{"id":38495,"date":"2005-08-30T00:00:00","date_gmt":"2005-08-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/box-set-vol-1-2\/"},"modified":"2005-08-30T00:00:00","modified_gmt":"2005-08-30T00:00:00","slug":"box-set-vol-1-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/box-set-vol-1-2\/","title":{"rendered":"Box Set Vol. 1"},"content":{"rendered":"<p>At last we come to the ubiquitous boxed set. It used to be this<br \/>\nwas the last wave goodbye of bands long past their &#8220;use by&#8221; date.<br \/>\nNow it seems like every artist has one, even bands that probably<br \/>\ndon&#8217;t warrant it. They dump them on an unsuspecting public in<br \/>\nvarious guises &#8212; some are just bigger and more expensive &#8220;best of&#8221;<br \/>\ncollections and some are true treasure troves of alternate takes,<br \/>\nlive versions, b-sides and other unreleased material.<\/p>\n<p>In the case of Led Zeppelin, they released two box sets,<br \/>\ncleverly titled<br \/>\n<i>Box Set Vol. 1<\/i> and<br \/>\n<i>Box Set Vol. 2<\/i>. I guess that&#8217;s fitting for a band that only<br \/>\nused numbers for their first four albums, and the fourth one didn&#8217;t<br \/>\neven get an official number, just some weird runes. Sorry, I<br \/>\ndigress\u2026<\/p>\n<p>In the Rusk household, as we sit around the fire passing on the<br \/>\nancient wisdom of Rock &#038; Roll, we teach the children that a<br \/>\ngood box set should serve one of two purposes:<\/p>\n<p>1. Compile an essential collection that offers the listener a<br \/>\nconcise snapshot of highlights of the artist&#8217;s career or, 2. Offer<br \/>\nhard to find material, or material not previously available<br \/>\nelsewhere<\/p>\n<p>\n<i>Vol. 1<\/i> does an excellent job of the first point. This<br \/>\ncompilation is a great collection of indeed, the best of Zep&#8217;s<br \/>\ncatalog. It includes their biggest hits like &#8220;Stairway To Heaven,&#8221;<br \/>\n&#8220;Black Dog,&#8221; &#8220;Whole Lotta Love,&#8221; and &#8220;Kashmir,&#8221; along with some<br \/>\ntrue gems that don&#8217;t get quite the exposure they deserve, songs<br \/>\nlike &#8220;Babe I&#8217;m Gonna Leave You,&#8221; &#8220;Ramble On&#8221; and &#8220;Over the Hills<br \/>\nand Far Away.&#8221; Mixed in no discernible order across four discs,<br \/>\nthis set would serve well for someone who wants a fairly<br \/>\ncomprehensive collection of Zep&#8217;s best work without buying their<br \/>\nentire catalog. Almost without exception, the songs selected (Jimmy<br \/>\nPage chose the tracks personally) truly are the best to be found on<br \/>\ntheir nine studio albums.<\/p>\n<p>As for my second point noted above, there isn&#8217;t a lot here that<br \/>\ndoesn&#8217;t appear elsewhere, but it does include the classic rock<br \/>\nradio staple &#8220;Hey Hey What Can I Do&#8221; for the first time on any<br \/>\nalbum, and a very nice live version of the instrumental &#8220;White<br \/>\nSummer\/Black Mountain Side.&#8221;<\/p>\n<p>On to<br \/>\n<i>Vol. 2<\/i>. This is a sort of collection of leftovers, most of<br \/>\nwhich is decidedly non-essential with some big exceptions. It<br \/>\nincludes a couple of stellar tracks like &#8220;The Rover,&#8221; &#8220;Out On The<br \/>\nTiles,&#8221; &#8220;Bring It On Home&#8221; and &#8220;Living Loving Maid (She&#8217;s Just A<br \/>\nWoman).&#8221; These songs should be on<br \/>\n<i>Vol. 1<\/i>, preferably replacing mediocre fodder like &#8220;Candy<br \/>\nStore Rock.&#8221; When set alongside<br \/>\n<i>Vol.1<\/i>, the band&#8217;s entire studio catalog is represented. In<br \/>\nthe end it is unnecessary to buy both of these; you&#8217;d be better off<br \/>\njust buying the entire catalog instead. However, if you want a<br \/>\nhealthy dose of Led Zeppelin to beef up your collection,<br \/>\n<i>Vol.1<\/i> fits the bill perfectly.<\/p>\n","protected":false},"author":42,"featured_media":27149,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5700],"rating":[5646],"class_list":["post-38495","review","type-review","status-publish","has-post-thumbnail","artist-led-zeppelin","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38495"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38495\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27149"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38495"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38495"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38495"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}