{"id":38643,"date":"2005-12-06T00:00:00","date_gmt":"2005-12-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/powerhouse\/"},"modified":"2005-12-06T00:00:00","modified_gmt":"2005-12-06T00:00:00","slug":"powerhouse","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/powerhouse\/","title":{"rendered":"Powerhouse"},"content":{"rendered":"<p>With the ubiquitous &#8220;put it all on red&#8221; Vegas mentality, Sweden<br \/>\nrockers Mustasch are sticking to past formula with the recent<br \/>\nrecording of<br \/>\n<i>Powerhouse<\/i>, the band&#8217;s fourth full-length effort.<\/p>\n<p>Calculating a gamble that their past and now present doom-style<br \/>\nrock pattern is the way to go,<br \/>\n<i>Powerhouse<\/i> further extends Mustasch&#8217;s strategy by offering<br \/>\nup a slate of tracks that will find them easily confused with any<br \/>\nother material the band has previously recorded.<\/p>\n<p>Fortunately though, bassist Mats Johansson shows increased<br \/>\ncomfort in teaming with rhythm guitarist Hannes Hansson in framing<br \/>\nthe<br \/>\n<i>Powerhouse<\/i> tracks with a largely plodding chord structure<br \/>\nthat give lead guitarist and vocalist Ralf Gyllenhammar free reign<br \/>\nto bang out the requisite hooks to surround vocals, likened to what<br \/>\na perturbed Glenn Danzig would be expected to deliver.<\/p>\n<p>So, chapter four of Mustasch&#8217;s tried-and-true style yields a few<br \/>\nfresh hits such as &#8220;Accident Blackspot,&#8221; a song summarizing a<br \/>\ntempestuous counseling session about one revisiting a selfishly<br \/>\nsingle-minded focus on life. Make no mistake &#8212; Gyllenhammar<br \/>\nsinisterly advises that this is not a love song but rather a song<br \/>\nabout fear. Convincingly, I&#8217;d say that there are some pretty heady<br \/>\nlyrics to be found on this track, which serve to set up the<br \/>\nfollowing gritty storyline about relationships that surely will<br \/>\ncater to men of all ages.<\/p>\n<p>&#8220;Dogwash,&#8221; the first single from Powerhouse, laments a guy&#8217;s<br \/>\nlower class standing in the chase for romance with the catchy &#8220;I&#8217;m<br \/>\na dog and I feel dirty&#8221; chorus. This is truly a song with a simple<br \/>\nmission statement and one catchy-as-hell chorus. Listening to this<br \/>\ntrack, one will quickly sympathize that there need be no shame in<br \/>\nswimming in the gutter of love until perhaps the second single from<br \/>\nthe album kicks in with the stately title, &#8220;I Lied.&#8221;<\/p>\n<p>In this song, Gyllenhammar turns an early seductive vocal plea<br \/>\ninto a rather rigid fist pumper based on the laurels of a failed<br \/>\nlove affair. Maybe Gyllenhammar sounds so convincing because he&#8217;s<br \/>\nfigured out that gutter flow eventually leads to the sewer?<\/p>\n<p>Defiantly, the<br \/>\n<i>Powerhouse<\/i> song trilogy concludes with &#8220;I&#8217;m Alright,&#8221; an<br \/>\nemotional gearshift of assurance that has Gyllenhammar coming to<br \/>\ngrips with the demons that have previously flamed the heat on his<br \/>\nsubject&#8217;s burning heart. The topic of love has always been a basic<br \/>\ntenet of rock n&#8217; roll but rarely has it been covered from beginning<br \/>\nto end with such convincing authority.<\/p>\n<p>From a production standpoint, I&#8217;m going to have to yet again<br \/>\ncall Mustasch&#8217;s label EMI out as I&#8217;ve done in the past for putting<br \/>\ntheir funky copy control sealant on<br \/>\n<i>Powerhouse<\/i> which randomizes the track order on my computer&#8217;s<br \/>\nRealPlayer at the same time it creates an annoying &#8212; every 90<br \/>\nsecond &#8212; skip, in song action.<\/p>\n<p>Back to the topic. I&#8217;m beginning to liken Mustasch&#8217;s career<br \/>\nmusical approach to a slow-burn effort in evolution. Past fans are<br \/>\ngoing to embrace this album for delivering familiar goods while<br \/>\nthose that have already passed judgment on the band won&#8217;t find<br \/>\nanything on<br \/>\n<i>Powerhouse<\/i> to win them over &#8212; leaving only the uninitiated<br \/>\nto jump on board. Bands like AC\/DC have obviously figured out how<br \/>\nto make this strategy work, of course, which is proof that such<br \/>\ncritique should be taken within certain context.<\/p>\n","protected":false},"author":27,"featured_media":27282,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6953],"rating":[5617],"class_list":["post-38643","review","type-review","status-publish","has-post-thumbnail","artist-mustasch","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38643"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38643\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27282"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38643"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38643"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}