{"id":38524,"date":"2005-09-12T00:00:00","date_gmt":"2005-09-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/zoot-allures\/"},"modified":"2005-09-12T00:00:00","modified_gmt":"2005-09-12T00:00:00","slug":"zoot-allures","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/zoot-allures\/","title":{"rendered":"Zoot Allures"},"content":{"rendered":"<p>Coming off what turned out to be the final dissolution of the<br \/>\nMothers Of Invention and a short tour with his old friend Captain<br \/>\nBeefheart, Frank Zappa did something that many people may not have<br \/>\nexpected &#8211; he released a dark-sounding, more serious album in 1976<br \/>\nwith<br \/>\n<i>Zoot Allures<\/i>.<\/p>\n<p>The first thing that strikes the listener about this disc is the<br \/>\noverall sound. Zappa was known for crisp, clear production work,<br \/>\nand turned out to be a producer who was in demand. Yet<br \/>\n<i>Zoot Allures<\/i> has its emphasis on bass &#8211; not thumping bass<br \/>\nlike you hear from the asshole in the SUV next to you on the<br \/>\nfreeway, but an almost ominous feeling that is draped over the<br \/>\nmusic. I don&#8217;t know if this was intentional on Zappa&#8217;s part, but it<br \/>\nsets a mood.<\/p>\n<p>For the most part, Zappa remains serious over the course of this<br \/>\nalbum, though he and his band never abandon humor completely.<br \/>\nTracks like &#8220;Ms. Pinky&#8221; and the growing-in-popularity disco scene<br \/>\nput-down on &#8220;Disco Boy&#8221; are evidence enough of this. But, for once,<br \/>\nZappa chooses not to use humor as his trump card, and the move<br \/>\nworks surprisingly well.<\/p>\n<p>Listen to the sheer musicianship on instrumentals like &#8220;Zoot<br \/>\nAllures&#8221; and &#8220;Black Napkins&#8221; as a subtle &#8211; subtle? Yeah, like a<br \/>\nflying sledgehammer &#8211; reminder of just how good of a musician Zappa<br \/>\nwas, and how demanding he was of the same level of perfection from<br \/>\nhis backing band. Likewise, tracks like &#8220;The Torture Never Stops&#8221;<br \/>\nnever dips into the level of the absurd, but rather sounds like<br \/>\nZappa means business. My only criticism? The &#8220;screams of pain&#8221; from<br \/>\nthe women on this one sound like they&#8217;re approaching orgasm &#8211; which<br \/>\nmade this one<br \/>\n<i>real<\/i> hard to listen to at work.<\/p>\n<p>Even the lesser-known tracks such as &#8220;Find Her Finer,&#8221; &#8220;Friendly<br \/>\nLittle Finger&#8221; and &#8220;Wonderful Wino&#8221; turn out to be well worth the<br \/>\nlistener&#8217;s time, and the darker edge to the music gives them the<br \/>\nadded kick that they might otherwise have not received. I&#8217;m willing<br \/>\nto bet that, had a track like &#8220;Find Her Finer&#8221; been on a different<br \/>\ndisc with a more bright level of production, it wouldn&#8217;t have been<br \/>\nas noteworthy.<\/p>\n<p>Yet<br \/>\n<i>Zoot Allures<\/i> seems to have fallen to the wayside when it<br \/>\ncomes to people naming their favorite Zappa albums. Maybe it was<br \/>\nthe darker atmosphere of the disc that causes people to remember<br \/>\nthe brighter, funny discs like<br \/>\n<i>Sheik Yerbouti<\/i> &#8211; and while I love that disc as well, it&#8217;s a<br \/>\nshame that<br \/>\n<i>Zoot Allures<\/i> isn&#8217;t remembered with the same kind of passion.<br \/>\nIt may have been a more serious album in terms of content and<br \/>\nsound, but it&#8217;s well worth checking out.<\/p>\n<p>2005 Christopher Thelen and &#8220;The Daily Vault.&#8221; All rights<br \/>\nreserved. Review or any portion may not be reproduced without<br \/>\nwritten permission. Cover art is the intellectual property of the<br \/>\nZappa Family Trust \/ record label, and is used for informational<br \/>\npurposes only.<\/p>\n","protected":false},"author":2,"featured_media":27178,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5625],"rating":[5617],"class_list":["post-38524","review","type-review","status-publish","has-post-thumbnail","artist-frank-zappa","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38524"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38524\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27178"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38524"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38524"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38524"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}