{"id":38281,"date":"2005-03-10T00:00:00","date_gmt":"2005-03-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sad-wings-of-destiny\/"},"modified":"2005-03-10T00:00:00","modified_gmt":"2005-03-10T00:00:00","slug":"sad-wings-of-destiny","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sad-wings-of-destiny\/","title":{"rendered":"Sad Wings Of Destiny"},"content":{"rendered":"<p>There is an inherent danger to being on the cutting edge of<br \/>\nanything &#8212; namely, people tend to be unable to see the genius or<br \/>\nmadness of your actions. Instead, all you get are some confused<br \/>\nshakes of heads.<\/p>\n<p>For Judas Priest, their second studio release<br \/>\n<i>Sad Wings Of Destiny<\/i> can still be seen as one of those<br \/>\nhead-shaking moments. Yes, there are some improvements over their<br \/>\ndebut effort<br \/>\n<i>Rocka Rolla<\/i>, but there often still seemed to be an<br \/>\nuncertainty in the music over where the group saw their style<br \/>\ngoing. Still, there was enough in this release to convince Columbia<br \/>\nRecords to take a chance on them.<\/p>\n<p>By no means is this a bad album &#8212; in fact, one can almost hear<br \/>\nwhere an artist like King Diamond developed his ideas for both his<br \/>\nvocal style and his ability to tell tales in his music. Tracks like<br \/>\n&#8220;Victim Of Changes&#8221; and &#8220;The Ripper,&#8221; the two which kick off this<br \/>\ndisc, are solid efforts and definitely show that Rob Halford and<br \/>\ncompany had something to prove this time around. Similarly,<br \/>\n&#8220;Tyrant&#8221; &#8212; while a great track in and of itself &#8212; seems to<br \/>\npromise even greater things to come from Judas Priest.<\/p>\n<p>Yet there are still too many moments of musical uncertainty<br \/>\nsurrounding this set. With the exception of &#8220;Tyrant,&#8221; the suite of<br \/>\nsongs that starts with &#8220;Prelude&#8221; and ends with &#8220;Island Of<br \/>\nDomination&#8221; don&#8217;t quite sound like Judas Priest knew what direction<br \/>\nthey wanted to go musically. Granted, they were blazing a unique<br \/>\ntrail not unlike what Black Sabbath was doing since their start,<br \/>\nbut the steps taken on songs like &#8220;Genocide&#8221; feel like they&#8217;re far<br \/>\ntoo tentative for a band staking a claim in the musical<br \/>\nbattlefield.<\/p>\n<p>Statements like that may make it seem to the reader that<br \/>\n<i>Sad Wings Of Destiny<\/i> is a failure. Hardly &#8212; and I admit it<br \/>\nis difficult looking at an album and knowing the band&#8217;s 30-year<br \/>\nhistory that followed its release. Whereas<br \/>\n<i>Rocka Rolla<\/i> was an unsteady first step,<br \/>\n<i>Sad Wings Of Destiny<\/i> is indeed a move in the right<br \/>\ndirection, and shows a band growing a little more confident in the<br \/>\nfact that they were unlike any other group out there at the time.<br \/>\nGranted, they hadn&#8217;t hit their salad days yet, but they were<br \/>\ngetting there.<\/p>\n<p>\n<i>Sad Wings Of Destiny<\/i> is, at times, an interesting look back<br \/>\nat where Judas Priest was at an early stage in their career. The<br \/>\njourney was still on some unpaved roads, but even with the<br \/>\nweaknesses, Judas Priest would come through their travels well.<\/p>\n","protected":false},"author":2,"featured_media":26969,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5855],"rating":[5614],"class_list":["post-38281","review","type-review","status-publish","has-post-thumbnail","artist-judas-priest","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38281"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38281\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26969"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38281"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38281"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}