{"id":38565,"date":"2005-09-28T00:00:00","date_gmt":"2005-09-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/mystery-disc\/"},"modified":"2005-09-28T00:00:00","modified_gmt":"2005-09-28T00:00:00","slug":"mystery-disc","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/mystery-disc\/","title":{"rendered":"Mystery Disc"},"content":{"rendered":"<p>During the &#8217;80s, Frank Zappa created special boxed sets of some<br \/>\nof his earlier albums, and sold them to fans as<br \/>\n<i>The Old Masters<\/i>. As an incentive for fans to spend their<br \/>\nmoney on albums they undoubtedly had (albeit in nicer condition),<br \/>\nZappa included a bonus record featuring material never made before<br \/>\nelsewhere.<\/p>\n<p>After Zappa&#8217;s death in 1993, all but two of the cuts featured on<br \/>\nthese bonus records &#8211; known as &#8220;Mystery Discs&#8221; &#8211; were released on<br \/>\nthe CD<br \/>\n<i>Mystery Disc<\/i>. (The remaining two tracks had become bonus<br \/>\ntracks on<br \/>\n<i>Absolutely Free<\/i>.) Yet listening to this disc, I had to<br \/>\nwonder why many of these selections were even let out of the<br \/>\nvault.<\/p>\n<p>Granted, some of these have their own unique charms &#8211; &#8220;Charva,&#8221;<br \/>\n&#8220;Original Duke Of Prunes&#8221; and &#8220;Theme From &#8216;Run Home Slow'&#8221; all are<br \/>\ninteresting snapshots of Zappa as a young, up-and-coming artist,<br \/>\nand they are enjoyable to listen to. The same can be said for<br \/>\n&#8220;Speed Freak Boogie,&#8221; &#8220;Black Beauty&#8221; and &#8220;Wedding Dress Song \/ The<br \/>\nHandsome Cabin Boy&#8221; (which sounds exactly like the version on<br \/>\n<i>The Lost Sessions<\/i>), as well as early versions of &#8220;How Could<br \/>\nI Be Such A Fool&#8221; and &#8220;Plastic People&#8221;.<\/p>\n<p>So far, so good, right? So why would<br \/>\n<i>Mystery Disc<\/i> also include what sounds like a generous<br \/>\nportion of the on-stage play featured on<br \/>\n<i>Ahead Of Their Time<\/i> yet again? If it&#8217;s not the same<br \/>\nperformance from that night in London in 1968, it sounds damned<br \/>\nsimilar. Granted, I could say that a different version of &#8220;Charva&#8221;<br \/>\nwas on<br \/>\n<i>The Lost Sessions<\/i>, but this track is still pretty<br \/>\nenjoyable.<\/p>\n<p>What tends to drag<br \/>\n<i>Mystery Disc<\/i> down are the numerous spoken-word pieces that<br \/>\nseem to have no real place in the vast Zappa catalog, such as<br \/>\n&#8220;Opening Night Party At Studio Z&#8221; (though I understand the historic<br \/>\nsignificance of its inclusion), &#8220;I Was A Teenage Malt Shop&#8221; or<br \/>\n&#8220;Original Mothers At The Fillmore East&#8221;. Yeah, the diehard Zappa<br \/>\nfan will probably drool at hearing such historical nuggets, but to<br \/>\nmost people, these will just serve as interruptions to the musical<br \/>\nflow. (And, yes, I know that Zappa used spoken-word well in the<br \/>\ncourse of albums like<br \/>\n<i>Sheik Yerbouti<\/i>, but it just doesn&#8217;t work as well this time<br \/>\naround.)<\/p>\n<p>In fact, if I had to choose between<br \/>\n<i>Mystery Disc<\/i> and<br \/>\n<i>The Lost Sessions<\/i> as to which is the better treasure trove,<br \/>\nI&#8217;d have to pick<br \/>\n<i>The Lost Sessions<\/i>.<br \/>\n<i>Mystery Disc<\/i> has its moments, but turns out to be one of<br \/>\nthose discs that only Zappa completists need to own.<\/p>\n<p>2005 Christopher Thelen and &#8220;The Daily Vault.&#8221; All rights<br \/>\nreserved. Review or any portion may not be reproduced without<br \/>\nwritten permission. Cover art is the intellectual property of the<br \/>\nZappa Family Trust \/ record label, and is used for informational<br \/>\npurposes only.<\/p>\n","protected":false},"author":2,"featured_media":27215,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5625],"rating":[5619],"class_list":["post-38565","review","type-review","status-publish","has-post-thumbnail","artist-frank-zappa","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38565"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38565\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27215"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38565"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38565"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}