{"id":38468,"date":"2005-08-05T00:00:00","date_gmt":"2005-08-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/building-a-road\/"},"modified":"2005-08-05T00:00:00","modified_gmt":"2005-08-05T00:00:00","slug":"building-a-road","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/building-a-road\/","title":{"rendered":"Building A Road"},"content":{"rendered":"<p>It was definitely during the swelling multi-part gospel vocal breakdown toward the finish of &#8220;Building A Road&#8221; that I made the decision to review this disc\u2026 and definitely not during the reeling, off-kilter horn break to be found mid-song on the opening &#8220;Drunk.&#8221;<\/p>\n<p>Yes, it must be said: Spottiswoode is demented. His Enemies, too. But in a good way.<\/p>\n<p>Try to imagine combining the quirky genius of a Frank Zappa, the edgy artsiness of a David Bowie, the in-your-face theatrics of a Freddie Mercury and the bracing late-night-at-the-bar honesty of Ian Hunter &#8212; whoops, don&#8217;t forget the gospel choir! &#8212; and you might at least have a clue what this album sounds like. But you&#8217;d need a lot more to get any closer, because it sounds very little like anything this reviewer has heard before\u2026 and therein lies its charm.<\/p>\n<p>First things first. Half-Brit, half-American, full-time showman Jonathan Spottiswoode&#8217;s &#8220;Enemies&#8221; comprise a fairly unique lineup &#8212; a not-exactly-standard guitar-guitar-bass-drums-trumpet-sax &#8212; and are supplemented by a three-woman chorus of background singers who are perfectly capable of veering from bawdy nightclub vamps to a soaring church choir in a split second.<\/p>\n<p>Thus you get mini-epics like &#8220;I&#8217;m Back Up&#8221; &#8212; which sounds roughly like Van Morrison in the middle of a major bender, dark desperation transforming itself to deliriously urgent white soul uplift &#8212; rubbing shoulders with tight, tasty confections like the proto-Ray Charles nightclub sass of &#8220;I&#8217;m In Love With An Angry Girl.&#8221;<\/p>\n<p>As boozily messy as &#8220;Drunk&#8221; is, Spottiswoode is equally as capable of issuing a calm, precise, sweetly melodic number like &#8220;One Way Street,&#8221; with its whispery clarinet weaving in and out, above and below the trumpet. Or a gospel-tinged blues thumper like the title track. Or a silvery seduction piece like &#8220;Play Me In Your Bedroom.&#8221; Or a self-pity wallow masquerading as an atmospheric mid-tempo rock number, as in &#8220;Lazarus.&#8221;<\/p>\n<p>You get the picture &#8212; careening, unpredictable, potentially spectacular, definitely versatile, never boring.<\/p>\n<p>My Internet colleague Missy Heckscher (DigitalCity.com) said it as well as I possibly could already: &#8220;There is a fine line between eccentricity and madness, a point where artistry becomes lunacy. Spottiswoode and His Enemies are at that point. Surely, they&#8217;re on the edge of something &#8212; whether that&#8217;s impending stardom or prescription drugs has yet to be determined.&#8221;<\/p>\n<p>It could go either way, folks. But it will definitely be interesting to watch\u2026!<\/p>\n","protected":false},"author":12,"featured_media":27129,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7190],"rating":[5617],"class_list":["post-38468","review","type-review","status-publish","has-post-thumbnail","artist-spottiswoode-and-his-enemies","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38468"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38468\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27129"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38468"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38468"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}