{"id":38404,"date":"2005-06-17T00:00:00","date_gmt":"2005-06-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/get-on-the-beat\/"},"modified":"2005-06-17T00:00:00","modified_gmt":"2005-06-17T00:00:00","slug":"get-on-the-beat","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/get-on-the-beat\/","title":{"rendered":"Get On The Beat"},"content":{"rendered":"<p>The Fame had one hurdle to get over with me from the<br \/>\nstart\u2026 that uber-cheesy name. Granted, they&#8217;re basically a<br \/>\nhigh-energy, melodically-conscious garage rock band, so they almost<br \/>\nhad to be called &#8220;The<br \/>\n<i>Something<\/i>&#8220;\u2026 but really, &#8220;The Fame&#8221;? I kept looking<br \/>\naround for Irene Cara or Debbie Allen, and neither one is anywhere<br \/>\nto be found on this disc.<\/p>\n<p>Instead what you get is a power-pop quartet that&#8217;s obsessed with<br \/>\nand descended from such genre luminaries as The Romantics, The<br \/>\nCars, The Go-Gos, The Replacements, The Gin Blossoms, (Tom Petty<br \/>\n&#038;) The Heartbreakers, and, well, I guess I&#8217;d better just get<br \/>\npast the name thing, huh? The more I listen, the more it fits. As<br \/>\nthe trusty bio sheet says, &#8220;Three minute songs. Two guitars. One<br \/>\nvision. Seems like a simple enough equation.&#8221; It is, and it&#8217;s<br \/>\nexecuted here with steady energy and panache by Reno Bo (vocals<br \/>\n&#038; guitars), Ryan Daniels (guitar &#038; vocals), Patrick Wood<br \/>\n(drums &#038; vocals) and Alana Amram (bass &#038; vocals).<\/p>\n<p>Title cut &#8220;Get On The Beat&#8221; starts this disc off on a hot<br \/>\nstreak, barreling into you on the strength of hammering riffs, big,<br \/>\nmeaty power-pop hooks and a sing-along chorus. Appealing stuff, all<br \/>\nof it, and the only real flaw to this album is that it really is<br \/>\njust as simple as that. No keyboards, no strings, no mid-tempo<br \/>\nthought pieces or slow dreamy ballads or blues or folk or country<br \/>\ninflections anywhere, anyhow &#8212; just a straight six-pack of<br \/>\nhigh-energy, steady-riffing, shout-it-out-loud three-minute<br \/>\nrockers.<\/p>\n<p>All right, there is a bare hint of variety. &#8220;Come On&#8221; slows<br \/>\nthings down slightly, though it still features prominent, heavy<br \/>\nriffs and good vocal intensity. And &#8220;Easy On You&#8221; is a little more<br \/>\nexpansive than your average power-pop, what with its nimble guitar<br \/>\nsolo and instrumental rave-up close.<\/p>\n<p>Still, it all seems a little one-dimensional to me after<br \/>\nlistening to some of the more adventurous bands out there<br \/>\ntoday\u2026 but I suppose it&#8217;s also refreshing in a way. These<br \/>\nguys (and gal) have a mission, and they dive into it with passion<br \/>\nand commitment. They&#8217;re not trying to be anything other than what<br \/>\nthey are &#8212; a party-in-your-back-yard-after-high-school-gets-out<br \/>\nkind of power-pop band. The end result isn&#8217;t going to change the<br \/>\nworld, but you can sure as hell dance to it &#8212; and there&#8217;s nothing<br \/>\nwrong with that.<\/p>\n<p class=\"c1\">[Visit The Fame at<br \/>\n<a href=\"http:\/\/www.the-fame.com\" target=\"_blank\">www.the-fame.com<\/a>]<\/p>\n","protected":false},"author":12,"featured_media":27073,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7169],"rating":[5612],"class_list":["post-38404","review","type-review","status-publish","has-post-thumbnail","artist-the-fame","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38404"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38404\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27073"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38404"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38404"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}