{"id":38476,"date":"2005-08-17T00:00:00","date_gmt":"2005-08-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/led-zeppelin-iii-2\/"},"modified":"2005-08-17T00:00:00","modified_gmt":"2005-08-17T00:00:00","slug":"led-zeppelin-iii-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/led-zeppelin-iii-2\/","title":{"rendered":"Led Zeppelin III"},"content":{"rendered":"<p>If the music scene today should teach us anything, it would be<br \/>\nto appreciate artists that take risks. Now don&#8217;t get me wrong &#8211;<br \/>\nsuch bands still exist today, but it seems to me that quotient is<br \/>\nnoticeably lower. One doesn&#8217;t hear Britney Spears or 50 Cent go out<br \/>\non a limb and completely redefine his\/her sound. Thank God bands<br \/>\nlike Led Zeppelin did.<\/p>\n<p>Zeppelin&#8217;s first two albums were absolute monsters; it&#8217;s hard to<br \/>\nthink of a better one-two punch than those two works. That is why<br \/>\n<i>III<\/i> doesn&#8217;t get as much respect as it should. How could it<br \/>\npossibly follow the previous two masterpieces? But Zeppelin, in<br \/>\ntheir own way, went out on a limb and laid the foundation for<br \/>\nfuture albums. I daresay<br \/>\n<i>III<\/i> has more in common with<br \/>\n<i>IV<\/i> and<br \/>\n<i>Houses Of The Holy<\/i> than<br \/>\n<i>I<\/i> and<br \/>\n<i>II<\/i> do.<\/p>\n<p>It was here on<br \/>\n<i>III<\/i> that Plant, Page, Jones, and Bonham began to experiment<br \/>\nwith different sounds and styles. One can hear the seeds of<br \/>\n&#8220;Kasmir&#8221; being planted with &#8220;Friends.&#8221; The abstract, distorted<br \/>\neclecticism of &#8220;Hats Off To Roy Harper&#8221; would be focused into &#8220;When<br \/>\nThe Levee Breaks.&#8221; The problem is that these first efforts don&#8217;t<br \/>\nmeasure up to their successors. &#8220;\u2026Roy Harper,&#8221; has always<br \/>\nbeen one of my least favorite Zeppelin tracks; I hear it as the<br \/>\nband saying, &#8220;this proves we&#8217;re really serious musicians willing to<br \/>\nexplore.&#8221; That sentiment should be conveyed subtlety, not<br \/>\nscreamed.<\/p>\n<p>Where Zeppelin really shows off their &#8220;maturity&#8221; is on the<br \/>\nsecond half of the album, with the acoustic numbers. &#8220;Gallows<br \/>\nPole,&#8221; &#8220;Tangerine,&#8221; &#8220;Bron-Y-Aur,&#8221; and &#8220;That&#8217;s The Way,&#8221; are more<br \/>\neffective than anything else on<br \/>\n<i>III<\/i>, save the classic &#8220;Immigrant Song.&#8221; I would argue that<br \/>\nthe acoustic guitar, banjo, and mandolin used on &#8220;Gallow&#8217;s Pole&#8221; is<br \/>\none of Zeppelin&#8217;s finest moments. Not many rock bands would take<br \/>\nthe initiative and create such unique sounds. &#8220;Bron-Y-Aur&#8221; gets in<br \/>\nyour head and doesn&#8217;t leave for a long time. Both &#8220;Tangerine,&#8221; and<br \/>\n&#8220;That&#8217;s The Way,&#8221; are touching, with the former invoking a country<br \/>\nvibe that is quite refreshing, and the latter with some gentle<br \/>\npedal steel guitar that simmers underneath the main track.<\/p>\n<p>\n<i>Led Zeppelin III<\/i> easily gets my recommendation; I mean, with<br \/>\nthe exception of one album, their entire catalogue is stellar. What<br \/>\nit comes down to is how does it stack up with their absolute<br \/>\ngreats? I&#8217;m going to come down more on the glass-half-full side of<br \/>\nthings. Yes, the band would take what went right on<br \/>\n<i>III<\/i> and run with it, but the actual quality of the music<br \/>\nremains high. Just think if Zeppelin hadn&#8217;t gone this route, who<br \/>\nknows what they would have sounded like. We could have ended up<br \/>\nwith 5 or 6 clones of<br \/>\n<i>Led Zeppelin II<\/i>. However, Page and co. took a chance, and it<br \/>\npaid off handsomely.<\/p>\n","protected":false},"author":44,"featured_media":25116,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5700],"rating":[5617],"class_list":["post-38476","review","type-review","status-publish","has-post-thumbnail","artist-led-zeppelin","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38476"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38476\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25116"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38476"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38476"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}