{"id":38224,"date":"2005-01-19T00:00:00","date_gmt":"2005-01-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/glass-houses-2\/"},"modified":"2005-01-19T00:00:00","modified_gmt":"2005-01-19T00:00:00","slug":"glass-houses-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/glass-houses-2\/","title":{"rendered":"Glass Houses"},"content":{"rendered":"<p>I hate it when people can predict what I&#8217;m going to do in a<br \/>\nconversation or situation. My family is particularly good at this,<br \/>\nand it annoys me to no end. Why? I don&#8217;t like to be pegged down as<br \/>\ndoing this or that when something happens. Billy Joel must have<br \/>\nbeen feeling the same way in 1980. His previous albums had been<br \/>\ndeemed by the critics to be &#8220;soft&#8221; or &#8220;ballad heavy.&#8221; So what did<br \/>\nJoel do? He went out and recorded<br \/>\n<i>Glass Houses<\/i>, a blatant attempt to prove the critics<br \/>\nwrong.<\/p>\n<p>Around the time of<br \/>\n<i>Glass Houses<\/i>&#8216; recording, the music industry was changing<br \/>\nrapidly. Disco was now dead, and punk and new wave were starting to<br \/>\ntake shape. While very little of the songs on<br \/>\n<i>Glass Houses<\/i> sound like punk, the attitude is relatively<br \/>\nsimilar. Joel&#8217;s albums always have had an edge to them, reflecting<br \/>\nthe darker side of humanity, and<br \/>\n<i>Glass Houses<\/i> fits in well with that disillusionment. &#8220;Closer<br \/>\nTo The Borderline&#8221; features a man on the verge of snapping as the<br \/>\ntoils of life bear down on him. &#8220;Sleeping With The Television On.&#8221;<br \/>\n&#8220;I Don&#8217;t Want To Be Alone Anymore&#8221; deal with strong senses of<br \/>\nisolation and desires for companionship.<br \/>\n<i>Glass Houses<\/i> is definitely not an upbeat album.<\/p>\n<p>That being said there are some positive moments on the album.<br \/>\nThe French Flavored &#8221; C&#8217;etait Toi (You Were the One)&#8221; is pleasant<br \/>\nromantic number. One of the hits, the acoustic driven &#8220;Don&#8217;t Ask Me<br \/>\nWhy&#8221; is probably the most lightweight moment on<br \/>\n<i>Glass Houses<\/i>, but that doesn&#8217;t detract from it&#8217;s quality.<br \/>\nMost people would know &#8220;You May Be Right&#8221; as the biggest hit, and<br \/>\nit is deserving of its success. It&#8217;s got a great chorus, and rocks<br \/>\nmore than the usual Bill Joel hit.<\/p>\n<p>As I said earlier,<br \/>\n<i>Glass Houses<\/i> reflects the musical tastes that were en vogue<br \/>\nat the time. This is a stripped down, guitar oriented sound that<br \/>\nthe listener is presented with, very different from previous<br \/>\nalbums. &#8220;It&#8217;s Still Rock N Roll To Me&#8221; and &#8220;All For Leyna&#8221; very<br \/>\nmuch resemble the sound of &#8217;80s rock. The latter&#8217;s opening<br \/>\nespecially reminds me of Toto&#8217;s &#8220;Hold The Line&#8221; And once again,<br \/>\nJoel turns in a very impressive vocal performance. Whether it be a<br \/>\ngritty, snarling vocal required for &#8220;You May Be Right&#8221; or shades of<br \/>\nfalsetto on &#8220;C&#8217;etait Toi&#8221; Joel is up to the task.<\/p>\n<p>The two Billy Joel albums I owned before<br \/>\n<i>Glass Houses<\/i> were<br \/>\n<i>The Stranger<\/i> and<br \/>\n<i>An Innocent Man<\/i>, both records I would describe as &#8220;poppy.&#8221;<br \/>\nNow, both are favorites of mine, because good pop is, well,<br \/>\nenjoyable. However, the fact that<br \/>\n<i>Glass Houses<\/i> was such an effective rock record was a<br \/>\nsurprise, and a welcome one. What does this teach us? Critics are<br \/>\nalways wrong&#8230;. except for us.<\/p>\n","protected":false},"author":44,"featured_media":26479,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5760],"rating":[5617],"class_list":["post-38224","review","type-review","status-publish","has-post-thumbnail","artist-billy-joel","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38224"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38224\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26479"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38224"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38224"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}