{"id":38278,"date":"2005-03-08T00:00:00","date_gmt":"2005-03-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/songs-for-the-deaf\/"},"modified":"2005-03-08T00:00:00","modified_gmt":"2005-03-08T00:00:00","slug":"songs-for-the-deaf","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/songs-for-the-deaf\/","title":{"rendered":"Songs For The Deaf"},"content":{"rendered":"<p>I remember listening to arguments in my college newspaper<br \/>\nnewsroom about Wilco and Queens of the Stone Age being real rock<br \/>\nvs. The Hives\/Vines\/White Stripes being real rock. It wasn&#8217;t as<br \/>\nvicious as a Beatles vs. Stones slugfest, but the smarmy conceit of<br \/>\nQOTSA fans reminded me of those of us who prefer King Crimson and<br \/>\nYes to such mindless fare as, say, Neil Diamond.<\/p>\n<p>So this release was supposed to save rock and roll, based on the<br \/>\nearly reviews, but the final product is more of a letdown. Sure,<br \/>\nQOTSA is a thinking man&#8217;s rock band, a cross between Blue Oyster<br \/>\nCult and the Foo Fighters with a Crimson mentality, and they do<br \/>\nrock, but<br \/>\n<i>Songs For The Deaf<\/i> is treated as an inside joke, with only<br \/>\nthe two-person band understanding the meaning. As such, it&#8217;s hard<br \/>\nto feel connected, and the CD wears thin after more than one<br \/>\nspin.<\/p>\n<p>The whole concept is a night of music on the AM radio. Fake DJs<br \/>\nappear between songs to joke around, breaking up the songs and<br \/>\nmonotony, which one will notice quickly because for whatever<br \/>\nreason, the simulated &#8220;radio&#8221; sounds like the cheap Wal-Mart kind.<br \/>\nEverything here is flat and quiet, like the musicians put towels<br \/>\nover the speakers before recording. It&#8217;s an odd way to record and<br \/>\nit doesn&#8217;t work, especially with a band that knows how to rock.<\/p>\n<p>The songs themselves tend to get a bit old, as the duo (and<br \/>\nstudio musicians) rarely stray from mid-tempo power chords. The<br \/>\nlonger songs are just repetitive with false endings, and for a band<br \/>\nthat is obviously talented, there are few flourishes here to<br \/>\nseparate this from standard modern rock fare.<\/p>\n<p>This is not to say the band isn&#8217;t talented. &#8220;No One Knows&#8221; won a<br \/>\nGrammy for Best Rock Song, and it is pretty good (actually, when I<br \/>\nsaw the band live, they were playing it until some roadies dumped<br \/>\nping-pong balls on their heads right before the Chili Peppers went<br \/>\non. You had to be there). &#8220;Go With The Flow&#8221; is pretty catchy, and<br \/>\n&#8220;God Is In The Radio&#8221; has a marching-drum intro and some pretty<br \/>\ncool stop-start work during the chorus. The closing acoustic<br \/>\n&#8220;Mosquito Song&#8221; is good as well; there should have been more like<br \/>\nthis on the album.<\/p>\n<p>However, the worst moments of this disc are just interminable,<br \/>\nlike the 13 minutes that make up &#8220;Song For The Deaf&#8221; and &#8220;The Sky<br \/>\nIs Fallin&#8217;.&#8221; Stuff like &#8220;Another Love Song&#8221; and &#8220;Song For The Dead&#8221;<br \/>\nare mid-tempo, boring, tinny-sounding and a waste of time.<\/p>\n<p>There is some good material here, but it&#8217;s not good enough to<br \/>\nrecommend as a whole. At the time, the creators probably thought<br \/>\nthey had rock&#8217;s savior album on their hands, but now it seems like<br \/>\nan inside joke by a band who tried to prove they were better than<br \/>\neveryone else and failed.<\/p>\n","protected":false},"author":45,"featured_media":26966,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6538],"rating":[11204],"class_list":["post-38278","review","type-review","status-publish","has-post-thumbnail","artist-queens-of-the-stone-age","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38278"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38278\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26966"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38278"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38278"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}