{"id":38145,"date":"2004-10-26T00:00:00","date_gmt":"2004-10-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/out-of-the-blue-2\/"},"modified":"2004-10-26T00:00:00","modified_gmt":"2004-10-26T00:00:00","slug":"out-of-the-blue-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/out-of-the-blue-2\/","title":{"rendered":"Out Of The Blue"},"content":{"rendered":"<p>A<br \/>\n  few years ago, I had the chance to review a series of DVDs featuring then-former<br \/>\n  Yes keyboard artiste Rick Wakeman. One thing I learned from those discs is that<br \/>\n  Wakeman&#8217;s music is as much visual as it is audio-oriented. That doesn&#8217;t mean that<br \/>\n  Wakeman or his band use gimmicks to get people&#8217;s attention on stage; rather, the<br \/>\n  simple action of his playing the keyboards and interaction with bandmates is as<br \/>\n  integral to the music as the songs themselves.<\/p>\n<p>So listening<br \/>\n  to <i>Out Of The Blue<\/i>, a disc recorded live in Buenos Aires in 2001, I couldn&#8217;t<br \/>\n  help but think that something was missing in these otherwise exceptional performances.<br \/>\n  That something is the ability to see Wakeman and the English Rock Ensemble actually<br \/>\n  perform this music. (There is a DVD of a different show, <i>Live In Buenos Aires<\/i>,<br \/>\n  from this same tour.)<\/p>\n<p>What is interesting about this collection of<br \/>\n  songs is how Wakeman is able to make subtle changes to arrangements and make some<br \/>\n  songs as much as 30 years old sound fresh. Take the medley from &#8220;Journey<br \/>\n  To The Centre Of The Earth,&#8221; and listen closely to how different the opening<br \/>\n  arrangement sounds, but how it doesn&#8217;t seem incorrect in regards to the piece&#8217;s<br \/>\n  history. Likewise, both &#8220;Jane Seymour&#8221; and &#8220;Catherine Parr&#8221;<br \/>\n  (from Wakeman&#8217;s first solo disc <i>The Six Wives Of Henry VIII<\/i>) don&#8217;t seem<br \/>\n  like they&#8217;ve aged a bit, and are just as enjoyable today. This is skill in both<br \/>\n  songwriting and execution, two areas Wakeman definitely had nailed down.<\/p>\n<p>Even<br \/>\n  sub-par source material like &#8220;No Earthly Connection \/ The Prisoner,&#8221;<br \/>\n  a medley from the disappointing <i>No Earthly Connection<\/i>, is reworked to almost<br \/>\n  challenge the listener to give these tunes another shot. This gamble does work.<\/p>\n<p>While<br \/>\n  American fans of Wakeman&#8217;s might not be as familiar with selections such as &#8220;Buried<br \/>\n  Alive&#8221; or &#8220;The Visit \/ Return Of The Phantom,&#8221; that doesn&#8217;t work<br \/>\n  against these tracks, giving the listener even more of a reason to start digging<br \/>\n  for other releases in Wakeman&#8217;s vast discography. Even the dip into Yes territory<br \/>\n  is done with reverence &#8212; if you weren&#8217;t paying attention, you wouldn&#8217;t necessarily<br \/>\n  know that Steve Howe wasn&#8217;t playing guitar on &#8220;Wurm.&#8221;<\/p>\n<p>The<br \/>\n  challenge that Wakeman faces in terms of his solo career is getting attention<br \/>\n  from the industry in an age where true music is shoved aside for pre-packaged<br \/>\n  pabulum that even a wristwatch could crank out. <i>Out Of The Blue<\/i> is a reminder<br \/>\n  that there are indeed still artists out there performing real music, modern tastes<br \/>\n  be damned. In fact, if people who listen to pop music gave this disc a fair shake,<br \/>\n  chances are Wakeman (as well as countless other artists) would be back in the<br \/>\n  mainstream in a heartbeat.<\/p>\n","protected":false},"author":2,"featured_media":26853,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7079],"rating":[5617],"class_list":["post-38145","review","type-review","status-publish","has-post-thumbnail","artist-rick-wakeman-the-new-english-rock-ensemble","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38145"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38145\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26853"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38145"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38145"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}