{"id":38373,"date":"2005-05-20T00:00:00","date_gmt":"2005-05-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/spark\/"},"modified":"2005-05-20T00:00:00","modified_gmt":"2005-05-20T00:00:00","slug":"spark","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/spark\/","title":{"rendered":"Spark"},"content":{"rendered":"<p>I never fail to be astonished when I run across the odd<br \/>\nquote-unquote rock and roll fan who proudly declares their disdain<br \/>\nfor the Beatles. Granted, your mileage may vary; you don&#8217;t have to<br \/>\nlove the Beatles (or the Stones or Zeppelin or\u2026) to be a<br \/>\nrock and roll fan. But you DO have to respect them, and pay<br \/>\nattention to them, and learn from them. Otherwise you&#8217;re missing a<br \/>\nmammoth chunk of musical history that continues to this day to<br \/>\ninfluence the sounds you hear on your radio.<\/p>\n<p>Barry O&#8217;Brien of Dublin, Ireland did not miss the Beatles boat.<br \/>\nOn the contrary, he climbed on board, volunteered as first mate and<br \/>\nappears to be pretty much running the rig on<br \/>\n<i>Spark<\/i>, his splendiferously well-crafted four-song EP. It&#8217;s<br \/>\nall here; jangly melodies, tight arrangements, superb harmonies,<br \/>\ncreative production flourishes, sharp musical turns and hook after<br \/>\nmemorable hook.<\/p>\n<p>Opener &#8220;Cut Me Out&#8221; kicks things off at a languid pace as<br \/>\nO&#8217;Brien lays some sweet, Harrison-like picking over a dreamy<br \/>\nascending melody. The bridge is nice, too, a heavier interlude with<br \/>\nbrooding electronic accents hiding down in the mix.<\/p>\n<p>Sophomore cut &#8220;The Strangest Game&#8221; might be the most<br \/>\nmodern-sounding thing here, jumping a couple of decades forward to<br \/>\nborrow from Elvis Costello&#8217;s early &#8217;80s playbook (especially that<br \/>\nbiting organ tone). It&#8217;s a fun track sprinkled with breakdowns that<br \/>\nkeep the tempo surging and falling back.<\/p>\n<p>Third in line, &#8220;Sisters In The Sky&#8221; is a pleasant change of<br \/>\npace, a pastoral ballad with smooth acoustic lead and rhythm<br \/>\nguitar, string accents for texture and a bit of a CSN feel in the<br \/>\nbreathy, layered vocals.<\/p>\n<p>The closing &#8220;Under The Waves,&#8221; like &#8220;Cut Me Out&#8221; before it,<br \/>\nfeels like it could be a lost cut from that other virtual Beatles<br \/>\ntribute band Fastball, all bouncy rhythms, layered harmonies and<br \/>\nassertive hooks. (No worries, Barry &#8212; I am one of the nineteen<br \/>\npeople left in North America who still love Fastball.) Just to up<br \/>\nthe ante, O&#8217;Brien gives &#8220;Under&#8221; a<br \/>\n<i>Sgt. Pepper&#8217;s<\/i> outro, a fadeout that fades back in to reprise<br \/>\nthe melody with the addition of horns.<\/p>\n<p>O&#8217;Brien, who covers songwriting, lead vocals, guitar and<br \/>\nkeyboards, is abetted by musical mates Keith Farrell (bass, backing<br \/>\nvocals and production), Aidan O&#8217;Grady (drums), and a considerable<br \/>\ncast of guest players. Special kudos have to go to Farrell for his<br \/>\nwork shaping the sound of one of the best-produced indie discs I&#8217;ve<br \/>\never had the pleasure of popping in my system. The perfectly<br \/>\nbalanced mix is clear as day while retaining an organic feel<br \/>\nthroughout.<\/p>\n<p>In sum, my guess is if you gave this a spin for Sir Paul, he&#8217;d<br \/>\nnod and grin and bob his head to the beat. It doesn&#8217;t get much<br \/>\nbetter than that.<\/p>\n","protected":false},"author":12,"featured_media":27047,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7156],"rating":[5617],"class_list":["post-38373","review","type-review","status-publish","has-post-thumbnail","artist-barry-obrien","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38373"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38373\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27047"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38373"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38373"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38373"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}