{"id":38265,"date":"2005-02-22T00:00:00","date_gmt":"2005-02-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/beneath-these-fireworks\/"},"modified":"2005-02-22T00:00:00","modified_gmt":"2005-02-22T00:00:00","slug":"beneath-these-fireworks","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/beneath-these-fireworks\/","title":{"rendered":"Beneath These Fireworks"},"content":{"rendered":"<p>Sometimes a single song captures an album&#8217;s essence &#8212; and<br \/>\nsometimes that&#8217;s even a good thing.<\/p>\n<p>A clean-cut pop-rock singer-songwriter in the John Mayer \/ Evan<br \/>\n&#038; Jaron mold, Matt Nathanson is nothing if not mainstream. That<br \/>\nsaid &#8212; here I go again, folks &#8212; there&#8217;s nothing inherently wrong<br \/>\nwith a pop song if it&#8217;s well-crafted and finds a way to stand out<br \/>\nfrom the crowd. (And let&#8217;s face it, on a major-label debut that was<br \/>\npreceded by four independently released discs, you have to expect a<br \/>\nlittle mainstreaming.)<\/p>\n<p>On<br \/>\n<i>Beneath These Fireworks<\/i>, Nathanson&#8217;s songs distinguish<br \/>\nthemselves via a quiet, penetrating intelligence rather than any<br \/>\nsort of flash. While his crisp acoustic guitar work anchors the<br \/>\nsound here, his supporting players add enough electric punch in the<br \/>\nmostly full-band arrangements to sustain interest all the way<br \/>\nthrough.<\/p>\n<p>About that special song, though\u2026<\/p>\n<p>After the pleasant acoustic intro &#8220;Angel,&#8221; the band kicks in<br \/>\nwith song number two, &#8220;Suspended,&#8221; and you get the big picture of<br \/>\neverything that&#8217;s appealing about Matt Nathanson. To wit: an<br \/>\nintelligent lyric, clean production, steady acoustic rhythm guitar<br \/>\n(12-string, from the sound of it) under a nimble electric lead, an<br \/>\nexcellent chorus hook and a clever vocal approach. (Nathanson<br \/>\nspeeds through some lines here and draws others out for emphasis,<br \/>\nslipping in a falsetto syllable where it&#8217;s most meaningful.)<\/p>\n<p>There&#8217;s more worth mentioning, though. &#8220;Pretty The World&#8221; and<br \/>\n&#8220;Curve Of The Earth&#8221; are a pair of strong mid-tempo rockers with a<br \/>\nphilosophical edge that&#8217;s typical of Nathanson&#8217;s cerebral approach.<br \/>\n(A creative, introspective Jewish guy with a tendency to<br \/>\noverthink\u2026 hmm, the appeal is getting clearer by the<br \/>\nsecond.) &#8220;Bent&#8221; is another winner, setting regret and recrimination<br \/>\nto soft, jangly chords that redeem it with beauty. And &#8220;Lucky Boy&#8221;<br \/>\nhas its moments weaving insights like &#8220;you&#8217;re the excuse that I use<br \/>\nwhen I want to stop trying.&#8221;<\/p>\n<p>My favorite track here, though, has to be &#8220;Little Victories,&#8221; a<br \/>\nstripped-down, eloquent little life lesson that reads like a poem<br \/>\nand sounds like magic (&#8220;I&#8217;ll be awful sometimes \/ Weakened to my<br \/>\nknees \/ But I&#8217;ll learn to get by \/ On little victories&#8221;). Very nice<br \/>\nstuff.<\/p>\n<p>If there&#8217;s something lacking here, it&#8217;s an edge. This is<br \/>\nmainstream stuff, smooth and sure, a bundle of inward-looking songs<br \/>\nabout love and relationships that are both inoffensive and largely<br \/>\nunsurprising. The intelligence and artistry Nathanson pours into<br \/>\nhis lyrics and vocals are what make this album rise above a certain<br \/>\nblandness that creeps into his sound before it&#8217;s over.<\/p>\n<p>When all is said and done, this is a solid disc full of<br \/>\nwell-crafted songs delivered with care and conviction. Just don&#8217;t<br \/>\nexpect any real, er, fireworks\u2026<\/p>\n","protected":false},"author":12,"featured_media":26955,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7126],"rating":[5615],"class_list":["post-38265","review","type-review","status-publish","has-post-thumbnail","artist-matt-nathanson","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38265"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38265\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26955"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38265"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38265"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}