{"id":38303,"date":"2005-03-24T00:00:00","date_gmt":"2005-03-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/painkiller-2\/"},"modified":"2005-03-24T00:00:00","modified_gmt":"2005-03-24T00:00:00","slug":"painkiller-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/painkiller-2\/","title":{"rendered":"Painkiller"},"content":{"rendered":"<p>Look past the teenage fantasy lyrics, the leather\/bondage gear<br \/>\nand albums like<br \/>\n<i>Ram It Down<\/i> and<br \/>\n<i>Turbo<\/i> and you&#8217;ll find an intelligent band. In 1989, Priest<br \/>\nsaw a musical landscape that not only virtually guaranteed top 10<br \/>\nchart entries for bands like White Lion and Winger, but was also<br \/>\nopening to harder bands, such as Metallica, Anthrax and Megadeth.<br \/>\nJudas Priest wisely saw this as a safe time to put away the<br \/>\nkeyboards and make a return to form. The addition of drummer Scott<br \/>\nTravis also injected some much-needed urgency.<\/p>\n<p>Less than fifteen seconds into the title track of their 1990<br \/>\nrelease,<br \/>\n<i>Painkiller<\/i> immediately lays down one simple statement:<br \/>\nPriest was not f*%&#038;ing around with this album. Priest wisely<br \/>\nchose to release this song as their first single: it was a great<br \/>\nway to reintroduce the band to fans who thought the band had gone<br \/>\nsoft, or their heaviest song was &#8220;Breaking the Law.&#8221; The song was a<br \/>\nmulti-layered powerhouse, filled with breakneck riff changes and<br \/>\nRob Halford&#8217;s voice going from a dentist drill to the sound of<br \/>\nsomeone literally descending into hell.<\/p>\n<p>If you can manage not to repeat the first track, the rest of<br \/>\n<i>Painkiller<\/i> may not attain the same heights of the title<br \/>\ntrack, but it holds up remarkably well, even 15 years after its<br \/>\nrelease. &#8220;Metal Meltdown&#8221; and &#8220;A Touch of Evil&#8221; balance deftly<br \/>\nbetween melodicism and muscle. Whether it was the addition of<br \/>\nTravis or the friendlier music environment, Priest seemed totally<br \/>\nreenergized with<br \/>\n<i>Painkiller<\/i>. So energized, you can even overlook<br \/>\nclich\u00e9d titles like &#8220;Hell Patrol&#8221; and &#8220;All Guns<br \/>\nBlazing.&#8221;<\/p>\n<p>Rob Halford&#8217;s now-open sexuality makes it hard to listen through<br \/>\n&#8220;Leather Rebel&#8221; without snickering. Lyrically, you almost wish they<br \/>\nwould have added a bit more thought into their songs (a la<br \/>\n<i>Stained Class<\/i>). If they focused a tad more on their lyrical<br \/>\nmuscle,<br \/>\n<i>Painkiller<\/i> would have been an instant classic.<\/p>\n<p>Still,<br \/>\n<i>Painkiller<\/i> made for a great introduction into &#8217;90s metal.<br \/>\nMegadeth&#8217;s<br \/>\n<i>Rust In Peace<\/i> would be the band&#8217;s commercial and artistic<br \/>\npeak and Metallica&#8217;s black album would forever change Metallica in<br \/>\nthe eyes of their fans. Unfortunately, the band was not able to<br \/>\nhold together after<br \/>\n<i>Painkille<\/i>r&#8217;s release. Halford would leave the band and the<br \/>\nJudas Priest would not drop another album for almost seven years.<br \/>\nIt&#8217;s understandable that the band has been trying to recapture the<br \/>\nmagic of their earlier recordings, but<br \/>\n<i>Painkiller<\/i> would have been the perfect album to end their<br \/>\ncareer with: a near-masterpiece that can stand with the band&#8217;s best<br \/>\nworks.<\/p>\n","protected":false},"author":7,"featured_media":25288,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5855],"rating":[5617],"class_list":["post-38303","review","type-review","status-publish","has-post-thumbnail","artist-judas-priest","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38303"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38303\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25288"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38303"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38303"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38303"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}