{"id":38603,"date":"2005-11-01T00:00:00","date_gmt":"2005-11-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blackbomber\/"},"modified":"2005-11-01T00:00:00","modified_gmt":"2005-11-01T00:00:00","slug":"blackbomber","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blackbomber\/","title":{"rendered":"Blackbomber"},"content":{"rendered":"<p>Building on two of the more obvious and surefire components of<br \/>\nhard rock, Norwegian hard rockers Mohammed rehash the plummeting<br \/>\nchord strums of Black Sabbath and Kiss and fuse them with early<br \/>\n1980s thrash scene riffing (think Metallica) to come up with their<br \/>\nown bastard offspring from those bands&#8217; glory years &#8212;<br \/>\n<i>Blackbomber<\/i>.<\/p>\n<p>Making no bones about snagging the ten-second signature riff<br \/>\nfound on Black Sabbath&#8217;s &#8220;Paranoid,&#8221; the lead song on<br \/>\n<i>Blackbomber<\/i>, &#8220;1973,&#8221; aptly sets the tone for everything else<br \/>\nfound on their debut with the vocal proclamation that they are<br \/>\n&#8220;dancing with the demons tonight.&#8221; Vocally,<br \/>\n<i>Blackbomber<\/i> is essentially all aggro, with enough guitar<br \/>\nhooks and drum fills to differentiate itself from any comparisons<br \/>\nto the death metal scene commonly spawned and thus associated with<br \/>\nthe Scandic reaches.<\/p>\n<p>Opening with a guitar wah-wah that makes me think of the Kiss<br \/>\ndisco years (i.e. &#8220;I Was Made for Loving You&#8221;), the track &#8220;Obey The<br \/>\nLaw&#8221; settles into a funk concoction that is pure Hendrix, Iommi and<br \/>\nHammett &#8212; resulting in a vintage sound combining all those<br \/>\nguitarists&#8217; signature multiple time stamps. The formula itself is<br \/>\nsmooth enough to confirm the combined talent of the members in this<br \/>\nband; never mind the fact that I can&#8217;t find a mention of these<br \/>\nguys&#8217; names on the CD jacket or any website. A band overlooking<br \/>\nsuch facts on an album release, no less a debut, is maddening if<br \/>\nnot downright dubious.<\/p>\n<p>So, whomever the vocalist is refuses to be outdone by his axe<br \/>\ncompadres as he voice-synths an approach to the intro of &#8220;Silver<br \/>\nLining,&#8221; yielding a<br \/>\n<i>Godfather<\/i>-like narration which abruptly succumbs to a<br \/>\ntumultuous battery of chord riffing and thrash breaks. The result<br \/>\nof this approach reveals possibly what I am making out to be one of<br \/>\nmy favorite angst lines in recent memory with the screech, &#8220;I&#8217;m<br \/>\nattached to yooouuuuu \/ Like a glacier to the sun!&#8221; Great narration<br \/>\nto this track mixed to a series of varying time signatures makes<br \/>\n&#8220;Silver Lining&#8221; the intriguing listening opportunity on<br \/>\n<i>Blackbomber<\/i> &#8212; hands down.<\/p>\n<p>Of course this award holds until one hears the track &#8220;(Sweet)<br \/>\nSixteen&#8221; as the vocal fury is caressed with backing &#8220;sweet,<br \/>\nsweet&#8217;s&#8221; found throughout the choruses. No ballad here &#8212; just pure<br \/>\nfinesse to what would otherwise be a song surely confused with<br \/>\nplenty of other simplified hard-rocking song structures.<\/p>\n<p>\n<i>Blackbomber<\/i> strikes that figurative chord resonating with me<br \/>\nright out of the gates and doesn&#8217;t let go in revealing very few if<br \/>\nany dead spots. Forget the fact that these moose rockers have<br \/>\neffectively vaulted themselves to the top of the Norwegian rock<br \/>\nthrone with Gluecifer&#8217;s recent disbanding and current maps finding<br \/>\nTurbonegro lost in their ways. I decidedly find it only appropriate<br \/>\nthat the rest of the world be wary in heeding the call of who else<br \/>\nlurks in the musical shadows &#8212; not only above the Arctic Circle<br \/>\nbut below it as well.<\/p>\n","protected":false},"author":27,"featured_media":27249,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7225],"rating":[5646],"class_list":["post-38603","review","type-review","status-publish","has-post-thumbnail","artist-mohammed","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38603"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38603\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27249"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38603"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38603"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}