{"id":38636,"date":"2005-11-30T00:00:00","date_gmt":"2005-11-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/carney\/"},"modified":"2005-11-30T00:00:00","modified_gmt":"2005-11-30T00:00:00","slug":"carney","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/carney\/","title":{"rendered":"Carney"},"content":{"rendered":"<p>At his best, rock session man Leon Russell sounded like a<br \/>\nswamp-fueled Creedence Clearwater Revival with a shot of Dylan. At<br \/>\nhis worst, his grating voice was merged with songs too weird to be<br \/>\nenjoyable.<\/p>\n<p>\n<i>Carne<\/i>y contains the best of both worlds with a nod to the<br \/>\nlatter category. There is a reason why Russell is the most famous<br \/>\nnobody in rock &#8212; he built everyone else&#8217;s careers, yet his own<br \/>\nnever really went anywhere, save for the hit &#8220;Lady Blue&#8221; in 1975,<br \/>\nand this release shows why.<\/p>\n<p>Classic rock fans might remember &#8220;Tightrope,&#8221; which uses circus<br \/>\nimages to explain the singer&#8217;s stance in life (&#8220;I&#8217;m up on the<br \/>\ntightrope \/ One side&#8217;s hate and one is hope \/ But to top that off,<br \/>\nmy head is all you see&#8221;). It&#8217;s a pretty good song, but Russell&#8217;s<br \/>\nnasally swamp drawl is an acquired taste that either enhances or<br \/>\nruins the song, no middle ground.<\/p>\n<p>&#8220;Out In The Woods&#8221; is a nice little shuffle number, while<br \/>\n&#8220;Roller Derby&#8221; is an all-too-brief honky tonk piece inspired by<br \/>\ngospel &#8211; both get points for being original. Really, the beauty of<br \/>\nthis album is in its originality, but original does not always<br \/>\nequal good, as the album eventually realizes.<\/p>\n<p>A number of melancholy songs about self-reflection and loss<br \/>\npepper this release. &#8220;Manhattan Island Serenade&#8221; veers between<br \/>\nminor chords\/depressing lyrics and major chords\/hopeful lyrics,<br \/>\ncarried by a piano and the sound of rain. &#8220;Me And Baby Jane&#8221; is an<br \/>\nembarrassing try at a love song, while &#8220;This Masquerade&#8221; is a<br \/>\ntearjerker about divorce, backed up by a mournful flute.<\/p>\n<p>There really isn&#8217;t any happiness on the album, except for the<br \/>\nthrowaway 40-second title track and the awful &#8220;Cajun Love Song.&#8221;<br \/>\n&#8220;If The Shoe Fits&#8221; is also rather upbeat, with Russell channeling<br \/>\nJethro Tull to mediocre results, while &#8220;My Cricket&#8221; is an extremely<br \/>\nslow ballad lacking emotion but compensating with Russell&#8217;s awful<br \/>\nvoice. There is also a psychedelic tune called &#8220;Acid Annapolis,&#8221;<br \/>\nwhich is just people imitating Scooby Doo-type ghosts for three<br \/>\nminutes, and that&#8217;s probably all I need to say.<\/p>\n<p>Russell redeems himself with &#8220;Magic Mirror,&#8221; in which his voice<br \/>\nsounds right in place singing the tale of a man who doesn&#8217;t know<br \/>\nhis place in the world (&#8220;The sellers think I&#8217;m merchandise \/<br \/>\nThey&#8217;ll have me for a song \/ The left ones think I&#8217;m right \/ The<br \/>\nright ones think I&#8217;m wrong&#8221;). The piano and finger-snaps give the<br \/>\nsong a casual roadside feel, and the listener can picture Russell<br \/>\ntelling his side of the story to the truck driver that picked him<br \/>\nup as he was hitchhiking somewhere far from home.<\/p>\n<p>\n<i>Carney<\/i> is certainly original and interesting, an emotional<br \/>\nconcept album that could have been so much better. Sadly, the bad<br \/>\nor mediocre songs here outweigh the high points, making this<br \/>\nnothing more than a curiosity for the interested.<\/p>\n","protected":false},"author":45,"featured_media":27276,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7237],"rating":[11204],"class_list":["post-38636","review","type-review","status-publish","has-post-thumbnail","artist-leon-russell","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38636"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38636\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27276"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38636"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38636"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38636"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}