{"id":38273,"date":"2005-03-01T00:00:00","date_gmt":"2005-03-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/love-angel-music-baby\/"},"modified":"2005-03-01T00:00:00","modified_gmt":"2005-03-01T00:00:00","slug":"love-angel-music-baby","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/love-angel-music-baby\/","title":{"rendered":"Love. Angel. Music. Baby"},"content":{"rendered":"<p>When I first heard &#8220;Hollaback Girl,&#8221; a battle anthem between<br \/>\nwarring cheerleaders, I knew this one was a winner. Finally, a<br \/>\nterrific pop album for grown-ups. A solo effort by the voice of No<br \/>\nDoubt,<br \/>\n<i>Love. Angel. Music. Baby<\/i> uses a wealth of eighties<br \/>\nsynthesizers, clever humor through pop culture references, and for<br \/>\nextra fun invites all sorts of undergraduate anthropology (an<br \/>\nearlier review attempt of mine describes it as &#8220;a pink and eggshell<br \/>\nsuburban American world with cracks of sexuality and consumerism<br \/>\nknowingly warping the Barbie atmosphere&#8221;).<\/p>\n<p>It&#8217;s definitely pop but with extra layers. Aside from<br \/>\ncheerleaders putting their pompoms down in order to take each other<br \/>\nout, &#8220;Bubble Pop Electric&#8221; features a horny suburban teenage girl<br \/>\nwho is far from pretending she&#8217;s above showing it (&#8220;drive in movie<br \/>\n\/ drive into me&#8221;), &#8220;Cool&#8221; is how two former lovers accidentally<br \/>\nmeet each other, each with a new lover in tow, and how nice it is<br \/>\nthat they can be cool about it (what, that never happened to you?),<br \/>\nand &#8220;Harajuku Girls&#8221; is a guilty orgy of cuteness, dropping plenty<br \/>\nof &#8220;super-kawai&#8221; brand names and parsed Japanese expressions.<\/p>\n<p>Those tracks are great but the ones I found the most interesting<br \/>\ninvolve me using a bit of undergraduate literary analysis. &#8220;Danger<br \/>\nZone&#8221; describes the breakdown of a personality who has relied on<br \/>\nthe lies of fashion magazines for her self-image and is beginning<br \/>\nto realize what a sandy foundation this is (&#8220;Now we share the<br \/>\ncloset, now you&#8217;ve let me come inside \/ And now you&#8217;re finally<br \/>\nundressing, and I feel like I might die&#8221;). A song made with Andre<br \/>\n3000 from OutKast, &#8220;Long Way to Go&#8221; tells us about the stares and<br \/>\nabuse an interracial relationship still has to endure in our<br \/>\nsupposedly enlightened times. Stefani sings it with grim restraint,<br \/>\neffectively contrasting it to the bubblegum sound of the rest of<br \/>\nthe album. We have a long way to go.<\/p>\n<p>Of course there are more straightforward pop songs harking back<br \/>\nto Cyndi-Madonna territory with &#8220;Crash,&#8221; &#8220;The Real Thing&#8221; and<br \/>\n&#8220;Serious,&#8221; but these songs have filler position near the back of<br \/>\nthe album. Stefani is not after a solo career (she has repeatedly<br \/>\nemphasized that<br \/>\n<i>Love<\/i> is a side project), but I wonder about the girl that<br \/>\nwalked off at the end of &#8220;Danger Zone.&#8221; I guess you can say she<br \/>\nbecame Tori Amos. I hope, though, that Stefani herself will tell<br \/>\nthat story someday.<\/p>\n","protected":false},"author":3,"featured_media":26961,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7131],"rating":[5617],"class_list":["post-38273","review","type-review","status-publish","has-post-thumbnail","artist-gwen-stefani","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38273"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38273\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26961"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38273"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38273"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38273"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}