{"id":38263,"date":"2005-02-18T00:00:00","date_gmt":"2005-02-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pamela-martinez-untitled-volume-one-ep\/"},"modified":"2005-02-18T00:00:00","modified_gmt":"2005-02-18T00:00:00","slug":"pamela-martinez-untitled-volume-one-ep","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pamela-martinez-untitled-volume-one-ep\/","title":{"rendered":"Pamela Martinez: Untitled Volume One (EP)"},"content":{"rendered":"<p>Pamela Martinez might be described as America&#8217;s answer to Bjork,<br \/>\nif more people knew of her. Not that her musical style literally<br \/>\nresembles that of the art-pop princess from Island&#8230; but Martinez<br \/>\ndoes show strong influences.<\/p>\n<p>As you might have guessed, Martinez&#8217;s music has rich textures of<br \/>\nquirky electronic sounds supported by vague and fragmented &#8212; and<br \/>\nmostly electronic &#8212; rhythmic percussive thumping. But she is<br \/>\nprimarily a violin player, and as a result her music also features<br \/>\nprominent string arrangements. Martinez uses the violin much like<br \/>\nthe way the lead guitarist of a grunge band uses his guitar &#8212; to<br \/>\ncreate a distorting effect, which paradoxically acts as the most<br \/>\nfascinating part of the music.<\/p>\n<p>On her independently released debut EP<br \/>\n<i>Pamela Martinez: Untitled Volume One<\/i>, Martinez juxtaposes<br \/>\ntrippy electronics with crazy violin abuses, yielding a psychedelic<br \/>\nmix of the natural and the artificial.<\/p>\n<p>The opening number &#8220;Formless Scientific,&#8221; which probably has the<br \/>\nheaviest Bjorkinfluence on the record, substitutes the off-beat<br \/>\nelectronics of a Bjork number with some of her violin arrangements,<br \/>\nand the beats behind sound like insect noises magnified, amplified,<br \/>\nand synthesized to sound as unnatural as possible (which is so like<br \/>\nthe way Bjork does it).<\/p>\n<p>On &#8220;Inzolen&#8221; &#8212; probably the outstanding track of the EP &#8212; the<br \/>\nstrings rise to a gradual crescendo from absolute nothingness, and<br \/>\njust when you expect a climax to happen, the song is over; much<br \/>\nbefore it should. This is the inexperience of an independent<br \/>\nartist. Still, this track turns out to be nothing less than<br \/>\nawesome.<\/p>\n<p>Martinez knows her electronics very well, and she is a damn good<br \/>\nviolin player. Most importantly, she knows how to use them wisely<br \/>\nso that they provide interesting textures. She sings well too, and<br \/>\nhas got what it takes to be weird: her face is seen painted with<br \/>\ncryptic messages that try to say something that no one understands.<br \/>\nAll that is left is some more material from her to really prove her<br \/>\ntalent and gain her some well-deserved recognition.<\/p>\n<p>\n<i>[The Pamela Martinez: Untitled Volume One EP is available in its<br \/>\nentirety for free download at Martinez&#8217;s Web site<\/i><br \/>\n<a href=\"http:\/\/www.pamelamartinez.com\" target=\"_blank\">www.pamelamartinez.com<\/a><br \/>\n<i>.]<\/i><\/p>\n","protected":false},"author":40,"featured_media":26953,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7125],"rating":[5613],"class_list":["post-38263","review","type-review","status-publish","has-post-thumbnail","artist-pamela-martinez","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38263"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38263\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26953"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38263"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38263"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38263"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}