{"id":38308,"date":"2005-03-30T00:00:00","date_gmt":"2005-03-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/demolition\/"},"modified":"2005-03-30T00:00:00","modified_gmt":"2005-03-30T00:00:00","slug":"demolition","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/demolition\/","title":{"rendered":"Demolition"},"content":{"rendered":"<p>After a four-year break, the new lineup of Judas Priest<br \/>\nfeaturing vocalist Tim &#8220;Ripper&#8221; Owens (who replaced the legendary<br \/>\nRob Halford) resurfaced on a major label in 2001 to release<br \/>\n<i>Demolition<\/i>, the band&#8217;s 15th studio album.<\/p>\n<p>In a nutshell, this is not your father&#8217;s Judas Priest.<br \/>\n<i>Demolition<\/i> is the sound of a veteran band trying to update<br \/>\ntheir sound by channelling both the bands that influenced them and<br \/>\nthe ones they themselves influenced.<\/p>\n<p>This experimental approach seems to manifest itself in a strange<br \/>\nmix of evil, mid-tempo sounding guitar riffs reminiscent of Black<br \/>\nSabbath, metronomic downtuned Rammstein-style headbanging riffs,<br \/>\nand many odd little guitar noise effects straight out of the Korn<br \/>\nand Marilyn Manson textbooks (unfortunately mostly at the expense<br \/>\nof traditional solos).<\/p>\n<p>Now if that description finds you recoiling in horror, I should<br \/>\nquickly add that the final result is not as bad as it might seem.<br \/>\n<i>Demolition<\/i> is a powerful release with a surprising level of<br \/>\nlistenable consistency for a modern metal album by one of the<br \/>\ngenre&#8217;s pioneers. Judas Priest could have seriously embarrassed<br \/>\nthemselves by going in this direction and done their reputation<br \/>\nirreparable harm, but they come through virtually unscathed. It&#8217;s<br \/>\ncertainly far, far better than some of the unforgivable dreck they<br \/>\nreleased during their classic years, such as 1988&#8217;s disastrous<br \/>\n<i>Ram It Down<\/i>.<\/p>\n<p>My problems with the disc (there&#8217;s always something, isn&#8217;t<br \/>\nthere?) are twofold. 1) There are too many songs, and the songs<br \/>\nthemselves are way too long. Since most of them sound more or less<br \/>\nsimilar, there is no reason to include 13 songs. I was getting<br \/>\nbored in the second half. And of those 13, only two are less than<br \/>\nfive minutes long. The lack of editing is exhausting, to be frank.<br \/>\n2) Tim &#8220;Ripper&#8221; Owens. He&#8217;s a competent singer, I suppose, but<br \/>\nrather a generic-sounding metal &#8220;growler.&#8221; Add to that his annoying<br \/>\nchameleon tendencies &#8212; he seems to spend a lot of time imitating<br \/>\nother singers, mostly Jonathan Davis of Korn, but occasionally also<br \/>\nMarilyn Manson and even Ronnie James Dio. Rob Halford&#8217;s absence<br \/>\nreally hurts\u2026it just isn&#8217;t really Judas Priest without him,<br \/>\nno matter how hard they try.<\/p>\n<p>\n<i>Demolition<\/i>, while no classic, is a much better effort than<br \/>\nanyone could expect from a late-period, non-Halford fronted version<br \/>\nof Judas Priest, and provides an interesting look at the band<br \/>\nduring an unpopular, experimental period. One can only wonder where<br \/>\nthey would have gone musically in the future had the classic lineup<br \/>\nnot reformed in 2003, ending Owens&#8217; six-year stint with the<br \/>\nband.<\/p>\n","protected":false},"author":29,"featured_media":26990,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5855],"rating":[5612],"class_list":["post-38308","review","type-review","status-publish","has-post-thumbnail","artist-judas-priest","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38308"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38308\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26990"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38308"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38308"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}