{"id":38438,"date":"2005-07-15T00:00:00","date_gmt":"2005-07-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dry-clothes-for-the-drowning\/"},"modified":"2005-07-15T00:00:00","modified_gmt":"2005-07-15T00:00:00","slug":"dry-clothes-for-the-drowning","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dry-clothes-for-the-drowning\/","title":{"rendered":"Dry Clothes For The Drowning"},"content":{"rendered":"<p>Like most of us on the fringes of the music scene, I have<br \/>\nwondered a few times what I might call a band foolish enough to let<br \/>\nme be a member. &#8220;The Suckers&#8221; is probably taken. But given my<br \/>\naversion to shock-rock, I sincerely doubt I&#8217;d go the gross-out<br \/>\nroute. I really don&#8217;t want the first thing people think when they<br \/>\nhear my stage name to be: &#8220;Yuck.&#8221;<\/p>\n<p>Which was pretty much my reaction when I first saw the name<br \/>\nPinkeye D&#8217;Gekko. What I found inside, though, was at least more<br \/>\nintriguing than the name might lead you to expect.<\/p>\n<p>Pinkeye is a sharp five-man ensemble led by<br \/>\nsinger\/songwriter\/producer Steve Richards Mahoney, whose approach<br \/>\nto music is sufficiently chameleon-like to give some truth to the<br \/>\nlatter half of this group&#8217;s name. My impression based on the first<br \/>\nfour tracks here was Molly Hatchet and Elvin Bishop throwing a<br \/>\nparty for Meat Loaf &#8212; greasy Southern boogie rock with a flair for<br \/>\ntheatrics, and respectably well done at that.<\/p>\n<p>But then we get to &#8220;Call Me Adolf During Wartime,&#8221; which sounds<br \/>\nvaguely, disturbingly, like a lost Marilyn Manson number\u2026<br \/>\nfollowed by &#8220;The Poet,&#8221; a freaky Moody Blues-Dionne Warwick<br \/>\nmind-meld\u2026 followed by &#8220;See You Again,&#8221; cheeky power-pop<br \/>\nthat seems to be trying to answer the question &#8220;what if Nick Lowe<br \/>\njoined the Monkees?&#8221;<\/p>\n<p>By the time I got to the Stonesy country-rock of &#8220;Listen In<br \/>\nLove&#8221; (think &#8220;Tumbling Dice&#8221; with an acid twist) and &#8220;Slow Down,&#8221;<br \/>\nan homage to early rock and roll that&#8217;s fueled by the spirit of<br \/>\nBill Haley &#038; the Comets, I was scratching my head. I admire<br \/>\nmusical versatility as much as the next guy, but what&#8217;s the thread<br \/>\nrunning through these songs that ties them all together?<\/p>\n<p>In the liner notes, Mahoney says all his songs are about &#8220;God<br \/>\nand women,&#8221; and I&#8217;ve read an interview or two where he expands on<br \/>\nthis thought. But truly, it&#8217;s a reach to detect the spiritual<br \/>\nundercurrents Mahoney claims are there until you get to the closing<br \/>\ntrio of &#8220;Have U Seen The Genie,&#8221; &#8220;The Velvet Fizz&#8221; and &#8220;Missing.&#8221;<br \/>\nThe rest of the time, the clearest thread I see is pure showmanship<br \/>\n&#8212; as in, &#8220;look what we can do.&#8221;<\/p>\n<p>Is it impressive? Mostly. Fulfilling? Moderately. Memorable? Not<br \/>\nexactly. To these ears, this is a collection of pretty decent songs<br \/>\nthat don&#8217;t quite add up. What these guys appear to need &#8212; besides<br \/>\na name that doesn&#8217;t immediately make people want to call their<br \/>\npharmacist &#8212; is an outside producer to help give their ideas and<br \/>\nenergy better focus.<\/p>\n<p>Not that I would expect my opinion to have much impact on any<br \/>\nband, let alone one that leads with this much flash and confidence<br \/>\n(and, I understand, just scored an opening slot with Lynyrd Skynyrd<br \/>\nthis summer). I just call &#8217;em like I hear &#8217;em. As Jimmy Buffett<br \/>\nonce said, &#8220;It&#8217;s my job\u2026&#8221;<\/p>\n","protected":false},"author":12,"featured_media":27103,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7177],"rating":[5612],"class_list":["post-38438","review","type-review","status-publish","has-post-thumbnail","artist-pinkeye-dgekko","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38438"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27103"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38438"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38438"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}