{"id":38171,"date":"2004-11-18T00:00:00","date_gmt":"2004-11-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/zooropa-2\/"},"modified":"2004-11-18T00:00:00","modified_gmt":"2004-11-18T00:00:00","slug":"zooropa-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/zooropa-2\/","title":{"rendered":"Zooropa"},"content":{"rendered":"<p>There comes a time in most bands&#8217; lives when they attempt to<br \/>\nseek creative higher ground, and try to do things in a different<br \/>\nway. This period of profound enlightenment sometimes has a funny<br \/>\nrelationship with the success of the band. For example, a band hits<br \/>\nreally big, and no sooner, they are in a deep creative process.<\/p>\n<p>For U2, considering their longevity and success, this exercise<br \/>\nhad to come about sometime, and began with<br \/>\n<i>The Joshua Tree<\/i> follow-up<br \/>\n<i>Achtung Baby<\/i>, where huge glimpses of the band&#8217;s constructive<br \/>\nfooling around with dance music could be heard. U2 took this urge<br \/>\nfor creative fulfillment even further, and into their supporting<br \/>\nconceptual &#8216;Zoo TV&#8217; live tour.<\/p>\n<p>In what seems like the effect of<br \/>\n<i>Achtung Baby<\/i> and the &#8220;Zoo TV&#8221; tour, the effusive &#8216;creative&#8217;<br \/>\nphase came about again for U2 with<br \/>\n<i>Zooropa<\/i>, but this time, the band has connected to dance<br \/>\nmusic on a subtle and totally different plane.<\/p>\n<p>\n<i>Zooropa<\/i> is, to date, U2&#8217;s most experimental and complicated<br \/>\nrecord. It has got all sorts of weirdly interesting things<br \/>\nhappening in it. The album has The Edge singing, or rapping, or<br \/>\nwhatever he does on &#8220;Numb.&#8221; It has a celebrity on one of its songs<br \/>\n&#8212; Johnny Cash singing &#8220;The Wanderer.&#8221; It also has Bono doing his<br \/>\n&#8220;The Fly&#8221; &#8216;fat lady&#8217; vocals all over the record.<\/p>\n<p>But, importantly, there are the songs themselves. The subtle<br \/>\ninclusions of unusable sound-bytes lifted from advertisements from<br \/>\nthe band&#8217;s television set, or the crazy guitar and synthesizers<br \/>\nthat sound so unlike the U2 that we&#8217;ve all been hearing for the<br \/>\nlast so many years, create another dimension to the sound of the<br \/>\nband, and make the record sound &#8216;media-driven&#8217; and<br \/>\n&#8216;technology-inspired&#8217;, which it is &#8212; &#8221;<br \/>\n<i>Zooropa<\/i> \u2026vorsprung durch technik (roughly translated,<br \/>\n&#8216;advancement through technology&#8217;)\u2026<br \/>\n<i>Zooropa<\/i> \u2026fly the friendly skies through appliance of<br \/>\nscience,&#8221; sings Bono on the title track.<br \/>\n<i>Zooropa<\/i> is an album of non-identical songs, juxtaposed to<br \/>\ngive this one absolutely vague-sounding record.<\/p>\n<p>\n<i>Zooropa<\/i> makes U2 sound not like demigods of rock n&#8217; roll<br \/>\nwith humongous success. It makes the band sound rather like a bunch<br \/>\nof musicians on a fearless journey to explore the depths and widths<br \/>\nof their creative capabilities. This is a good thing because, minus<br \/>\nall the fa\u00e7ade of stardom, the sound of the album turns out<br \/>\ntotally without any pretenses and honest &#8212; but still crazy.<\/p>\n","protected":false},"author":40,"featured_media":24709,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5708],"rating":[5613],"class_list":["post-38171","review","type-review","status-publish","has-post-thumbnail","artist-u2","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38171"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38171\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24709"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38171"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38171"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}