{"id":38508,"date":"2005-09-05T00:00:00","date_gmt":"2005-09-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/burnt-weeny-sandwich\/"},"modified":"2005-09-05T00:00:00","modified_gmt":"2005-09-05T00:00:00","slug":"burnt-weeny-sandwich","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/burnt-weeny-sandwich\/","title":{"rendered":"Burnt Weeny Sandwich"},"content":{"rendered":"<p>1970 represented a turning point for Frank Zappa. Now fully in control of his musical destiny, he formed a new iteration of the Mothers Of Invention and went to work following his own schitzophrenic muse, making more twists and turns than any roller-coaster you can find at Disneyland.<\/p>\n<p>The first release from the  <i>nouveau<\/i> Mothers,  <i>Burnt Weeny Sandwich<\/i>, finds Zappa and the Mothers treading on previously-covered ground, with a disc featuring &#8217;50s doo-wop and what sounds like another instrumental film score, albeit not quite on the same level as that for  <i>Uncle Meat<\/i>. The end result, while still good, is a step down from what Zappa and crew had accomplished with  <i>Uncle Meat<\/i> and  <i>Hot Rats<\/i>.<\/p>\n<p>The disc is book-ended with two doo-wop numbers, the first actually being a cover of The Four Deuces&#8217;s &#8220;WPLJ,&#8221; but without all of the fire and conviction that one would have expected to hear poured in from Zappa. The latter, &#8220;Valarie,&#8221; is an original that sounds extremely crisp, and not only would have easily fit onto  <i>Cruising With Ruben &#038; The Jets<\/i>, but could have been the signature piece.<\/p>\n<p>The remainder of the music all has the feel of a film score (and, if memory serves me right, Zappa  <i>did<\/i> indeed make a short film called &#8220;Burnt Weeny Sandwich&#8221;). While the overall feel of the music never quite captures the genius that was  <i>Uncle Meat<\/i>, there are certainly many performances worthy of praise. Take &#8220;Holiday In Berlin, Full Blown,&#8221; a definitive tour-de-force that shows that even with a different group of musicians backing him, Zappa could still work wonders with the Mothers. Likewise, &#8220;Aybe Sea&#8221; may be considered to be a throw-away number at just under three minutes, but its simplicity in sound is what attracts me to this piece, and is a good pairing with &#8220;Holiday In Berlin&#8221;.<\/p>\n<p>The epic number on  <i>Burnt Weeny Sandwich<\/i>, &#8220;Little House I Used To Live In,&#8221; tries to capture the magic of &#8220;King Kong&#8221; from  <i>Uncle Meat<\/i>, but never really rises to the occasion. Oh, it&#8217;s good, leave no doubt about that, but it doesn&#8217;t keep the listener holding on to each note like its predecessor did. Still, it is an admirable piece of work &#8211; though it is a bit surprising to have seen Zappa latch onto jazz for three albums in a row. (His flirtation with the genre was by no means over.)<\/p>\n<p>Some of the other pieces, like the two &#8220;Igor&#8217;s Boogie&#8221; tracks, are indeed throwaways, and never really capture the listener&#8217;s ear. Likewise, &#8220;Theme From Burnt Weeny Sandwich&#8221; just doesn&#8217;t have the kind of magic that was all but expected from Zappa and the Mothers at this phase in their career. They&#8217;re not bad tracks, just nothing to write home about.<\/p>\n<p> <i>Burnt Weeny Sandwich<\/i> is another one of Zappa&#8217;s works that tends to get pushed to the back of the closet for one reason or another. While it&#8217;s not as magnificent as  <i>Uncle Meat<\/i>, it still shows that Zappa was riding near the top of the wave of his creativity. If only he could sustain that for a little bit longer.<\/p>\n","protected":false},"author":2,"featured_media":27162,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5861],"rating":[5615],"class_list":["post-38508","review","type-review","status-publish","has-post-thumbnail","artist-frank-zappa-mothers-of-invention","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38508"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38508\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27162"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38508"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38508"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}