{"id":38637,"date":"2005-11-30T00:00:00","date_gmt":"2005-11-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/alive-2\/"},"modified":"2005-11-30T00:00:00","modified_gmt":"2005-11-30T00:00:00","slug":"alive-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/alive-2\/","title":{"rendered":"Alive 2"},"content":{"rendered":"<p>This is the soundtrack for the new Anthrax DVD<br \/>\n<i>Alive 2<\/i>. The DVD, of course, visually captures the band with<br \/>\ntheir long hair flailing in the air. Another difference between the<br \/>\nDVD and the CD is that track four of the DVD is &#8220;Antisocial&#8221; and<br \/>\ntrack four of the DVD is &#8220;Madhouse.&#8221; Otherwise, the songs are<br \/>\nidentical. While you can argue that you don&#8217;t need both a visual<br \/>\nand audio presentation of the band, especially when the visual<br \/>\nincludes audio, I found listening to the CD was enhanced by having<br \/>\nseen the DVD. When Joey Belladonna says, &#8220;Cry for the &#8212; !&#8221; and the<br \/>\ncrowd responds, &#8220;Indians!&#8221; and you see everyone&#8217;s fists in the air,<br \/>\nit is more gratifying.<\/p>\n<p>With that in mind, the CD version kicks off with &#8220;Among The<br \/>\nLiving&#8221; and then launches into the opening riff of &#8220;Caught In A<br \/>\nMosh.&#8221; This has to be the best way the band could have started a<br \/>\nreunion concert. Both songs capture the magical intensity of the<br \/>\n&#8220;classic&#8221; lineup. &#8220;Mosh&#8221; features Charlie Benante&#8217;s frantic<br \/>\ndrumming and Belladonna&#8217;s delivery of the lyrics &#8220;Shut up! Shut up!<br \/>\nI don&#8217;t want to hear about it!&#8221; that send this track over the edge.<br \/>\nBy the time the band gets to &#8220;Madhouse,&#8221; the crowd is into the gig<br \/>\nand ready to take it to the next level. &#8220;N.F.L.&#8221; continues the<br \/>\nmomentum into &#8220;Deathrider&#8221; and &#8220;Medusa.&#8221; When Belladonna introduces<br \/>\n&#8220;Indians&#8221; and the guitars hit the three notes as the crowd shouts,<br \/>\n&#8220;Indians,&#8221; there is magic. It&#8217;s a subtle magic that comes through<br \/>\non this release.<\/p>\n<p>While the future of the band has been captured on the<br \/>\n<i>Anthrology: No Hit Wonders (1985-1991)<\/i><br \/>\n<a href=\"2005_11_28-ph.html\">CD<\/a> and<br \/>\n<a href=\"2005_11_29-ph.html\">DVD<\/a> releases, the future of the<br \/>\nband is uncertain. Will the band continue to tour the world with<br \/>\nthe reformed lineup? Will they record a new CD with new songs?<\/p>\n<p>New songs. Hmm. That&#8217;s one thing this release is missing. It<br \/>\nwould have been awesome if the band would have gone in and recorded<br \/>\nat least one new track in the studio. It would have been awesome to<br \/>\nrecord a song from their era with vocalist John Bush, just to get<br \/>\nBelladonna&#8217;s approach to the material. Like if they would have<br \/>\nrecorded a version of &#8220;Safe Home&#8221; or even &#8220;Only.&#8221; Something of a<br \/>\nteaser for the future. Instead, we have only the reformed band<br \/>\nplaying their material from 1985-1991 with precision and dedication<br \/>\nto their fans. It&#8217;s not everything you could ask for\u2026 but<br \/>\nit&#8217;s enough.<\/p>\n","protected":false},"author":10,"featured_media":27277,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5959],"rating":[5646],"class_list":["post-38637","review","type-review","status-publish","has-post-thumbnail","artist-anthrax","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38637"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38637\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27277"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38637"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38637"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}