{"id":38416,"date":"2005-06-29T00:00:00","date_gmt":"2005-06-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/octane\/"},"modified":"2005-06-29T00:00:00","modified_gmt":"2005-06-29T00:00:00","slug":"octane","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/octane\/","title":{"rendered":"Octane"},"content":{"rendered":"<p>Dammit, I wanted to be nice to this CD. I really did.<\/p>\n<p>See,<br \/>\n<a href=\"spocksbeard.html\">I like Spock&#8217;s Beard<\/a>. (Duh, sayeth<br \/>\nthe regular readers of the DV.) I like &#8217;em a lot. And I wanted to<br \/>\nbe wrong, a few years ago, when I said Neal Morse leaving the band<br \/>\nwould make them just another progressive rock band &#8212; nothing<br \/>\nspecial, nothing wonderful. I&#8217;ll state it again, for posterity; I<br \/>\nwanted to be wrong.<\/p>\n<p>If their new CD,<br \/>\n<i>Octane<\/i>, is any indication, I wasn&#8217;t wrong.<br \/>\n<i>Octane<\/i> is, frankly, a muddle. It&#8217;s disjointed, uneven, and<br \/>\nlacking in anything resembling musical cohesion. While there are<br \/>\nindividual bright spots, taken together the CD has no unity. When<br \/>\nyou factor in that most of the CD is supposed to be a theme album,<br \/>\na single musical work &#8212; well. It doesn&#8217;t work.<\/p>\n<p>Let&#8217;s cover the good stuff first. Production and engineering are<br \/>\nmagnificent. (It&#8217;s a great sounding train wreck in places.) The<br \/>\nmusicianship is elegant, fantastic, and brilliant as usual. Give<br \/>\nthe Beard credit; they even manage to restrain Ryo Okumoto from<br \/>\nsounding quite so much like<br \/>\n<i>Point Of Know Return<\/i>-era Kansas when he hits the<br \/>\nkeyboards.<\/p>\n<p>Where Octane fails are the songs. I&#8217;m sorry, maybe I&#8217;m a spoiled<br \/>\nbrat, but when a band&#8217;s portfolio includes incredible things like<br \/>\n&#8220;Wind At My Back,&#8221; &#8220;Ghosts Of Autumn,&#8221; &#8220;Waste Away&#8221; and &#8220;Distance<br \/>\nTo The Sun,&#8221; I expect better than clich\u00e9-fests like &#8220;Surfing<br \/>\nDown The Avalance&#8221; and &#8220;As Long As We Ride.&#8221; Nominally, the first<br \/>\nhalf of the CD is an examination of someone&#8217;s life literally<br \/>\nflashing before their eyes as they&#8217;re dying, and I understand that<br \/>\nmay require language a little less poetic than Snow &#8211; but a lot of<br \/>\nthe tracks on Octane are, plain and simple, boring, flat, and<br \/>\nweak.<\/p>\n<p>It&#8217;s not all bad. There are some good tracks on<br \/>\n<i>Octane<\/i> &#8212; I really liked &#8220;She Is Everything&#8221; and &#8220;There Was<br \/>\nA Time&#8221; &#8212; but the ultimate test is this; there are eleven tracks<br \/>\nfrom<br \/>\n<i>Snow<\/i> on my iPod. There is one from<br \/>\n<i>Octane<\/i>. Coming from a band that is either my first or second<br \/>\nfavorite, depending on the day, that&#8217;s pretty damn sad.<\/p>\n<p>I wish there was some way I could recommend<br \/>\n<i>Octane<\/i>. I wish Neal Morse hadn&#8217;t found Jesus. I wish a lot<br \/>\nof things. Most notably, I wish that I hadn&#8217;t wasted twenty bucks<br \/>\non this CD. For an album that&#8217;s about life flashing before one&#8217;s<br \/>\neyes,<br \/>\n<i>Octane<\/i> is already pretty dead.<\/p>\n","protected":false},"author":18,"featured_media":27084,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6237],"rating":[11204],"class_list":["post-38416","review","type-review","status-publish","has-post-thumbnail","artist-spocks-beard","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38416"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38416\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27084"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38416"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38416"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38416"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}