{"id":38617,"date":"2005-11-14T00:00:00","date_gmt":"2005-11-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/yield-2\/"},"modified":"2005-11-14T00:00:00","modified_gmt":"2005-11-14T00:00:00","slug":"yield-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/yield-2\/","title":{"rendered":"Yield"},"content":{"rendered":"<p>\n<i>Yield<\/i> comes as a follow up to Pearl Jam&#8217;s shockingly<br \/>\nexperimental<br \/>\n<i>No Code<\/i>, and is a radically different record from its<br \/>\npredecessor.<\/p>\n<p>\n<i>No Code<\/i> was a record of various random ideas poured in an<br \/>\nalbum, without any care as to what the outcome would be like.<br \/>\n<i>Yield<\/i>, on the other hand, has a structure and a focused<br \/>\nsound, which is maintained throughout consistently.<\/p>\n<p>\n<i>Yield<\/i> finds Pearl Jam in a tranquil mood; the band is least<br \/>\nangry on this record. The album has the benign sound of<br \/>\nlate-eighties REM or The Tragically Hip. As a matter of fact, on a<br \/>\ncouple of tracks &#8212; &#8220;Faithful&#8221; and &#8220;MFC&#8221; &#8212; Vedder&#8217;s mellowed-down<br \/>\nfolky avatar has a distinct resemblance to The Tragically Hip&#8217;s<br \/>\nGordon Downie.<\/p>\n<p>In the records leading up to<br \/>\n<i>Yield<\/i> &#8212;<br \/>\n<i>No Code<\/i> and<br \/>\n<i>Vitalogy<\/i> &#8212; there were definite signs of the group&#8217;s gradual<br \/>\ndeparture from the grunge sound that defined the early period of<br \/>\nits career. With Yield, Pearl Jam, takes a complete exodus from the<br \/>\naggression that seemed so natural to it, and converts it into more<br \/>\npoignant feelings, with the cuts here more simplistic and<br \/>\ntouching.<\/p>\n<p>&#8220;Wishlist&#8221; is probably the simplest track Vedder has ever<br \/>\nwritten, and it is only befitting that it should find its way into<br \/>\n<i>Yield<\/i>, of all the other records in the Pearl Jam catalog. It<br \/>\nis a track of seemingly random but pensive wishes sung by a very<br \/>\ndifferent Vedder, a more helpless Vedder, whose intense anger is<br \/>\nall but locked up in a safe whose keys have been intentionally<br \/>\nlost.<\/p>\n<p>Even on the aggressive pieces on the record, the group&#8217;s anger<br \/>\nseems to be more defensive than aggressive. Perhaps the only tune<br \/>\non the album that has the rage and bitterness of a much younger<br \/>\nPearl Jam is &#8220;Do The Evolution.&#8221; However, the frustration and<br \/>\nsarcasm of this &#8220;love peace, not war&#8221; number comes across more as a<br \/>\nresult of helplessness and despair than a feeling of uncontrollable<br \/>\nrage.<\/p>\n<p>In a way, it is somewhat disheartening to see a band like Pearl<br \/>\nJam going mellow with its sound. However, on the other hand, it is<br \/>\nextremely impressive to see this legend of grunge produce such an<br \/>\nexcellent folk-rock record. Pearl Jam is still as talented as it<br \/>\never was; only the style of music has changed.<\/p>\n","protected":false},"author":40,"featured_media":24691,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5726],"rating":[5617],"class_list":["post-38617","review","type-review","status-publish","has-post-thumbnail","artist-pearl-jam","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38617"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38617\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24691"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38617"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38617"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}