{"id":38551,"date":"2005-09-22T00:00:00","date_gmt":"2005-09-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/broadway-the-hard-way-2\/"},"modified":"2005-09-22T00:00:00","modified_gmt":"2005-09-22T00:00:00","slug":"broadway-the-hard-way-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/broadway-the-hard-way-2\/","title":{"rendered":"Broadway The Hard Way"},"content":{"rendered":"<p>After all of the time that Frank Zappa spent honing his skills<br \/>\nas a serious composer, it seems kind of ironic that his return to<br \/>\nform,<br \/>\n<i>Broadway The Hard Way<\/i>, was an album of pop tunes with more<br \/>\nthan a smidgen of disgust toward modern society, politics and<br \/>\nreligion.<\/p>\n<p>The first disc to capture the brief tenure of Zappa&#8217;s 1988<br \/>\ntouring band (which imploded following internal strife), Zappa &#8211;<br \/>\nfor the first time in a long while &#8211; sounds like he&#8217;s having fun<br \/>\nwith the material and performing, and his new-found energy rubs off<br \/>\non his backing band. This is the kind of performance that fans had<br \/>\nbeen waiting for a long time. Pity the group only lasted four<br \/>\nmonths.<\/p>\n<p>No one is safe from Zappa&#8217;s barbs, from Jesse Jackson (the<br \/>\nexcellent &#8220;Rhymin&#8217; Man&#8221;) to then-president Ronald Reagan (&#8220;Dickie&#8217;s<br \/>\nSuch An Asshole&#8221;) to the Republican Party (&#8220;When The Lie&#8217;s So<br \/>\nBig&#8221;), even to Pat Robertson (&#8220;Jesus Thinks You&#8217;re A Jerk&#8221;), Zappa<br \/>\nand crew fire point-blank at the targets of their barbs, and they<br \/>\nalmost constantly hit the bullseye.<\/p>\n<p>Try, as hard as you can, to not get sucked into the chorus of<br \/>\n&#8220;Planet Of The Baritone Women&#8221;, with its gutteral laugh punctuating<br \/>\nthe refrain. Try not to smirk at the slams against Jackson on<br \/>\n&#8220;Rhymin&#8217; Man,&#8221; delivered in an almost Western style. Try not to<br \/>\ncheer the declarations of guest vocalist Sting (!) as he sits in<br \/>\nwith the band on the old Police track &#8220;Murder By Numbers&#8221;. The fact<br \/>\nis, you can&#8217;t. The listener knows that Zappa and crew are fired up<br \/>\nand out for blood, and it&#8217;s impossible not to get caught up in the<br \/>\nexcitement and societal indignation &#8211; especially when Zappa<br \/>\nimplores the audience members at intermission to get up and<br \/>\nregister to vote.<\/p>\n<p>This isn&#8217;t to say there are no rough spots on<br \/>\n<i>Broadway The Hard Way<\/i> &#8211; but compared to some of Zappa&#8217;s<br \/>\nreleases, these are mere speed bumps on the road. Tracks like &#8220;Why<br \/>\nDon&#8217;t You Like Me?&#8221;, &#8220;What Kind Of Girl&#8221; and &#8220;Jezebel Boy&#8221; don&#8217;t<br \/>\nquite have the same snap to their punches, and end up being a bit<br \/>\nof a lull in the show, but these are not insurmountable obstacles.<br \/>\nTruth is, Zappa hadn&#8217;t put out an album as consistent as this one<br \/>\nin a while, not counting any of the compilations he was working on<br \/>\nat the time.<\/p>\n<p>Sadly,<br \/>\n<i>Broadway The Hard Way<\/i> has become almost a forgotten disc in<br \/>\nthe Zappa discography, despite its strengths. There are many Zappa<br \/>\nCDs that I&#8217;ve found needing a major case of rediscovery by both<br \/>\nfans and newcomers alike.<br \/>\n<i>Broadway The Hard Way<\/i> should be one of those near the top of<br \/>\nthe list.<\/p>\n<p>2005 Christopher Thelen and &#8220;The Daily Vault.&#8221; All rights<br \/>\nreserved. Review or any portion may not be reproduced without<br \/>\nwritten permission. Cover art is the intellectual property of the<br \/>\nZappa Family Trust \/ record label, and is used for informational<br \/>\npurposes only.<\/p>\n","protected":false},"author":2,"featured_media":26421,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5625],"rating":[5617],"class_list":["post-38551","review","type-review","status-publish","has-post-thumbnail","artist-frank-zappa","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38551"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38551\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26421"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38551"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38551"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38551"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}