{"id":38393,"date":"2005-06-06T00:00:00","date_gmt":"2005-06-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/steel-wheels\/"},"modified":"2005-06-06T00:00:00","modified_gmt":"2005-06-06T00:00:00","slug":"steel-wheels","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/steel-wheels\/","title":{"rendered":"Steel Wheels"},"content":{"rendered":"<p>Comeback albums have a way of introducing an artist to a new<br \/>\ngeneration, even if they don&#8217;t replace the older generation&#8217;s<br \/>\nmemories of great material.<\/p>\n<p>For example, Aerosmith, America&#8217;s answer to the Rolling Stones,<br \/>\ncame back in 1987 with<br \/>\n<i>Permanent Vacation<\/i> and began Phase II of their career,<br \/>\nalthough many old fans still pine for<br \/>\n<i>Toys In The Attic<\/i>.<\/p>\n<p>The Stones, however, have the sort of illustrious history that<br \/>\ncould lend itself to any number of comebacks, since each album had<br \/>\nits own personality and the band never really entered a<br \/>\nslump.Ttherefore,<br \/>\n<i>Steel Wheels<\/i> is not the Stones comeback album some hail it<br \/>\nas, but rather a return to the elements that made the band so<br \/>\npopular in the first place.<\/p>\n<p>Coming as a reunion of sorts between Mick Jagger and Keith<br \/>\nRichards, who had been feuding for part of the &#8217;80s, the 11 songs<br \/>\nhere show the two working together again to re-create their early<br \/>\n&#8217;70s glory days of<br \/>\n<i>Sticky Fingers<\/i>. Like any good Stones album, this has<br \/>\nballs-out rockers, meaningful ballads and a touch of<br \/>\nexperimentalism &#8211; meaning nothing here is new but most of it is<br \/>\ngreat.<\/p>\n<p>&#8220;Sad Sad Sad&#8221; and &#8220;Rock And A Hard Place&#8221; are the hardest<br \/>\nrockers here, on par with anything on<br \/>\n<i>Exile On Main Street<\/i>, while the ballads have less sugar and<br \/>\nmore urgency than in the past, as evidenced on &#8220;Almost Hear You<br \/>\nSigh&#8221; and &#8220;Slipping Away.&#8221; Mick even lets Keith sing on a few tunes<br \/>\nhere, making this feel like a true group effort &#8211; this is<br \/>\nparticularly for the album tracks &#8220;Hold On To Your Hat&#8221; and &#8220;Can&#8217;t<br \/>\nBe Seen.&#8221;<\/p>\n<p>&#8220;Continental Drift&#8221; is the oddest song the Stones have tried in<br \/>\nsome time, with a weird Middle Eastern hybrid that recalls 1967&#8217;s<br \/>\n<i>Satanic Majesties<\/i> album. &#8220;Mixed Emotions&#8221; is a good<br \/>\nmid-tempo tune that wears out its welcome eventually, but &#8220;Break<br \/>\nThe Spell,&#8221; the funkiest tune the band has recorded since &#8220;Hot<br \/>\nStuff&#8221;, redeems it.<\/p>\n<p>As stated above, this is an affirmation of everything the Stones<br \/>\ndo right, even if some of it is boring (&#8220;Hearts For Sale,&#8221;<br \/>\n&#8220;Terrifying&#8221;). But then again, for the band that co-wrote the book<br \/>\non rock, a few missteps are allowed once in a while. There is<br \/>\nenough here to qualify this as the best Stones record of the &#8217;80s,<br \/>\nand while it may not win over any new fans, it will be a pleasure<br \/>\nfor the old ones.<\/p>\n","protected":false},"author":45,"featured_media":27063,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5665],"rating":[5615],"class_list":["post-38393","review","type-review","status-publish","has-post-thumbnail","artist-the-rolling-stones","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38393"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38393\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27063"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38393"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38393"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38393"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}