{"id":38232,"date":"2005-01-24T00:00:00","date_gmt":"2005-01-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bbc-sessions-1964-1977\/"},"modified":"2005-01-24T00:00:00","modified_gmt":"2005-01-24T00:00:00","slug":"bbc-sessions-1964-1977","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bbc-sessions-1964-1977\/","title":{"rendered":"BBC Sessions 1964-1977"},"content":{"rendered":"<p>Despite all of my efforts, I&#8217;ve never been able to really<br \/>\ndevelop a taste for Ray Davies and The Kinks. Oh, sure, I like<br \/>\ntheir hits such as &#8220;You Really Got Me,&#8221; &#8220;Tired Of Waiting For You&#8221;<br \/>\nand &#8220;Come Dancing,&#8221; but when it comes to getting into the meat of<br \/>\nalbums like<br \/>\n<i>Village Green Preservation Society<\/i>, I find myself at a<br \/>\nloss.<\/p>\n<p>So it may seem on the surface that I&#8217;m not the best person to<br \/>\nreview<br \/>\n<i>BBC Sessions 1964-1977<\/i>, a collection of 35 tracks (33, if<br \/>\nyou don&#8217;t count interviews) from brothers Ray and Dave Davies and<br \/>\ncrew &#8212; and I guess I&#8217;ll concede that point. I&#8217;ll also concede that<br \/>\nthis collection is for the die-hard fans of the band. But even to<br \/>\nthe casual listener, there will be some level of interest that may<br \/>\nmake you want to try and get your feet wet again concerning this<br \/>\ngroup.<\/p>\n<p>What is most interesting to me, as an outsider in the world of<br \/>\nall things Kinks, is that this collection makes me more interested<br \/>\nin discovering their material from the &#8217;70s, not the &#8217;60s. Sure,<br \/>\nit&#8217;s always nice to hear &#8220;All Day And All Of The Night&#8221; and &#8220;You<br \/>\nReally Got Me,&#8221; but the first disc tends to get bogged down at<br \/>\ntimes with tracks that aren&#8217;t bad, but just don&#8217;t have the<br \/>\nemotional impetus that I&#8217;d be looking for. Songs like &#8220;Cadillac,&#8221;<br \/>\n&#8220;See My Friend,&#8221; &#8220;Death Of A Clown&#8221; and &#8220;Harry Rag&#8221; sometimes<br \/>\nborder from the obscure to the just plain weird, and fall somewhat<br \/>\nflat. On the other hand, tracks like &#8220;Where Have All The Good Times<br \/>\nGone?&#8221; &#8220;Waterloo Sunset&#8221; and &#8220;The Village Green Preservation<br \/>\nSociety&#8221; do pique my interest more.<\/p>\n<p>That interest hits its high mark on disc two, with tracks like<br \/>\n&#8220;Mindless Child Of Motherhood,&#8221; &#8220;Victoria,&#8221; &#8220;Celluloid Heroes&#8221; and<br \/>\n&#8220;Money Talks&#8221;. The tracks featuring the band performing live are<br \/>\nsome of the best on the entire set, and show just how good and<br \/>\nenergetic The Kinks could be in concert.<\/p>\n<p>If anything,<br \/>\n<i>BBC Sessions 1964-1977<\/i> strikes me as a disc that is meant to<br \/>\nbe a present for the long-time fans who have followed the group&#8217;s<br \/>\nups and downs &#8212; and, let&#8217;s face it, fame has not been particularly<br \/>\nfriendly to The Kinks. So while the person looking to dip their toe<br \/>\ninto the pool of The Kinks&#8217; discography could get away with picking<br \/>\nup a best-of compilation, the true fans of the group will<br \/>\nundoubtedly treat this as a lost treasure, as they well should.<\/p>\n","protected":false},"author":2,"featured_media":26927,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6465],"rating":[5614],"class_list":["post-38232","review","type-review","status-publish","has-post-thumbnail","artist-the-kinks","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38232"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26927"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38232"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38232"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}