{"id":38293,"date":"2005-03-18T00:00:00","date_gmt":"2005-03-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hard-to-get-to\/"},"modified":"2005-03-18T00:00:00","modified_gmt":"2005-03-18T00:00:00","slug":"hard-to-get-to","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hard-to-get-to\/","title":{"rendered":"Hard To Get To"},"content":{"rendered":"<p>Some days this job just makes you shake your head. As in, what<br \/>\nis the world coming to when as unmistakable a talent as Deena<br \/>\nGoodman is self-publishing EPs instead of having her face plastered<br \/>\nacross a billboard high above Sunset Boulevard?<\/p>\n<p>Maybe it&#8217;s the whole Britney influence. After all, Goodman looks<br \/>\nless like the oversexed, underdressed skanks that &#8220;moral<br \/>\nvalues&#8221;-minded Middle America continues to worship than the quietly<br \/>\nintelligent young lady you might expect to find running the counter<br \/>\nat Kinko&#8217;s until she moves on to bigger things.<\/p>\n<p>Don&#8217;t be fooled by the shy-girl-in-the-corner album cover,<br \/>\nthough. Deena Goodman is without a doubt the best female blues<br \/>\nsinger I&#8217;ve heard since I picked up my first Susan Tedeschi disc.<br \/>\nShe&#8217;s a singer-songwriter who has chosen a genre and not just<br \/>\ngotten comfortable in it, but made it her own. And while<br \/>\n<i>Hard To Get To<\/i> only offers five songs, it already rates as<br \/>\none of the most enjoyable listens to show up in my mailbox this<br \/>\nyear.<\/p>\n<p>The arrangements feature easy-glide blues guitar over organ and<br \/>\nelectric piano in support of Goodman&#8217;s rangy, consistently<br \/>\nappealing vocals. Opener &#8220;Hard To Get To&#8221; is a good example of how<br \/>\nshe folds and twists the basic blues framework to fit her<br \/>\nintentions, featuring a very contemporary, self-aware lyric while<br \/>\nlayering a lilting blues-rock melody over a chorus that begs the<br \/>\nlistener for a sing-along.<\/p>\n<p>The second cut, &#8220;Sometimes,&#8221; is the one that really blew me<br \/>\naway, though. How many Britney lookalikes could write a song with<br \/>\nthe steely self-awareness of a Bonnie Raitt confessional and the<br \/>\nclever wordplay of a Top Ten country single, and then sing it with<br \/>\nthe straight-from-the-gut passion of a young Tina Turner? No,<br \/>\nreally, it&#8217;s that impressive.<\/p>\n<p>The other three songs here &#8212; &#8220;Walking All Over,&#8221; &#8220;Too Damaged<br \/>\nTo Care&#8221; and &#8220;Your Rock&#8221; (the latter co-written by Spin Doctors<br \/>\nvocalist Chris Barron) &#8212; all shine in their own ways as they move<br \/>\nthrough a series of steady, appealing grooves. All five cuts are<br \/>\nco-written by Goodman and producer Mike Shimshack, and feature<br \/>\nright-on-the-money instrumental support from a crack studio team<br \/>\nthat includes Andy Hess (Gov&#8217;t Mule), Nir Z (John Mayer), Billy<br \/>\nStein (Boy George) and Duke Levine (Mary Chapin Carpenter). Stein&#8217;s<br \/>\nfluid organ work and Levine&#8217;s nimble, expressive guitar rate<br \/>\nspecial notice.<\/p>\n<p>What brought this all-star team together is obvious &#8212; they know<br \/>\ntalent when they hear it. Deena Goodman is a major find who&#8217;s just<br \/>\nwaiting for the world to wake up to her. Consider this your alarm<br \/>\nclock buzzing.<\/p>\n","protected":false},"author":12,"featured_media":26980,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7137],"rating":[5613],"class_list":["post-38293","review","type-review","status-publish","has-post-thumbnail","artist-deena-goodman","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38293"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38293\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26980"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38293"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38293"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}