{"id":38359,"date":"2005-05-10T00:00:00","date_gmt":"2005-05-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-5\/"},"modified":"2005-05-10T00:00:00","modified_gmt":"2005-05-10T00:00:00","slug":"live-5","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-5\/","title":{"rendered":"Live"},"content":{"rendered":"<p>It&#8217;s amazing what difference a day makes. Yesterday, as I saw<br \/>\ndown to listen to this album for the first time, the prog-rock<br \/>\nstylings of Genesis nearly put me to sleep. However today, after<br \/>\ncompleting three final exams in one day, not only has my mood<br \/>\nconsiderably brightened, but so has my opinion of this album.<\/p>\n<p>Despite the progressive nature of early Genesis, I am<br \/>\ncontinuously surprised by how &#8220;tight&#8221; this group really was. At<br \/>\nthis point in time, the strongest incarnation of the band was set,<br \/>\nand honing their skills with each passing album. The hard, edgier<br \/>\nsound contained on<br \/>\n<i>Nursery Cryme<\/i> and<br \/>\n<i>Foxtrot<\/i> are in full force; in fact most of the songs on<br \/>\n<i>Live<\/i> better their studio counterparts.<\/p>\n<p>The opening to &#8220;The Return Of The Giant Hogweed&#8221; alone makes<br \/>\n<i>Live<\/i> worth listening to. Tony Banks and Hackett just rip<br \/>\ninto the track with a stinging guitar and organ intro, before<br \/>\nCollins joins in and Mike Rutherford lays down an incredibly funky<br \/>\nbeat. It isn&#8217;t a stretch to think that a band like Zeppelin could<br \/>\nhave recorded this, it rocks that hard. The &#8220;The Knife&#8221; and &#8221; The<br \/>\nMusical Box&#8221; reaffirm this as well. If you thought the version of<br \/>\n&#8220;The Knife&#8221; on<br \/>\n<i>Trespass<\/i> was good,<br \/>\n<i>Live<\/i>&#8216;s take blows it away. Between the driving force of the<br \/>\nkeyboards that rein everything in as well as keep the beat, to the<br \/>\nabsolutely blistering guitar solo from Hackett, you are going to<br \/>\nwant to play this one over and over and over\u2026<\/p>\n<p>Each track featured on<br \/>\n<i>Live<\/i> is invested with a great deal of energy and effort,<br \/>\nwhich is so important for prog rock, especially when we are talking<br \/>\nabout live album. It&#8217;s no secret the doldrums can set in during<br \/>\nsuch a performance; the weighty material of group such as Genesis,<br \/>\nYes, Floyd, etc allows for it. Walking hand in hand with the actual<br \/>\nmusicianship of the group is Peter Gabriel, owner of one of the<br \/>\nmore unique voices in rock history. It is his ability to shift<br \/>\nbetween characters, shade parts of his voice, and generally convey<br \/>\nthe often times abstract and sometimes absurd lyrics Genesis had a<br \/>\npenchant for. This he does with great aplomb, (see<br \/>\n&#8220;\u2026Hogweed&#8221;).<\/p>\n<p>There is one problem I have with<br \/>\n<i>Live<\/i>: IT&#8217;S TOO SHORT!! A live album should rarely be shorter<br \/>\nthan an hour, i.e. at least half the normal running time for a<br \/>\nconcert!<br \/>\n<i>Live<\/i> runs 46 minutes. This easily could have been a double<br \/>\nalbum, I imagine. While I have never been to a Genesis concert, I<br \/>\nbet they lasted more than 45 minutes, and<br \/>\n<i>Live<\/i> should have followed suit. One could make the argument<br \/>\nthough that this album is much more effective with the shortened<br \/>\nlength, but from the way the band sounded this night, I could stand<br \/>\nto have heard another hour.<\/p>\n<p>Minor quibbles aside,<br \/>\n<i>Live<\/i> is a one of those rare occurrences: a good live album.<br \/>\nThe musicians are on fire, Gabriel is in fine voice, and this is<br \/>\nsome of the better prog rock you are going to hear. The scary part<br \/>\nis, it could have been better.<\/p>\n","protected":false},"author":44,"featured_media":27034,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5883],"rating":[5617],"class_list":["post-38359","review","type-review","status-publish","has-post-thumbnail","artist-genesis","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38359"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38359\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27034"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38359"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38359"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}