{"id":38506,"date":"2005-09-05T00:00:00","date_gmt":"2005-09-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/one-guitar-no-vocals\/"},"modified":"2005-09-05T00:00:00","modified_gmt":"2005-09-05T00:00:00","slug":"one-guitar-no-vocals","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/one-guitar-no-vocals\/","title":{"rendered":"One Guitar, No Vocals"},"content":{"rendered":"<p>Those in the folk circuit probably know Leo Kottke, an acoustic<br \/>\nguitar virtuoso if there ever was one. But those outside may never<br \/>\nhave heard of the man.<\/p>\n<p>Shame if you&#8217;re in the latter category. The man has been<br \/>\nreleasing albums since 1969, and his acoustic shines through, even<br \/>\nover his embarrassing attempts to sing (this is not a slight &#8212;<br \/>\nKottke once described his voice as &#8220;geese farts on a foggy<br \/>\nday&#8221;).<\/p>\n<p>So an album titled<br \/>\n<i>One Guitar, No Vocals<\/i> would seem to be an examination of<br \/>\nwhat Kottke does best, but that&#8217;s not quite the case. Because of a<br \/>\nlingering hand injury, Kottke&#8217;s playing has slowed down quite a bit<br \/>\nfrom the 1970s, making this more of a classical guitar album.<br \/>\nFortunately, Kottke does not sacrifice melody for speed, making<br \/>\nthis a compelling listen for fans of the guitar.<\/p>\n<p>The opener &#8220;Snorkel&#8221; alternates between gentle picking and an<br \/>\nintense strummed middle section, while &#8220;Morning is the Long Way<br \/>\nHome&#8221; is the most like the Kottke of old &#8212; quick, sprightly and<br \/>\nfull of attitude. &#8220;Too Fast&#8221; is repetitive at first but speeds up<br \/>\nand adds odd chords to the finger-picking, while &#8220;Three\/Quarter<br \/>\nNorth&#8221; is almost a love song, showing Kottke&#8217;s ability to veer into<br \/>\nsinger-songwriter territory.<\/p>\n<p>&#8220;Retrograde&#8221; sounds like a Dave Matthews backing track, moody<br \/>\nwith the bass strings but hopeful on the higher strings, but it is<br \/>\novershadowed by the even moodier &#8220;Chamber of Commerce,&#8221; which<br \/>\nstarts with a sad arpeggio, veers into John Mayer territory and<br \/>\nthen becomes firmly Kottke halfway through, with a half strum\/half<br \/>\npicking technique that he is so good at. It&#8217;s the most complete<br \/>\nsong on here and never gets repetitive.<\/p>\n<p>Repetition is a bit of a problem here, even for a master like<br \/>\nKottke. With only one acoustic guitar, the songs start to drag on<br \/>\nand interest wanes near the end of the album. It&#8217;s not that the<br \/>\nmusic is bad &#8212; only someone as talented as Kottke could pull off<br \/>\nthe 9-minute &#8220;Bigger Situation,&#8221; and &#8220;Accordion Bells&#8221; breaks the<br \/>\nrules by throwing a light accordion behind the guitar. But even<br \/>\nvirtuosos get old &#8212; does anyone honestly like sitting through all<br \/>\n26 minutes of &#8220;Dazed And Confused&#8221; when Jimmy Page plays the guitar<br \/>\nwith his violin bow, for example?<\/p>\n<p>In short, this is not Kottke&#8217;s best work, but it&#8217;s some of the<br \/>\nbest acoustic guitar out there, and if you&#8217;re a fan of this<br \/>\ninstrument or complex folk music in general, this is for you.<\/p>\n","protected":false},"author":45,"featured_media":27160,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7200],"rating":[5619],"class_list":["post-38506","review","type-review","status-publish","has-post-thumbnail","artist-leo-kottke","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38506"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38506\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27160"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38506"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38506"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}