{"id":38398,"date":"2005-06-13T00:00:00","date_gmt":"2005-06-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/extraordinary-machine\/"},"modified":"2005-06-13T00:00:00","modified_gmt":"2005-06-13T00:00:00","slug":"extraordinary-machine","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/extraordinary-machine\/","title":{"rendered":"Extraordinary Machine"},"content":{"rendered":"<p>Fiona Apple is the current favorite &#8220;artist in captivity&#8221; on<br \/>\nInternet sites because of Sony&#8217;s refusal to release<br \/>\n<i>Extraordinary Machine<\/i>. The album has been completed for<br \/>\nalmost two years. The leaked response from Sony apparently cited<br \/>\nthe album&#8217;s lack of a hit single as the reason for not releasing<br \/>\nthe album. As a result, her Sony artist Web site doesn&#8217;t look like<br \/>\nit&#8217;s been updated since 1999, when she released her last album,<br \/>\n<i>When the Pawn&#8230;<\/i><\/p>\n<p>\n<i>Extraordinary Machine<\/i> hasn&#8217;t been released, but now it&#8217;s all<br \/>\nover the Internet. It&#8217;s been downloaded more than 30,000 times at<br \/>\nlast count. And Fiona&#8217;s fans have launched an effective campaign to<br \/>\nget Sony to release<br \/>\n<i>Extraordinary Machine<\/i>.<\/p>\n<p>Now, before you start yelling &#8221;<br \/>\n<i>Yankee Hotel Foxtrot<\/i>,&#8221; there are some differences. Sony<br \/>\nstill wants to salvage a relationship with Fiona Apple (whereas<br \/>\nWilco was dropped by their label).<br \/>\n<i>Extraordinary Machine<\/i> is a good album, but I would not rank<br \/>\nit up as one of the top albums of the decade like<br \/>\n<i>Foxtrot<\/i>.<\/p>\n<p>Still, you can&#8217;t help but wonder how dense the management is<br \/>\nover at Sony. They&#8217;re afraid that the album is not going to sell,<br \/>\nbut Sony also carries other artists whose sales are lucky to land<br \/>\nin the hundreds of thousands of copies (be it underrated artists,<br \/>\nsuch as Ben Folds, or destined for discount bin status artists,<br \/>\nsuch as Bow Wow). Management claims the album doesn&#8217;t have a hit<br \/>\nsingle, but why the hell is it that Tori Amos was able to release<br \/>\nher near-80-minute opus,<br \/>\n<i>The Beekeeper<\/i>; an album whose songs have yet to stick in my<br \/>\nhead?<\/p>\n<p>If you want a hit single, I can already pick out three on<br \/>\n<i>Extraordinary Machine<\/i>. It may not be a hit like a<br \/>\nNeptunes-produced song, but the skipping beat and John Brion&#8217;s<br \/>\norchestration give the song &#8220;Better Version of Me&#8221; an equal dose of<br \/>\nmuscle and bubblegum. The same could be said for &#8220;Get Him Back&#8221; &#8212;<br \/>\na modern-day &#8220;These Boots Are Made For Walking.&#8221; Some songs are<br \/>\nmemorable, but memorable as in slightly annoying, such as the Danny<br \/>\nElfman-esque goth marching beat of &#8220;Used to Love Him.&#8221;<\/p>\n<p>Does Sony have a point? Hell no. But because most people will<br \/>\nhave to Frankenstein-stitch this album together, Extraordinary<br \/>\nMachine sounds disjointed and in need of some final production<br \/>\ntouches. Even if you receive the entire album in one download,<br \/>\n<i>Extraordinary Machine<\/i> seems like a dish that could use about<br \/>\nten more minutes in the oven before it&#8217;s finished. However, the<br \/>\nbest compliment I can give to the album is that if it&#8217;s released,<br \/>\nit&#8217;s worth the purchase to include in your CD tower.<\/p>\n","protected":false},"author":7,"featured_media":27068,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6026],"rating":[5615],"class_list":["post-38398","review","type-review","status-publish","has-post-thumbnail","artist-fiona-apple","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38398"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38398\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27068"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38398"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38398"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}