{"id":38564,"date":"2005-09-28T00:00:00","date_gmt":"2005-09-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/have-i-offended-someone-2\/"},"modified":"2005-09-28T00:00:00","modified_gmt":"2005-09-28T00:00:00","slug":"have-i-offended-someone-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/have-i-offended-someone-2\/","title":{"rendered":"Have I Offended Someone?"},"content":{"rendered":"<p>Whether the term was deserved or not, Frank Zappa was often<br \/>\nclassified as a comedic musician due to the biting, often<br \/>\noffensive, satire that permeated much of his work. His songs have<br \/>\neven been played on that bastion of musical humor, the Dr. Demento<br \/>\nradio program, cementing his place in history with the fans of the<br \/>\ngood doctor.<\/p>\n<p>Yet when put together as their own package,<br \/>\n<i>Have I Offended Someone?<\/i>, the songs that made Zappa infamous<br \/>\nsometimes come off as mean-spirited, shocking just for the sake of<br \/>\nshock and &#8211; worst of all &#8211; losing any humor that was meant to be<br \/>\ndelivered with the tracks. While some of the versions on this disc<br \/>\nmay be new to long-time Zappa fans due to some audio clean-up or<br \/>\nnew editing, the disc ends up sounding like an off-color joke told<br \/>\nat a party at exactly the wrong time.<\/p>\n<p>Some of the inclusions on this disc are no surprise &#8211; &#8220;Jewish<br \/>\nPrincess,&#8221; &#8220;He&#8217;s So Gay,&#8221; &#8220;Dinah-Moe Humm,&#8221; &#8220;Disco Boy&#8221; and<br \/>\n&#8220;Titties And Beer&#8221; top that list. Sometimes, it&#8217;s the exclusions<br \/>\nthat surprise me &#8211; where is &#8220;Shove It Right In&#8221;? &#8220;Ms. Pinky&#8221;?<br \/>\n&#8220;Broken Hearts Are For Assholes&#8221;? I mean,<br \/>\n<i>any<\/i> of those songs could have easily bumped &#8220;Valley Girl,&#8221;<br \/>\neasily the tamest of the bunch here.<\/p>\n<p>Other songs, taken out of their original album environments,<br \/>\njust don&#8217;t have the same punch they once did. &#8220;Catholic Girls,&#8221; for<br \/>\nexample, isn&#8217;t quite as scathing as it sounded on<br \/>\n<i>Joe&#8217;s Garage<\/i> (and I freely admit I&#8217;ve never warmed up to<br \/>\nthis song, which has nothing to do with the fact I&#8217;m a recovering<br \/>\nCatholic myself). Likewise, &#8220;Goblin Girl&#8221; and &#8220;In France&#8221; just seem<br \/>\nlike harmless little asides, not nearly as offensive as some of<br \/>\nZappa&#8217;s other works.<\/p>\n<p>In fact, Zappa was sometimes at his best when he<br \/>\n<i>was<\/i> offending someone, such as the money-grabbing<br \/>\ntelevangelists &#8211; who, for some reason, get a total pass on<br \/>\n<i>Have I Offended Someone?<\/i> I mean, a weak cut like &#8220;Sex&#8221; (from<\/p>\n<p><i>The Man From Utopia<\/i>) makes the grade, but Jimmy Swaggart is<br \/>\nleft alone? For shame.<\/p>\n<p>The end result of<br \/>\n<i>Have I Offended Someone?<\/i> is nothing more than a collection<br \/>\nof off-color jokes that, when put together, lose a lot of their<br \/>\nindividual power. While I&#8217;ve been a critic of the level of Zappa&#8217;s<br \/>\nhumor at times, I will admit that Zappa&#8217;s satiric wit was often at<br \/>\nits best when it hit the listener at the least expected time.<br \/>\n(&#8220;Bobby Brown Goes Down&#8221; is a prime example of that, though<br \/>\n<i>Sheik Yerbouti<\/i> has many moments that would have fit on this<br \/>\ndisc.) Putting them all together in one disc seems almost<br \/>\nanticlimatic, and is a letdown in the field of posthumous Zappa<br \/>\nreleases.<\/p>\n<p>2005 Christopher Thelen and &#8220;The Daily Vault.&#8221; All rights<br \/>\nreserved. Review or any portion may not be reproduced without<br \/>\nwritten permission. Cover art is the intellectual property of the<br \/>\nZappa Family Trust \/ record label, and is used for informational<br \/>\npurposes only.<\/p>\n","protected":false},"author":2,"featured_media":25877,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5625],"rating":[5619],"class_list":["post-38564","review","type-review","status-publish","has-post-thumbnail","artist-frank-zappa","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38564"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38564\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25877"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38564"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38564"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38564"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}