{"id":38612,"date":"2005-11-10T00:00:00","date_gmt":"2005-11-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vitalogy-2\/"},"modified":"2005-11-10T00:00:00","modified_gmt":"2005-11-10T00:00:00","slug":"vitalogy-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vitalogy-2\/","title":{"rendered":"Vitalogy"},"content":{"rendered":"<p>Like many things in life, you&#8217;re either with Pearl Jam, or<br \/>\nyou&#8217;re against &#8217;em.<\/p>\n<p>The quintet made national news during the Seattle explosion and<br \/>\nhas always tried to remain relevant in an ever-changing musical<br \/>\nlandscape. When the band released<br \/>\n<i>Vitalogy<\/i> in 1994, vocalist Eddie Vedder and company were<br \/>\nhoping that their wave wasn&#8217;t over.<\/p>\n<p>Like many bands who experience commercial success with their<br \/>\nfirst release, the eyes of the world were upon the band to see if<br \/>\nthey were a fluke or if they were actually going to make a<br \/>\ndifference.<\/p>\n<p>The band&#8217;s third album starts out well with &#8220;Last Exit&#8221; and the<br \/>\ntwinges of punk rock in &#8220;Spin The Black Circle.&#8221; They hit their<br \/>\nstride with my favorite song on this release, &#8220;Not For You;&#8221; the<br \/>\nmid-tempo plodding music and Vedder&#8217;s emotional roller-coaster<br \/>\nvocals crescendo with the guitar riff, staying intense even in the<br \/>\nsofter moments.<\/p>\n<p>The next track, &#8220;Tremor Christ,&#8221; has always made me think of the<br \/>\nBeatles during the riff. Vedder is no Paul or John, though, and the<br \/>\nvocals and music are a disjointed union. I&#8217;ve never been into this<br \/>\ntrack &#8212; it sounds like the music and vocals just don&#8217;t fit.<br \/>\n&#8220;Nothingman&#8221; fares a little better, trying to recapture the magic<br \/>\nof &#8220;Black&#8221; or &#8220;Jeremy&#8221; with a subdued mood. Vedder moans his lyrics<br \/>\nand it&#8217;s hard to understand him, yet I cannot resist the overall<br \/>\nemotional impact of this track.<\/p>\n<p>&#8220;Whipping&#8221; is a return to the energetic vibe of &#8220;Spin The Black<br \/>\nCircle.&#8221; Propelled by a pounding drumbeat, the band sounds like<br \/>\nthey are in sync with each other as the song changes texture and<br \/>\nmood. But there is no excuse lame enough to justify the existence<br \/>\nof &#8220;Bugs.&#8221; It&#8217;s moronic that a band trying to survive in the<br \/>\nmusical industry would release this track. I fully understand,<br \/>\nthough, why &#8220;Betterman&#8221; comes shortly after this track, as it<br \/>\ncaptures the pain of being in a relationship that is not working<br \/>\nand trying to find the courage to leave in order to survive. It<br \/>\nreminds me of a friend I had when this release first came out &#8212;<br \/>\nshe was going to leave her husband because she knew she could find<br \/>\nbetter. Though I haven&#8217;t spoken to her in more than 10 years, I<br \/>\nstill smile and think of her when hearing this song.<\/p>\n<p>And that&#8217;s why I like Pearl Jam &#8212; they were able to find a<br \/>\nconnection to me as a listener. I can&#8217;t be the reviewer that<br \/>\ntrashes an entire CD for one song (&#8220;Bugs&#8221;); I look at the bigger<br \/>\npicture.<br \/>\n<i>Vitalogy<\/i> is a release that is not about a band&#8217;s failed<br \/>\nexperimentation and I can appreciate the band&#8217;s journey on this<br \/>\nrelease. But &#8220;Betterman&#8221; and &#8220;Not For You&#8221; are the only ones I<br \/>\nroutinely listen to when I pull this release out for a spin because<br \/>\nthey are two that speak to me.<\/p>\n","protected":false},"author":10,"featured_media":24564,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5726],"rating":[5615],"class_list":["post-38612","review","type-review","status-publish","has-post-thumbnail","artist-pearl-jam","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38612"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38612\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24564"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38612"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38612"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}