{"id":38239,"date":"2005-01-27T00:00:00","date_gmt":"2005-01-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hurricane-bar\/"},"modified":"2005-01-27T00:00:00","modified_gmt":"2005-01-27T00:00:00","slug":"hurricane-bar","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hurricane-bar\/","title":{"rendered":"Hurricane Bar"},"content":{"rendered":"<p>Dejected? Sure. Annoyed? That&#8217;s putting it lightly. Pissed?<br \/>\nAbsolutely!<\/p>\n<p>Now that my checklist for this review is exposed, let&#8217;s just<br \/>\ndive right into this baby.<\/p>\n<p>I&#8217;m dejected because my elevated hopes have just been dashed<br \/>\ndespite the all-to-frequent references supplied by my half-way<br \/>\naround-the-world friends and music contacts that make Sweden&#8217;s,<br \/>\nMando Diao out to be the next big thing in rock n&#8217; roll. Their<br \/>\nclaims just aren&#8217;t checking out after my repeated listens to<br \/>\n<i>Hurricane Bar<\/i>, the band&#8217;s second full length release, which<br \/>\nadmittedly isn&#8217;t to say that I am even close to being familiar to<br \/>\nthe material found on the band&#8217;s debut breakout, Bring &#8217;em In.<br \/>\nLet&#8217;s just say that I hope that the release of<br \/>\n<i>Hurricane Bar<\/i> finds the band moving in different musical<br \/>\ndirections than their debut for the sole fact that I&#8217;d hate to have<br \/>\nto reevaluate the high regards I have for my source<br \/>\nrecommendations.<\/p>\n<p>To make matters worse, even the band&#8217;s website reads like a<br \/>\nMuhammad Ali proclamation speech touting the fact that the band&#8217;s<br \/>\nyouth, teamed with opening slots on tours with fellow Swedish<br \/>\nGrammy winners, the Hellacopters and Kent, have earned Mando Diao<br \/>\nwhat the European rock media has deemed a spot on a short list of<br \/>\n&#8220;Swedish Bands with International Potential.&#8221; One of the guys in<br \/>\nthe band even babbles in defending the opening slots on these bills<br \/>\nciting the same motivation that drove another Swede and ladies<br \/>\ngolfer, Annika Sorenstam, into entering into a men&#8217;s PGA golf event<br \/>\nlast year. The circumstance referenced was Mando Diao using their<br \/>\nopportunity as a vehicle to measure themselves against the biggest<br \/>\nbands in Sweden. Seeing how they punctuate the rationale by saying<br \/>\n(in Mando Diao&#8217;s words) that they&#8221;do it better&#8221; than their older<br \/>\ntouring partners, I&#8217;m calling bullshit as I detect someone<br \/>\nbelieving their own hype.<\/p>\n<p>I was told the band&#8217;s music was rock. If this were the sixties<br \/>\nand Mando Diao were a part of the same British invasion that first<br \/>\ngave us Ray Davies and the Kinks and followed into the early 70&#8217;s<br \/>\nversion of David Bowie, we might be on to something. And that<br \/>\nassessment would be kind given the fact that the Kinks and Bowie<br \/>\nhave proven to truss the foundation that has spawned so much of<br \/>\nwhat the term rock n&#8217; roll stands for today. It is one thing for a<br \/>\nband to have the sound of others; it&#8217;s quite another thing to<br \/>\nactually have the songs to match up. You see, it&#8217;s 2005 and I&#8217;m not<br \/>\nsure this is the case with<br \/>\n<i>Hurricane Bar<\/i> as I find myself feeling anesthetized in a<br \/>\nBritpop bubble after hearing this disc. Boring.<\/p>\n<p>Furthermore, I said I am annoyed. EMI has put a copy controlled<br \/>\nseal on this disc making the fact that I write 99% of my reviews<br \/>\nlounged on the couch with my laptop CD-ROM as the source of my<br \/>\nplayer moot. Why? The damn CD skips to the proverbial loo (that pun<br \/>\nis intended, mind you) with the Real Player software I have on my<br \/>\nsystem. I downloaded another player and<br \/>\n<i>Hurricane Bar<\/i> began playing normally. Chalk up another 45<br \/>\nminutes in getting my bearings set for an album that isn&#8217;t<br \/>\ninspiring me to be nothing short of a minor annoyance.<\/p>\n<p>Now, as I conclude this piece, I&#8217;m pissed! Five songs into what<br \/>\nI&#8217;ll call my habitual<br \/>\n&#8220;refresh-my-memory-by-playing-the-disc-as-I-write-my review&#8221;<br \/>\nexercise, my computer powers off &#8212; and stays off for the better<br \/>\npart of ten minutes! This is the same laptop that powers my iPod as<br \/>\nwell as the one that supports many of my DVD viewings and now I am<br \/>\nbeing forced to surrender to some crappy CD from a branch of a<br \/>\nmajor label in a relatively remote part of this world?<\/p>\n<p>Not a chance since this intentional component malfunction caused<br \/>\nme to lose my more friendly first draft of this article. The world<br \/>\nis now going to get this straight from the heart assessment. And<br \/>\nguess what? I&#8217;m not done as there&#8217;s more.<\/p>\n<p>The constant shifting of my position on my couch in addressing<br \/>\nthese errors saw me spilling a perfectly good beer all over other<br \/>\ncd&#8217;s I do care about!!!!<\/p>\n<p>So, I say screw it. Music isn&#8217;t supposed to be this complicated.<br \/>\nThe industry forces the CD format on us and if they can&#8217;t get it<br \/>\nright, I&#8217;m going to really expand on the concept of what a CD<br \/>\nreview is all about and remind everyone that it&#8217;s not always<br \/>\nentirely about the music. It can and in this case should be<br \/>\nexpanded into also defining the experience.<\/p>\n","protected":false},"author":27,"featured_media":26932,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7111],"rating":[5620],"class_list":["post-38239","review","type-review","status-publish","has-post-thumbnail","artist-mando-diao","rating-rating-f"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38239"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38239\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26932"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38239"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38239"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38239"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}