{"id":38641,"date":"2005-12-02T00:00:00","date_gmt":"2005-12-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/electronic-eulogy-from-morse-code-infinity\/"},"modified":"2005-12-02T00:00:00","modified_gmt":"2005-12-02T00:00:00","slug":"electronic-eulogy-from-morse-code-infinity","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/electronic-eulogy-from-morse-code-infinity\/","title":{"rendered":"Electronic Eulogy [from Morse Code Infinity]"},"content":{"rendered":"<p>\n<i>Electronic Eulogy [From Morse Code Infinity]<\/i> can be<br \/>\ndescribed at best as modest electro-pop with no real spectacular<br \/>\nmoments.<\/p>\n<p>The music on<br \/>\n<i>Electronic Eulogy<\/i> has no frills or fancies, no 100 lb. beats<br \/>\npulsating with aggravated steam, no crazy electronics, and no<br \/>\nself-indulgent gothic pretensions. Though sparse and restricted,<br \/>\nthe music does a pretty decent job at keeping things interesting<br \/>\nfor most part of the album. This is one of those records whose<br \/>\ncleverness lies in its simplicity.<\/p>\n<p>\n<i>Electronic Eulogy<\/i> is an album of instrumentals and songs<br \/>\nwith vocals, both making presence in equal amounts. The<br \/>\ninstrumentals are nothing fancy, most of the time nothing more than<br \/>\na simple tune played on keyboards, with little visceral treatment.<br \/>\nThey resemble Moby&#8217;s style of techno (on<br \/>\n<i>Play<\/i> and<br \/>\n<i>18<\/i>), only less melodic and a tad gloomier.<\/p>\n<p>The tracks with vocals make up pretty much the highlights of the<br \/>\nalbum, notwithstanding the fact that the vocals are not<br \/>\nparticularly impressive. Sung by one half of George &#038; Caplin,<br \/>\nJeffrey Wentworth Stevens &#8212; the other half is Jason Fredrick Islen<br \/>\n&#8212; the vocals sound like as if sung by an emaciated alien; they are<br \/>\nextremely nasal, flimsy, and livid. However, coupled with the<br \/>\nquirky low-key techno music, the vocals do not sound bad at<br \/>\nall.<\/p>\n<p>As is the case with most indie music of today, the influence of<br \/>\nNew Wave and Radiohead-esque torment of electronic sounds is quite<br \/>\nvisible on<br \/>\n<i>Electronic Eulogy<\/i>, and is most apparent on the first two<br \/>\ncuts &#8212; and also the album standouts &#8212; &#8220;Promenade&#8221; and &#8220;Wimbledon<br \/>\nHeadband.&#8221; The former, with its combination of riff and rhythm<br \/>\nresembling the 80&#8217;s, is the most new wave track on this album; and<br \/>\nthe latter, with its vocals subtly sung backward and sounding<br \/>\ncompletely nonsensical, is a trademark Radiohead-inspired indie<br \/>\ntrack.<\/p>\n<p>George &#038; Caplin&#8217;s fantasy world isn&#8217;t ridden with any<br \/>\nserious paranoia to give its music any major kick. Hence,<br \/>\n<i>Electronic Eulogy<\/i> does nothing more than just provide good<br \/>\ncompany when listened to, and has no lasting impact once it&#8217;s over.<br \/>\nThis disc is easily enjoyable, but it is easily forgettable<br \/>\ntoo.<\/p>\n<p class=\"c1\">[For more information on George &#038; Caplin, visit<br \/>\n<a href=\"http:\/\/www.georgeandcaplin.com\" target=\"_blank\">www.georgeandcaplin.com<\/a>]<\/p>\n","protected":false},"author":40,"featured_media":27281,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7239],"rating":[5612],"class_list":["post-38641","review","type-review","status-publish","has-post-thumbnail","artist-george-caplin","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38641"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38641\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27281"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38641"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38641"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}