{"id":38527,"date":"2005-09-12T00:00:00","date_gmt":"2005-09-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-bigger-bang\/"},"modified":"2005-09-12T00:00:00","modified_gmt":"2005-09-12T00:00:00","slug":"a-bigger-bang","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-bigger-bang\/","title":{"rendered":"A Bigger Bang"},"content":{"rendered":"<p>It&#8217;s now official &#8212; September is my lucky month. Last year<br \/>\naround this time, I discovered my top two albums of 2004 within a<br \/>\nfew days of each other. This year, it&#8217;s the Stones who take that<br \/>\nhonor.<\/p>\n<p>Until a few months ago, the Stones were not a major component of<br \/>\nthe Clutterbuck Memorial Archives (started in honor of our dearly<br \/>\ndeparted fearless leader, Christopher &#8220;Pierce&#8221; Thelen).<br \/>\n<i>40 Licks<\/i> was lying around somewhere, and that was about it.<br \/>\nHowever, once again, it&#8217;s been proven out that I missed the train.<br \/>\nA few friends donated some albums, which included<br \/>\n<i>Let It Bleed<\/i>,<br \/>\n<i>Beggars Banquet<\/i>,<br \/>\n<i>Her Satanic Majesties Request<\/i> and<br \/>\n<i>Exile On Main Street<\/i>. It only took a few spins of each for<br \/>\nme to realize I had been depriving myself of some kick-ass<br \/>\nmusic.<\/p>\n<p>As fate would have it, just as the Stones were starting to grow<br \/>\non me, they released their first album of original material in<br \/>\nseven years. Now, going into this particular listen, it&#8217;s important<br \/>\nto keep in mind that the classics later Stones records are always<br \/>\ncompared to hasn&#8217;t sunk in for me yet. At this point in time,<br \/>\n<i>Let It Bleed<\/i> and<br \/>\n<i>A Bigger Bang<\/i> are on the same playing field for me, and this<br \/>\nrecord manages to top my list for best record of the year so<br \/>\nfar.<\/p>\n<p>Whether or not one is a Rolling Stones fan doesn&#8217;t matter when<br \/>\nit comes to defining their sound; it&#8217;s instantly recognizable.<br \/>\nHonestly, there haven&#8217;t been many bands to blend blues and rock to<br \/>\nform their own distinctive brand of music. From the first ticks of<br \/>\n&#8220;Rough Justice&#8221; to the final licks of &#8220;Infamy,&#8221; this is a Rolling<br \/>\nStones record throughout. Mick and Co. aren&#8217;t trying to be someone<br \/>\nelse, or add bells and whistles to their stripped-down sound. This<br \/>\nis a return-to-roots record, and damn if it doesn&#8217;t succeed at<br \/>\nit.<\/p>\n<p>Seeing as how this disc clocks in at roughly 65 minutes, there<br \/>\nis the natural assumption some filler is to be found. While<br \/>\n<i>A Bigger Bang<\/i> doesn&#8217;t break that rule, the filler isn&#8217;t as<br \/>\ndisposable as it could have been. The closest things get to being<br \/>\nuseless is the final track, &#8220;Infamy.&#8221; While the shoebox guitar<br \/>\nsound is catchy, the vocals are a step down from the rest of the<br \/>\nalbum, seeing as how it isn&#8217;t Jagger or Richards singing (I think<br \/>\nit&#8217;s Charlie Watts). &#8220;Let Me Down Slow&#8221; finds the band entering<br \/>\nmore of a pop territory, and could have stood for a stronger<br \/>\nrefrain.<\/p>\n<p>Picking out the best moments is difficult. If you can get past<br \/>\nthe eery Air Supply-sounding opening to &#8220;Streets Of Love,&#8221; there&#8217;s<br \/>\nan outstanding Stones ballad to be found. It displays a restraint<br \/>\nand &#8220;gentleness&#8221; the average person wouldn&#8217;t probably expect from<br \/>\nthis band. The opening track, &#8220;Rough Justice,&#8221; is one of the better<br \/>\nrock songs I have heard in a long time; the opening riff tears into<br \/>\nyou, and Mick comes along to deliver some suitable raunchy<br \/>\nStones-ish lyrics (i.e. &#8220;Once upon a time, I was your little<br \/>\nrooster \/ But am I just one of your cocks&#8221;).<\/p>\n<p>&#8220;Rain Falls Down&#8221; is a sequel of sorts to &#8220;Miss You,&#8221; perfectly<br \/>\nsuited for dancing with an extremely funky beat and spry bass line.<br \/>\n&#8220;Back Of My Hand&#8221; is straight up blues, harmonica and all.<br \/>\nActually, the guitar sound for this particular song reminded me<br \/>\nstrongly of &#8220;In My Time Of Dying&#8221; off Led Zeppelin&#8217;s<br \/>\n<i>Physical Graffiti<\/i>. While I don&#8217;t agree with its sentiments,<br \/>\nthe anti-Bush tirade &#8220;Sweet Neo-Con,&#8221; actually raises some valid<br \/>\npoints (although the band denied it was about the president).<br \/>\nFinally, &#8220;This Place Is Empty&#8221; gives Keith Richards a chance to<br \/>\nstretch out the ol&#8217; vocal cords, and his delivery is perfect for<br \/>\nthis song. You can hear the world-weariness oozing out of every<br \/>\nintonation, as the song&#8217;s protagonist sits alone in a bar.<\/p>\n<p>Who would have thought that a band comprised of 60-year-olds was<br \/>\ncapable of rocking this hard? I for one didn&#8217;t think Mick and Co.<br \/>\nhad it in them, but boy did they prove me wrong. This album<br \/>\nsucceeds in striking a chord with their previous works; the first<br \/>\nlisten made more of an impact on me than my first listen of<br \/>\n<i>Exile On Main Street<\/i>. Maybe it took old age for The Rolling<br \/>\nStones to realize what kind of band they exactly are and that it&#8217;s<br \/>\nnot worth changing just for the sake of change. Too many bands<br \/>\nchange, adapt and mess around with a style in order to gain sales<br \/>\nor appeal to different age groups. The Stones on<br \/>\n<i>A Bigger Bang<\/i> merely get back in touch with what made them<br \/>\nthe &#8220;Greatest Rock &#038; Roll Band on Earth.&#8221; That&#8217;s all they<br \/>\nneeded to do.<\/p>\n","protected":false},"author":44,"featured_media":27181,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5665],"rating":[5646],"class_list":["post-38527","review","type-review","status-publish","has-post-thumbnail","artist-the-rolling-stones","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38527"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38527\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27181"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38527"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38527"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}