{"id":38488,"date":"2005-08-24T00:00:00","date_gmt":"2005-08-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wikked-lil-grrrls\/"},"modified":"2005-08-24T00:00:00","modified_gmt":"2005-08-24T00:00:00","slug":"wikked-lil-grrrls","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wikked-lil-grrrls\/","title":{"rendered":"Wikked Lil&#8217; Grrrls"},"content":{"rendered":"<p>Esthero is an R&#038;B renegade. The Canadian-born singer has an<br \/>\nattitude of a bad bitch of R&#038;B, but has such a strong sense of<br \/>\njazz and most variants of modern pop in her music that her style of<br \/>\nR&#038;B is truly unique to herself.<\/p>\n<p>\n<i>Wikked Lil&#8217; Grrrls<\/i>, from the way the title is misspelled,<br \/>\nmakes it pretty clear that this is an R&#038;B\/hip-hop record. The<br \/>\npumped-up killer opener &#8220;We R In Need Of A Musical Revolution&#8221;<br \/>\ntotally suffocates this expectation. The song, with its heavy bass<br \/>\nand synth lines and well-mannered innocence, is through-and-through<br \/>\neighties soul, except for the explicit media-abhorring lyrics that<br \/>\ngo like, &#8220;I&#8217;m so sick and tired of the shit on the radio and MTV,<br \/>\nthey only play the same thing,&#8221; not to mention the unpleasant<br \/>\nreferences to Britney and Ashanti.<\/p>\n<p>What follows next is the spoken-word by Jemeni, &#8220;Dragonfly&#8217;s<br \/>\nIntro.&#8221; In all the purity of the spoken-word, it goes: &#8220;I am at the<br \/>\nhip-hop show, head-boppin&#8217; in the back \/ Smoking anything that&#8217;ll<br \/>\nburn \/ During the intermission, I am in the club bathroom praying<br \/>\nin earnest for Jeff Buckley&#8217;s return.&#8221; The spoken-word, hip-hop&#8217;s<br \/>\npride, doesn&#8217;t sound so true to its roots when it makes a reference<br \/>\nto Jeff Buckley, does it? But, this is Esthero; who loves the<br \/>\nreprehensible combination of hip-hop and rock.<\/p>\n<p>The only rock number on the record, &#8220;Everyday Is A Holiday With<br \/>\nYou&#8221; (co-written with John and Yoko&#8217;s Sean Ono Lennon,), has<br \/>\nabsolutely no shadow of the hardcore Latino tune that precedes it,<br \/>\nor the smooth Sade-ish jazz cut that follows it. Executed in a 100%<br \/>\nBrit-pop fashion, &#8220;Everyday&#8221; has Esthero sounding like a<br \/>\nBeatles-inspired British singer of Scottish descent, who could have<br \/>\nvery well been a lead for Fools Garden (of &#8220;Lemon Tree&#8221; fame).<\/p>\n<p>Though the presence of R&#038;B on the record stands out most<br \/>\nprominently, it is Esthero&#8217;s use of jazz and her use of horn and<br \/>\nstring arrangements that makes the album outstanding. From the<br \/>\ncrestfallen (&#8220;Dragonfly&#8217;s Outro,&#8221; &#8220;Melancholy Melody,&#8221; and &#8220;My<br \/>\nTorture&#8221;) to the more buoyant (&#8220;Wikked Lil&#8217; Grrrls&#8221; and &#8220;Bad Boy<br \/>\nClyde&#8221;), these horn and string arrangements fuse fifties Broadway,<br \/>\nsixties psychedelia, and contemporary soul in such a manner that<br \/>\nthese songs are pleasures to listen to, as well as complements to<br \/>\nthese great genres.<\/p>\n<p>Esthero&#8217;s mastery with different genres of music doesn&#8217;t seem<br \/>\nall that clever at times, when she tries too hard to sound hip-hop,<br \/>\ninviting guests to emcee on a few of her numbers. The result is<br \/>\nshoddy &#8212; the rapping sounds too forced and out-of-place, and the<br \/>\nguests? Well, except for the smart Jemeni, the other rappers only<br \/>\nbring a genuine feeling of odium toward them.<\/p>\n<p>Esthero&#8217;s blending of so many different genres makes her a very<br \/>\nexciting singer. Amongst the current family of soul singers, Prince<br \/>\nhas been the only one to give soul music unimaginably audacious and<br \/>\nstrange twists; Esthero is his female counterpart. The true talent<br \/>\nof an artist lies not in the ability to cross genres, but in the<br \/>\ncomfort with which this is attained. Just ask Esthero.<\/p>\n","protected":false},"author":40,"featured_media":27145,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7197],"rating":[5617],"class_list":["post-38488","review","type-review","status-publish","has-post-thumbnail","artist-esthero","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38488"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38488\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27145"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38488"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38488"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38488"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}