{"id":38632,"date":"2005-11-28T00:00:00","date_gmt":"2005-11-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/looking-for-lucky\/"},"modified":"2005-11-28T00:00:00","modified_gmt":"2005-11-28T00:00:00","slug":"looking-for-lucky","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/looking-for-lucky\/","title":{"rendered":"Looking For Lucky"},"content":{"rendered":"<p>Hootie and the Blowfish have a new CD. Someone alert FEMA. Or<br \/>\nbetter yet, the EPA. I think we&#8217;re about to have a Category 5<br \/>\nMediocricane.<\/p>\n<p>Look, I get it, OK? Hootie and the Blowfish aren&#8217;t particularly<br \/>\na bad band; they just aren&#8217;t any better than any one of a thousand<br \/>\nbands out there who didn&#8217;t get breaks, didn&#8217;t get MTV exposure,<br \/>\ndidn&#8217;t get to make videos with Dan Patrick. Hootie and the Blowfish<br \/>\nare living proof of one of the axioms of the Saint of Sales, J.R.<br \/>\n&#8220;Bob&#8221; Dobbs: &#8220;It&#8217;s better to be lucky than good.&#8221; Rather than a<br \/>\nlife of garage band wonder in Spartansburg, South Carolina, or<br \/>\nwherever the hell they&#8217;re from, they got five minutes of fame. They<br \/>\ncan play state fairs for the rest of their life on a double bill<br \/>\nwith Swing Out Sister and Glenn Medeiros, being giggled at by drunk<br \/>\nthirty-somethings who are desperately trying to pretend they&#8217;re<br \/>\nstill in college.<\/p>\n<p>And guess what? All their new CD,<br \/>\n<i>Looking For Lucky<\/i>, does is perpetuate that streak of<br \/>\nformulaic mediocrity. You still can&#8217;t understand a damned thing<br \/>\nDarius Rucker says without a lyric sheet and a competent speech<br \/>\npathologist. The rest of the band is still vaguely good looking,<br \/>\nvaguely talented, and vaguely in the same key. They don&#8217;t really<br \/>\nsing harmony, they just all sing the melody at the same time. The<br \/>\nproduction and engineering on the CD is OK; the musicianship still<br \/>\nbugs me, since Hootie and the rest of the gang seem to have not<br \/>\nchanged the effects pedal on their guitars since, oh, 1991. Wide,<br \/>\nfuzzy, and reverb-laden; it&#8217;s like sterilized garage rock,<br \/>\ngenetically engineered to appeal to people who drive SUVs.<\/p>\n<p>Oh, and once or twice there&#8217;s a mandolin. Wow, is that<br \/>\nground-breaking or what?<\/p>\n<p>The songs are boring. The lyrics are insipid. I would like to<br \/>\npoint out some particular high and low points, but there aren&#8217;t<br \/>\nany; it just all dissolves into a beige morass of unchallenging<br \/>\nmusic.<br \/>\n<i>Looking For Lucky<\/i> is easy and easily forgotten. This is a CD<br \/>\ndesigned to be background music at a TGI Friday&#8217;s. Only once do<br \/>\nHootie and his amigos break the mode, for &#8220;Leaving&#8221; &#8212; which<br \/>\ninstead of being mediocre mainstream rock is mediocre country rock.<br \/>\nThis stuff makes the Eagles look like Morphine.<\/p>\n<p>In the end, this isn&#8217;t bad enough to be really notable and isn&#8217;t<br \/>\ngood enough to waste your time on. Don&#8217;t even bother, not even if<br \/>\nit&#8217;s in the cutout rack. If you want to know who&#8217;s<br \/>\n<i>Looking For Lucky<\/i>, it&#8217;s Hootie, every time he looks in the<br \/>\nmirror. Lucky that they still have a record contract, lucky they<br \/>\never had a career.<\/p>\n","protected":false},"author":18,"featured_media":27272,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5695],"rating":[11205],"class_list":["post-38632","review","type-review","status-publish","has-post-thumbnail","artist-hootie-the-blowfish","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38632"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38632\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27272"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38632"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38632"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}