{"id":38512,"date":"2005-09-06T00:00:00","date_gmt":"2005-09-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dirty-diamonds\/"},"modified":"2005-09-06T00:00:00","modified_gmt":"2005-09-06T00:00:00","slug":"dirty-diamonds","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dirty-diamonds\/","title":{"rendered":"Dirty Diamonds"},"content":{"rendered":"<p>Alice Cooper, the now 57-year-old shock rock legend, continues<br \/>\nhis blistering output with<br \/>\n<i>Dirty Diamonds<\/i>, his fourth album of new material in only<br \/>\nfive years and 24th studio disc overall. It has received favorable<br \/>\nreviews so far, and while I don&#8217;t think it&#8217;s quite as strong as<br \/>\nsome of his recent releases, I do see it as a pretty solid<br \/>\ncontinuation of his songwriting abilities.<\/p>\n<p>Unfortunately, however, the bulk of the guitar riffs and chord<br \/>\nsequences are far too generic by Alice&#8217;s usual standards, even<br \/>\nthough some contain great hooks that are very catchy. I&#8217;ll admit<br \/>\nthat stuff like &#8220;Woman Of Mass Distraction&#8221; is a run-of-the-mill<br \/>\nand a DUMB example of cock rock which he normally doesn&#8217;t stoop to<br \/>\n&#8212; but months before the album came out, Cooper mentioned that he<br \/>\nhad written an &#8220;AC\/DC-style tribute,&#8221; and in that sense I guess he<br \/>\nsucceeded, though it&#8217;s not a style that suits him. Alice Cooper<br \/>\njust doesn&#8217;t sound natural when he sings stupid songs like<br \/>\nthat.<\/p>\n<p>On a related note, his lyrics are pretty average throughout the<br \/>\nalbum. He recently explained that he&#8217;s fond of writing &#8220;absurdities<br \/>\nbased on strange people and behaviors in society,&#8221; and while there<br \/>\nare moments here and there that show some of his quirky sense of<br \/>\nhumor and keen observations on society, the lyrics just aren&#8217;t as<br \/>\nclever or witty as normal, a place Cooper rarely falters.<\/p>\n<p>&#8220;Perfect&#8221; is intended as a Beatle-esque pop song with Stonesy<br \/>\nguitars but is not particularly memorable, while &#8220;You Make Me<br \/>\nWanna&#8221; is also on the uninspired side &#8211; it&#8217;s an &#8220;Under My Wheels&#8221;<br \/>\nknock-off with boring riffs and annoying verses. The &#8220;woo-hoo-hoo&#8221;<br \/>\nbit in the chorus is pretty dumb too; I understand that he wanted<br \/>\nto re-capture his early &#8217;70s sound, but nothing he did back then<br \/>\nwas this bland.<\/p>\n<p>Another one I&#8217;m not so crazy about is &#8220;Run Down The Devil,&#8221;<br \/>\nwhich, although certainly catchy in parts, sounds like a<br \/>\n<i>Dragontown<\/i> leftover with its jarringly downtuned riffs that<br \/>\ndon&#8217;t appear anywhere else on the disc. &#8220;Your Own Worst Enemy&#8221; is<br \/>\nalso a bit on the blah side of things in terms of riffs and<br \/>\narrangements, though like most of the songs, at least the chorus is<br \/>\nmemorable.<\/p>\n<p>But like any Cooper album, there are plenty of gems to be found.<br \/>\nDespite the main riff&#8217;s striking similarity to &#8220;Paranoid&#8221; and a<br \/>\nmain chorus that sounds kind of sneeringly silly, the title track<br \/>\nchugs along nicely, and you gotta love those antiquated &#8217;60s spy<br \/>\nmovie muted sax blasts paired with flutes in the middle section! If<br \/>\nonly there was more of that sort of stuff going on.<\/p>\n<p>The highlight of the album, &#8220;The Saga Of Jesse Jane,&#8221; is<br \/>\nfantastic, and is the one song on the album that I can&#8217;t stop<br \/>\nlistening to over and over. Every Alice album has one or two really<br \/>\nbizarre musical novelties, and this is the song this time around.<br \/>\nI&#8217;d mark it as one of his career highlights. &#8220;Steal That Car&#8221; is a<br \/>\ngreat, energetic ear candy of a rocker, while &#8220;Pretty Ballerina&#8221; is<br \/>\na very apt choice for a cover. It&#8217;s a gorgeous song (I had never<br \/>\nheard the original by The Left Banke before this), with its<br \/>\neccentric psychedelic melody, plinking harpsichord, and flute solo.<br \/>\nYet for some reason, most Alice fans have been trashing this song<br \/>\nas a terrible addition to<br \/>\n<i>Dirty Diamonds<\/i>. I just don&#8217;t understand that at all &#8212; it<br \/>\nsounds like a natural companion piece to the Steven suite on<br \/>\n<i>Welcome To My Nightmare<\/i>, though hardcore purists of the<br \/>\noriginal Alice Cooper band don&#8217;t like anything Alice related beyond<br \/>\n1973, so their opinions are invalid.<\/p>\n<p>There&#8217;s also the sad blues ballad called &#8220;Six Hours,&#8221; another<br \/>\nmusical surprise. and the first single, &#8220;Sunset Babies All Got<br \/>\nRabies.&#8221; And how about the wonderful &#8220;Zombie Dance&#8221;? The smoky,<br \/>\nsouthern, swampy atmosphere is yet another sound that he&#8217;s never<br \/>\ntackled before, and I think it turned out great. The album closer,<br \/>\n&#8220;Stand,&#8221; features rap superstar Xzibit. This is another track that<br \/>\nhas been consistently derided in reviews as a sad example of Alice<br \/>\nCooper desperately stooping to enlisting a popular hip-hop name to<br \/>\nappeal to a younger audience, but in reality the producers of the<br \/>\n<i>Official Soundtrack of the 2004 Summer Olympic Games<\/i> in<br \/>\nAthens, Greece simply asked a whole bunch of music stars to<br \/>\ncontribute vocals to to the songs they had written for the album,<br \/>\nwhose gimmick was that all the songs feature an odd pairing of<br \/>\nmusical artists.<\/p>\n<p>A weaker effort overall than usual, but considering how much<br \/>\nwonderful music Cooper&#8217;s given us recently, I&#8217;m not about to judge<br \/>\nhim too harshly for a few missteps here and there.<\/p>\n","protected":false},"author":29,"featured_media":27166,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5676],"rating":[5615],"class_list":["post-38512","review","type-review","status-publish","has-post-thumbnail","artist-alice-cooper","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38512"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38512\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27166"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38512"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38512"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}