{"id":38452,"date":"2005-07-26T00:00:00","date_gmt":"2005-07-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-music-room\/"},"modified":"2005-07-26T00:00:00","modified_gmt":"2005-07-26T00:00:00","slug":"the-music-room","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-music-room\/","title":{"rendered":"The Music Room"},"content":{"rendered":"<p>One should be careful when using the term &#8220;God&#8221; to refer to<br \/>\none&#8217;s self. They once called Clapton a God, but for good reason. He<br \/>\nwas arguably the best guitar player of his day. The self proclaimed<br \/>\nHod the God (a.k.a. Perry Hodder) is no Clapton, and he&#8217;s no God<br \/>\neither. He&#8217;s an English guy enamored with Bob Dylan and American<br \/>\nroots rock. His debut CD<br \/>\n<i>The Music Room<\/i> is a rather bland stew of roots-rock<br \/>\nclich\u00e9s that rarely lifts itself above an imitation of its<br \/>\nobvious influences &#8212; Dylan, Lou Reed and Tom Petty, among others.<br \/>\nHis voice is also remarkable like a young Dylan, which will prove<br \/>\nto further create the impression of a nascent Dylan wannabe.<\/p>\n<p>Hod&#8217;s style is middle of the road, mid-tempo ballads. The rhythm<br \/>\nand tempo of each song is almost identical, and before half the<br \/>\nalbum was over I was yearning for a different beat, a different<br \/>\ntone, or anything to give some distinction of one song over the<br \/>\nnext. Sadly, they all meld together into a plodding dirge.<\/p>\n<p>Lyrically, the melancholy themes that populate this album left<br \/>\nme a little flat. The litany of broken dreams and broken hearts<br \/>\nruns unceasingly through this disc, without ever really touching<br \/>\nany nerves. If one chooses to wade around in the shallows of<br \/>\ndepression, one must do so with certain degree of panache or risk<br \/>\nleaving the listener with feeling sulky and unfulfilled. If one<br \/>\nwishes to mope, one should do so in style a la The Cure or<br \/>\nMorrissey, where there was usually a thread of hopelessness and<br \/>\nbitter ennui that the lovesick, lifesick and generally forlorn<br \/>\ncould relate to. Hod doesn&#8217;t imbue his compositions with enough<br \/>\nangst to reveal the bitterness. He weaves a thread of limp<br \/>\ndepression into the lyrics which lacks any vitality or real pain.<br \/>\nAlso missing is any sense of humor or irony. Hod&#8217;s words are pretty<br \/>\nrun of the mill metaphors for the great emptiness he seems to want<br \/>\nto portray, but doesn&#8217;t have the knack of finding original ways of<br \/>\nexpressing.<\/p>\n<p>On a positive note, the production and the musicianship are both<br \/>\nquite good. Hod&#8217;s guitar work is good, and manages to lift up the<br \/>\none energetic track &#8220;Indian Queens,&#8221; which is reminiscent of Mark<br \/>\nKnopfler&#8217;s mid-&#8217;80s work.<\/p>\n<p>The world is full of sad songs and love songs. Way, way too many<br \/>\nof both in my opinion, and the ones that really touch anyone deeply<br \/>\nare a small minority of these overused genres. So, if you want to<br \/>\ncreate those kinds of songs, you need to reach a lot higher than<br \/>\nthis to grab my attention.<\/p>\n","protected":false},"author":42,"featured_media":27115,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7182],"rating":[11204],"class_list":["post-38452","review","type-review","status-publish","has-post-thumbnail","artist-hod-the-god","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38452"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38452\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27115"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38452"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38452"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}