{"id":38188,"date":"2004-12-07T00:00:00","date_gmt":"2004-12-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/keep-it-simple\/"},"modified":"2004-12-07T00:00:00","modified_gmt":"2004-12-07T00:00:00","slug":"keep-it-simple","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/keep-it-simple\/","title":{"rendered":"Keep It Simple"},"content":{"rendered":"<p>To me, music is the ultimate mood-enhancing drug. Not that I advocate the use of other ones; I just happen to enjoy this one a lot. For one thing, the only real danger it poses is to your bank balance, although &#8212; as my long-suffering spouse can attest &#8212; it is rather addictive.<\/p>\n<p>You have to balance that risk factor against the medicinal benefits, which are great. For example, when I&#8217;m in one of those slightly frayed states, a little overstimulated by the day&#8217;s travails, a dose of Keb&#8217; Mo&#8217;s contemporary acoustic country-blues elixir provides an instant cure, the musical equivalent of a drink and a massage.<\/p>\n<p>I enjoyed Keb&#8217; Mo&#8217;s first, self-titled disc and loved the two that followed, 1996&#8217;s  <i>Just Like You<\/i> and 1998&#8217;s  <i>Slow Down<\/i>. For whatever reason, 2000&#8217;s  <i>The Door<\/i> has never completely clicked with me, nor 2001&#8217;s  <i>Big Wide Grin<\/i> &#8212; they just didn&#8217;t seem to have quite the same artistic zing to them. So it was with some trepidation that I picked up  <i>Keep It Simple<\/i>, hoping for greatness, but willing to settle for less.<\/p>\n<p>No need to have worried. On his sixth album, the modern-day troubadour born Kevin Moore delivers another disc full of beautifully positive blues &#8212; simple, direct, emotionally true messages of perseverance and hope. Indeed,  <i>Keep It Simple<\/i> stands tall among his best work.<\/p>\n<p>Whether it&#8217;s a sassy story-song like &#8220;France,&#8221; a clever inversion of traditional form like &#8220;Prosperity Blues,&#8221; or a plain-spoken message like the self-affirming &#8220;I&#8217;m Amazing,&#8221; Keb&#8217; Mo&#8217; hits all the right notes with both music and lyrics. The arrangements are generally simple &#8212; Keb&#8217;s acoustic guitar, bass, drums and some understated organ and\/or percussion for texture &#8212; but are filled out nicely with the occasional harmonica , mandolin or dobro. On the steamy B.B. King tribute &#8220;Riley B. King,&#8221; guests Robert Cray and Robben Ford provide the requisite electric licks.<\/p>\n<p>In terms of arrangements, then,  <i>Keep It Simple<\/i> lives up to its name. The magic of Keb&#8217; Mo&#8217;s music, though, is that he manages to invest these relatively spare arrangements with tremendous resonance by virtue of his superb lyrics and heartfelt delivery. The basic arrangement of &#8220;Closer&#8221; feels simple on the surface, but the gradual build of the music and increasing urgency of Mo&#8217;s delivery makes every note feel important. And few artists in any genre could write a song as carefully observed and full of emotional shadings as the brilliant &#8220;Proving You Wrong.&#8221; &#8220;I&#8217;m just a lonely winner \/ With nothing left to lose&#8221; sings the narrator, who&#8217;s won the argument and lost the woman he loves. It&#8217;s a terrific character sketch that makes you sympathize with a substantially unsympathetic character.<\/p>\n<p>Just as every note Keb&#8217; Mo&#8217; sings in his earthy, ageless voice suggests, I had nothing to worry about.  <i>Keep It Simple<\/i> is another warm, funky, sometimes funny and sometimes earnest journey down a dusty road with one of the modern blues era&#8217;s most engaging voices.<\/p>\n","protected":false},"author":12,"featured_media":26889,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7091],"rating":[5613],"class_list":["post-38188","review","type-review","status-publish","has-post-thumbnail","artist-keb-mo","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38188"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38188\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26889"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38188"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38188"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}